Peter Howell – författare

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830:- Recovers a broader context for engagements with, and writing about, the sublime- Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects- Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind- Contextualises and supports the extracts with detailed editorial commentaryAlso featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830:- Recovers a broader context for engagements with, and writing about, the sublime- Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects- Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind- Contextualises and supports the extracts with detailed editorial commentaryAlso featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830:- Recovers a broader context for engagements with, and writing about, the sublime- Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects- Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind- Contextualises and supports the extracts with detailed editorial commentaryAlso featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

The threat to use military force is a matter that commands immediate attention from many segments of government. Karsten, Howell, and Allen systematically analyze statistically significant numbers of actual cases to discover the determinants of success or failure of the threat to employ military force. After describing their methodology, they address several questions: what are the general characteristics of the typical threat? what types of threats succeed? what threats lead to war? did threats in the prenuclear past differ in outcome from those in the nuclear present? have the United States' threats differed substantially from those of other nations? can anything be said concerning the long-term consequences of the threats? In a concluding chapter the authors summarize their findings, compare them to the conventional wisdom, and then, as a test, apply them to six historical cases. They end their study with a look at the Solidarity and Falklands crises, and a theoretical scenario that suggests the significance of their findings.

The world around us, natural or man-made, is built and held together by solid materials. Understanding their behaviour is the task of solid mechanics, which is in turn applied to many areas, from earthquake mechanics to industry, construction to biomechanics. The variety of materials (metals, rocks, glasses, sand, flesh and bone) and their properties (porosity, viscosity, elasticity, plasticity) is reflected by the concepts and techniques needed to understand them: a rich mixture of mathematics, physics and experiment. These are all combined in this unique book, based on years of experience in research and teaching. Starting from the simplest situations, models of increasing sophistication are derived and applied. The emphasis is on problem-solving and building intuition, rather than a technical presentation of theory. The text is complemented by over 100 carefully-chosen exercises, making this an ideal companion for students taking advanced courses, or those undertaking research in this or related disciplines.

Text with translation, commentary and notes.

This comprehensive volume showcases cutting-edge research on stuttering from a wide range of perspectives, including neuroscience, genetics, epidemiology, speech-motor control, language effects, machine learning, disability studies, treatment options and assessment. Featuring the work of a diverse range of specialist authors from around the globe, this book discusses psychological, neuroscientific and medical aspects of stuttering.Several core topics are introduced by tutorial chapters written by specialists. These explain modern approaches in a way that is accessible to non-specialists, sometimes introducing developments not yet applied to stuttering research that have the potential to impact future work on stuttering. Tutorial chapters are followed by content chapters digging deeper into the topic and highlighting a range of up-to-date research in the field. This book also features discussions of neuroplasticity in people who stutter and explores a range of assistive technologies including virtual reality and mobile apps.The Routledge International Handbook of Stuttering will be essential reading for researchers and postgraduate students in the fields of fluency disorders, speech and language pathology, communication studies and applied linguistics.

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

This comprehensive volume showcases cutting-edge research on stuttering from a wide range of perspectives, including neuroscience, genetics, epidemiology, speech-motor control, language effects, machine learning, disability studies, treatment options and assessment. Featuring the work of a diverse range of specialist authors from around the globe, this book discusses psychological, neuroscientific and medical aspects of stuttering.Several core topics are introduced by tutorial chapters written by specialists. These explain modern approaches in a way that is accessible to non-specialists, sometimes introducing developments not yet applied to stuttering research that have the potential to impact future work on stuttering. Tutorial chapters are followed by content chapters digging deeper into the topic and highlighting a range of up-to-date research in the field. This book also features discussions of neuroplasticity in people who stutter and explores a range of assistive technologies including virtual reality and mobile apps.The Routledge International Handbook of Stuttering will be essential reading for researchers and postgraduate students in the fields of fluency disorders, speech and language pathology, communication studies and applied linguistics.

This comprehensive volume showcases cutting-edge research on stuttering from a wide range of perspectives, including neuroscience, genetics, epidemiology, speech-motor control, language effects, machine learning, disability studies, treatment options and assessment. Featuring the work of a diverse range of specialist authors from around the globe, this book discusses psychological, neuroscientific and medical aspects of stuttering.Several core topics are introduced by tutorial chapters written by specialists. These explain modern approaches in a way that is accessible to non-specialists, sometimes introducing developments not yet applied to stuttering research that have the potential to impact future work on stuttering. Tutorial chapters are followed by content chapters digging deeper into the topic and highlighting a range of up-to-date research in the field. This book also features discussions of neuroplasticity in people who stutter and explores a range of assistive technologies including virtual reality and mobile apps.The Routledge International Handbook of Stuttering will be essential reading for researchers and postgraduate students in the fields of fluency disorders, speech and language pathology, communication studies and applied linguistics.

This book is a comprehensive guide to the evidence, theories, and practical issues associated with recovery from stuttering in early childhood and into adolescence. It examines evidence that stuttering is associated with a range of biological factors — such as genetics — and psychological factors — such as anxiety — and it critically assesses theoretical accounts that attempt to integrate these findings. Written so that it can be used flexibly to meet the demands of courses about stuttering, the book may be used as a text at the undergraduate or graduate level in psychology or speech-language science.

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830:- Recovers a broader context for engagements with, and writing about, the sublime- Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects- Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind- Contextualises and supports the extracts with detailed editorial commentaryAlso featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

Martial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both ''elevated'' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as ''a short poem ending in a witty turn of thought'', their effectiveness has shaped this definition. This book tells what we know about the man''s commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. This book is part of the Ancient in Action series which features short incisive books introducing major figures of the ancient world to the modern general reader, including the essentials of each subject''s life, works, and significance for later western civilisation.

Martial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both ''elevated'' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as ''a short poem ending in a witty turn of thought'', their effectiveness has shaped this definition. This book tells what we know about the man''s commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. This book is part of the Ancient in Action series which features short incisive books introducing major figures of the ancient world to the modern general reader, including the essentials of each subject''s life, works, and significance for later western civilisation.

This is the first biography of John Francis Bentley (1839-1902), best known as architect of Westminster Cathedral, since his daughter Winefride de l’Hôpital’s Westminster Cathedral and its Architect (1919). Bentley was born in Doncaster, Yorkshire, and went to London to work in the office of Henry Clutton, a distinguished High Victorian architect who became a Roman Catholic in 1856. Bentley also converted, and, after setting up his own practice in 1860, came to be widely recognised as the best Catholic architect of his time. He built comparatively few complete churches, but did extensive work in adding to and furnishing other architects’ churches. He had remarkable skill in the design of woodwork, metalwork, stained glass, and organ cases, all of which are covered in the book. His finest parish church is Holy Rood, Watford, but the climax of his career was the commission in 1894 to design Westminster Cathedral, which was almost complete when he died in 1902.

This is the first monograph of George Edmund Street, a prolific High Victorian architect of churches and other buildings, the best known of which is the Royal Courts of Justice (the Law Courts). He was born in Essex and, after being articled in Winchester, worked in the office of George Gilbert Scott before setting out on his own account. His earliest works were in Cornwall, but he went on to design many churches, parsonages and schools in Oxfordshire, Berkshire and Buckinghamshire, having been appointed Oxford diocesan architect. Moving to London opened up commissions far and wide, as far north as Aberdeenshire, and also abroad. He paid great attention to the fittings and furnishings of his churches, taking a particular detailed interest in stained glass and embroidery. He was renowned for always completing all his own drawings personally, to the frustration of his pupils and assistants, including Philip Webb and Norman Shaw, who successively became his chief assistant before branching out on their own. His early death at the age of 57 is often attributed to the strain of building the Law Courts, which were completed after his death.Geoff Brandwood, who died suddenly in November 2021, was the author of monographs on Sharpe, Paley & Austin and on Temple Moore. He was a former chairman of the Victorian Society.2024 marks the 200th anniversary of the birth of George Edmund Street.

This book is a comprehensive guide to the evidence, theories, and practical issues associated with recovery from stuttering in early childhood and into adolescence. It examines evidence that stuttering is associated with a range of biological factors — such as genetics — and psychological factors — such as anxiety — and it critically assesses theoretical accounts that attempt to integrate these findings. Written so that it can be used flexibly to meet the demands of courses about stuttering, the book may be used as a text at the undergraduate or graduate level in psychology or speech-language science.

Martial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as 'a short poem ending in a witty turn of thought', their effectiveness has shaped this definition. This book tells what we know about the man's commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers.Part of the "Ancient in Action" series this new series of short incisive books introduces major figures of the ancient world to the modern general reader, including the essentials of each subject's life, works, and significance for later western civilisation.

In this first book to explore the entire history of triumphal arches, from their Roman origins to the present day, the Classicist and architectural historian Peter Howell describes arches through time, in terms of their cultural and historical significance. He also discusses the form of the arch in Renaissance painting and the rather surprising use of arches as war memorials. The erection of arches is far from dead, and Howell shows us examples, taken from over thirty years of research, from around the world.

Signals and Systems for Speech and Hearing (2nd edition) provides the reader with a thorough introduction to the concepts of signals and systems analysis that play a role in the speech and hearing sciences. Few equations are used, and an informal, friendly and informative style is maintained throughout. Because much of the story is told through figures, the authors have gone to great lengths to provide clear and truthful figures that show what the text says they do. It is hoped the reader will come away with a strong visual understanding of the concepts involved. This book can be used at many levels, from the student who hasn't heard of a spectrum before, to the experienced worker who has only a fuzzy understanding of the notion of an impulse response. The authors have tried to keep the underlying conceptual structure of signals and systems analysis explicit, in the hope that even some readers with advanced technical training might find clarification of the basic principles. Notable features include over 300 figures integrated closely with the text, all drawn specifically. Exercises are provided at the end of most chapters.