Peter Lee-Wright – författare

In Portugal, 12-year-olds manufacture clothes destined for British chain-stores. In Brazil, children work more than nine hours a day glueing shoes for sale in the West. This book, based on research done with the co-operation of the Anti-Slavery Society for a recent major BBC television documentary, exposes the scandalous exploitation of children''s labour and services throughout the world - a system from which the national economies of Europe and the USA profit.

What is eaten, worn and used every day in Western homes is all too often produced at the expense of poor children''s welfare. Sugar and shoes from Brazil, tea and textiles from Bangladesh, carpets and brassware from India, vegetables from Mexico, furniture from the Philippines - such goods and commodities may well depend upon the labour of children who are the victims of an inequitable economic order. The other side of the coin is that as travel to the Third World increases - in Bangkok, Manila, Rio -.juveniles are forced to sell their bodies to Western tourists who can provide easy income to those in the lower reaches of poverty. Peter Lee-Wright graphically shows in words and photographs that the shameful exploitation of children is not confined to any one culture or industry. It is a problem that involves us all.

Originally published in 1990

In Portugal, 12-year-olds manufacture clothes destined for British chain-stores. In Brazil, children work more than nine hours a day glueing shoes for sale in the West. This book, based on research done with the co-operation of the Anti-Slavery Society for a recent major BBC television documentary, exposes the scandalous exploitation of children''s labour and services throughout the world - a system from which the national economies of Europe and the USA profit.

What is eaten, worn and used every day in Western homes is all too often produced at the expense of poor children''s welfare. Sugar and shoes from Brazil, tea and textiles from Bangladesh, carpets and brassware from India, vegetables from Mexico, furniture from the Philippines - such goods and commodities may well depend upon the labour of children who are the victims of an inequitable economic order. The other side of the coin is that as travel to the Third World increases - in Bangkok, Manila, Rio -.juveniles are forced to sell their bodies to Western tourists who can provide easy income to those in the lower reaches of poverty. Peter Lee-Wright graphically shows in words and photographs that the shameful exploitation of children is not confined to any one culture or industry. It is a problem that involves us all.

Originally published in 1990

''The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.'' – Tony Steyger, Principal Lecturer, Southampton Solent University, UK

The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes.

The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.

''The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.'' – Tony Steyger, Principal Lecturer, Southampton Solent University, UK

The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes.

The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.

Journalism is in transition. Irrevocable decisions are being made, often based on flimsy evidence, which could change not only the future of journalism, but also the future of democracy. This book, based on extensive research, provides the opportunity to reflect upon these decisions and considers how journalism could change for the better and for the good of democracy. It covers:

The book analyses research in both national and local journalism, broadcast, newspaper and online journalism, broadsheet and tabloid, drawing comparisons between the different outlets in the field of news journalism, making this essential reading for scholars and students of journalism and media studies.

Journalism is in transition. Irrevocable decisions are being made, often based on flimsy evidence, which could change not only the future of journalism, but also the future of democracy. This book, based on extensive research, provides the opportunity to reflect upon these decisions and considers how journalism could change for the better and for the good of democracy. It covers:

The book analyses research in both national and local journalism, broadcast, newspaper and online journalism, broadsheet and tabloid, drawing comparisons between the different outlets in the field of news journalism, making this essential reading for scholars and students of journalism and media studies.