Peter Graham – författare

Buildings consume 40% of our planet’s materials and 30% of its energy. Their construction uses up to three million tonnes of raw materials a year and generates 20% of the soild waste stream. If we want to survive our urban future, there is no option but to build in ways which improve the health of ecosystems. Understanding the concept of ecological sustainability and translating it into practice as sustainable development is a key challenge for today’s built environment professionals. The skill and vision of those who shape our cities and homes is vital to achieving sustainable solutions to the many environmental, economic and social problems we face on a local, national and global scale. Peter Graham offers here a holistic view of ecologically sustainable building by drawing on established areas of knowledge, demonstrating their relevance to the environmentally-conscious building professional and putting the process, product and impact of building into context. Case studies illustrate how sustainable principles have been applied successfully and discussion topics are offered to stimulate thought. Building Ecology will help planners, surveyors, designers and builders to incorporate sustainability into their everyday practice by: · showing which styles of building are ecologically sustainable · providing fundamental knowledge for making decisions using the principles of ecologically sustainable building · explaining a complex subject in a clear, balanced way. Building Ecology sets out the current scientific view of how nature works and how buildings link with and affect nature. It provides fundamental knowledge for building in harmony with nature and keeping Earth’s life-supporting ecosystems healthy.

Persons only develop in relation to environment, much in the same way we develop psychologically in relation to our parents and caregivers. Neither child nor parent is properly conceptualized, modelled, or understood without the inclusion of the other in the map or model of psychological/ecological development. Likewise, we perceive, think, and feel with and not just about environment and material artifacts. The achievement of sustainability then implies making changes to minds that are mediated, extended and distributed across brains, bodies, and the materiality of one’s environment. Our inherited world, however broken, guides our individual and collective becoming much as a parent guides the development of a child.The traces of (un-) sustainability perspective refutes the economistic conceptual model whereby rational economic actors are misperceived and misunderstood to have the moral right, if not the duty, to actively participate in the destruction of our collective future with ethical immunity. The presumed intelligence and naturalness of the market-based economic system is exposed as primarily a historically inherited culture-based delusion. If values and attitudes can be at least partially transformed by transforming the mundane materiality which is co-constitutive of our social mind, then an important milestone will have been achieved in our understanding of (un-) sustainability.

The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc.This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 .The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc.This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 .The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

A complete scientific biography of Darwin that takes into account the latest research findings, both published and unpublished, on the life of this remarkable man. Considered the first book to thoroughly emphasize Darwin’s research in various fields of endeavor, what he did, why he did it, and its implications for his time and ours. Rather than following a strictly chronological approach - a narrative choice that characteristically offers an ascent to On the Origin of Species (1859) with a rapid decline in interest following its publication and reception - this book stresses the diversity and full extent of Darwin’s career by providing a series of chapters centering on various intellectual topics and scientific specializations that interested Darwin throughout his life.  Authored by academics with years of teaching and discussing Darwin, Darwin's Sciences is suited to any biologist who is interested in the deeper implications of Darwin's research.