Peter Lord – författare

A manual of constructional details which shows how successful results in acoustic design can be achieved by correct use of building materials, products and components. Details are drawn to scale and carry informative labelling and supplementary text. This updated and revised edition of an established reference book, in an improved format and layout, will be a welcome addition to current reference works on acoustic design.

A lavishly illustrated volume presenting a comprehensive study by a renowned scholar of the rich heritage of Welsh images during the period 1500-1950, noting especially how Wales and Welsh nationhood are portrayed in these images. Over 450 colour images and over 200 black-and-white images. First published in 2000.

Christians often struggle with prayer because it has become a one-way conversation with the ceiling. It doesn't have to be this way! In this revised and updated edition of the classic bestseller, Peter Lord offers an easy-to-follow, step-by-step guide to developing a rich prayer life--moving believers from one-way communication to God to two-way communication with God. He answers such questions asCan I hear God's voice today?How can I discern the difference between God's voice and Satan's voice? How can I find God's will and direction for my life?and many moreGod still speaks today, and when believers pursue a dynamic personal relationship with him, they will learn to recognize and cherish his voice.

A manual of constructional details which shows how successful results in acoustic design can be achieved by correct use of building materials, products and components. Details are drawn to scale and carry informative labelling and supplementary text. This updated and revised edition of an established reference book, in an improved format and layout, will be a welcome addition to current reference works on acoustic design.

'Over the last twenty five years, almost single-handedly,Peter Lord has transformed a collection of poorlyunderstood evidence of art created in Wales, and lazytheoretical assumptions about it, into a discipline in itsown right, equipped with analytical frameworks andsupported by an accumulating body of knowledge.'-Andrew Green, Wales Arts Review (on The Tradition)The six sequential essays in this collection provide anarrative of a century and a half of Welsh painting,written with an emphasis on issues of social classand national identity. Through his earlier writing,Peter Lord has contributed to the establishment of anhistorical tradition of Welsh painting, but because itdoes not feature in the wider story of western art historyas presently told, the work revealed continues to beperceived as marginal, existing in isolation from ideasand movements in other countries. These essays breaknew ground by discussing the concerns of Welsh paintersnot only in domestic terms but also in the context of theways in which artists in other parts of Europe and in theUnited States reacted to the common underlying causesof those concerns. The author challenges the idea that thework of Welsh painters is relevant only to the evolutionof their own communities and, through confident anddetailed analysis, validates their pictures also in terms ofthe arts of other western cultures.

Visual culture has long been a vital component in the creation and dissemination of this prevalent national brand. The Art of Music describes the visualisation of Welsh music and musicians both in the context of the evolution of the self-image of the Welsh people, and of its influence on outside perceptions of Welshness.

Peter Lord surveys the evolution of the visual culture of Wales from the Renaissance to the end of the twentieth century in this new, single-volume history.The author describes both how the work emerged from its Welsh historical context and was related to the art of other cultures.Revealing the many discoveries made since the first publication of The Visual Culture of Wales series in 1998, The Tradition is the only study now in print that encompasses the whole field of Welsh visual art.Written for everyone with an interest in the art and history of Wales, the volume illustrates some 400 landscapes and portrait paintings, prints and sculptures.

Beneath the surface of pictures lie the extensive networks of relationships and associations that tie us to them, sometimes in extraordinary ways. In pictures the past lives, and forms the basis of who we will become.The moments at which we come to understand something of ourselves and our place in the world are often anchored in images - literary, musical and visual. Through fifteen pictures Peter Lord describes the evolution of his own sense of self, in childhood just after the Second World War, at art college in the 1960s, through the tension between incomers and local people in Wales in the 1970s and 80s, and finally through his exploration of the place they have had in the lives of the artists who created them, their patrons and the general public.

This final volume of the series focuses on the period extending from the collapse of Roman government in the 5th century to the Renaissance of the 15th and early 16th centuries.

This book is about Welsh pictures painted between the eighteenth and the twentieth centuries, and why they matter today. It mainly concerns how pictures are understood by the people who use them - patrons, museum curators, and the general public - rather than by the painters who paint them. It consists of a series of chapters on different aspects of painting, which are unified by a common theme. Individual chapters discuss an eighteenth-century painting, a nineteenth-century genre, a twentieth-century painter, how pictures are valued by museums and the art market, and how, since the 1980s, the Welsh art establishment has fought a reactionary battle against the New Art History movement. The chapters are unified by their concern with the question of how a tradition of art is created, and what effect a tradition has on how a nation sees itself - and is seen by others. The pictures and painters are discussed in the context of contemporary literature, and the social and political circumstances of their period. Comparisons are made with the experience of other cultures, notably the United States and Ireland.

For over 40 years, Aardman has entertained and charmed the world, creating memorable stories and timeless animated characters that have gone on to become household names – including Wallace and Gromit, Shaun the Sheep and Morph. But how did two teenagers experimenting with animation on an old kitchen table go on to create a world-class studio that conquered Hollywood?  This is an intimate, revealing and funny behind-the-scenes story of Aardman, told in their own words by co-founders Peter Lord and David Sproxton and featuring Nick Park. The colourful account follows Peter and David’s extraordinary journey from their humble beginnings as penniless students, teaching themselves the craft of animation, and recounts the key moments that defined their careers and shaped Aardman into the British success story it is today.  THIS STORY INCLUDES:  KEY MOMENTS THAT SHAPED AARDMAN – their first professional commissions, developing iconic TV commercials, creating the most-played music video of all time and delivering a pitch to Hollywood legend Steven Spielberg.  HOLLYWOOD GLAMOUR – What’s it like to work with big stars like Mel Gibson, Hugh Grant and Eddie Redmayne, and what goes on behind the scenes at the Oscars®?  HIGHS AND LOWS – Winning awards and recognition worldwide for their work, and dealing with the heartbreak of shutting down a production.  INSIGHTS into how two men who freely admit they are not at all business-minded managed to build a multi-million pound business.  CONTRIBUTIONS from Eddie Redmayne, Timothy Spall, Tom Hiddleston and Hugh Grant. Foreword by Matt Groening.