Peter Manseau – författare

The life and times of a uniquely American testamentIn his retirement, Thomas Jefferson edited the New Testament with a penknife and glue, removing all mention of miracles and other supernatural events. Inspired by the ideals of the Enlightenment, Jefferson hoped to reconcile Christian tradition with reason by presenting Jesus of Nazareth as a great moral teacher—not a divine one. Peter Manseau tells the story of the Jefferson Bible, exploring how each new generation has reimagined the book in its own image as readers grapple with both the legacy of the man who made it and the place of religion in American life.Completed in 1820 and rediscovered by chance in the late nineteenth century after being lost for decades, Jefferson's cut-and-paste scripture has meant different things to different people. Some have held it up as evidence that America is a Christian nation founded on the lessons of the Gospels. Others see it as proof of the Founders' intent to root out the stubborn influence of faith. Manseau explains Jefferson's personal religion and philosophy, shedding light on the influences and ideas that inspired him to radically revise the Gospels. He situates the creation of the Jefferson Bible within the broader search for the historical Jesus, and examines the book's role in American religious disputes over the interpretation of scripture. Manseau describes the intrigue surrounding the loss and rediscovery of the Jefferson Bible, and traces its remarkable reception history from its first planned printing in 1904 for members of Congress to its persistent power to provoke and enlighten us today.

The life and times of a uniquely American testamentIn his retirement, Thomas Jefferson edited the New Testament with a penknife and glue, removing all mention of miracles and other supernatural events. Inspired by the ideals of the Enlightenment, Jefferson hoped to reconcile Christian tradition with reason by presenting Jesus of Nazareth as a great moral teacher—not a divine one. Peter Manseau tells the story of the Jefferson Bible, exploring how each new generation has reimagined the book in its own image as readers grapple with both the legacy of the man who made it and the place of religion in American life.Completed in 1820 and rediscovered by chance in the late nineteenth century after being lost for decades, Jefferson's cut-and-paste scripture has meant different things to different people. Some have held it up as evidence that America is a Christian nation founded on the lessons of the Gospels. Others see it as proof of the Founders' intent to root out the stubborn influence of faith. Manseau explains Jefferson's personal religion and philosophy, shedding light on the influences and ideas that inspired him to radically revise the Gospels. He situates the creation of the Jefferson Bible within the broader search for the historical Jesus, and examines the book's role in American religious disputes over the interpretation of scripture. Manseau describes the intrigue surrounding the loss and rediscovery of the Jefferson Bible, and traces its remarkable reception history from its first planned printing in 1904 for members of Congress to its persistent power to provoke and enlighten us today.

From Peter Manseau and Jeff Sharlet comes “the most original and insightful spiritual writing to come out of America since Jack Kerouac first hit the road” (Publishers Weekly).If you meet the Buddha on the road, kill him. The 9th-century sage Lin Chi gave this advice to one of his monks, admonishing him that this Buddha would only be a reflection of his unexamined beliefs and desires. Peter Manseau and Jeff Sharlet took Lin Chi’s advice to heart and set out on a car trip around America, looking for Buddhas along the road and the people who meet them: prophets in G-strings dancing to pay the rent, storm chasers hunting for meaning in devastating tornados, gangbangers inking God on their bodies as protection from bullets, cross-dressing terrorist angels looking for a place to sing. Along the way Manseau and Sharlet began to wonder what the traditional scripture they encountered everywhere—in motels, on billboards, up and down the radio dial—would look like remade for today’s world. To find out, they called upon some of today’s most intriguing writers to recast books of the Bible by taking them apart, blowing them up with ink and paper. Rick Moody recasts Jonah as a modern-day gay Jewish man living in Queens. A.L. Kennedy meditates on the absurdity of Genesis. In Samuel, April Reynolds visits a man of tremendous vision in Harlem. Peter Trachtenberg unravels the Gordian logic of Job by way of the Borscht Belt. Haven Kimmel dives into Revelation and comes out in a swoon. Woven through these divine books are Manseau and Sharlet’s dispatches from the road, their Psalms of the people. What emerges from this work of calling is not an attack on any religion, but a many-colored, positively riveting look at the facets of true belief. Together these curious minds tell the strange, funny, sad, and true story of religion in America for the spiritual seeker in all of us: A Heretic’s Bible.

The 1950s was a boom time for the Catholic Church in America, with large families of devout members providing at least one son or daughter for a life of religious service. Boston was at the epicenter of this explosion, and Bill Manseau and Mary Doherty -- two eager young parishioners from different towns -- became part of a new breed of clergy, eschewing the comforts of homey parishes and choosing instead to minister to the inner-city poor. Peter Manseau''s riveting evocation of his parents'' parallel childhoods, their similar callings, their experiences in the seminary and convent, and how they met while tending to the homeless of Roxbury during the riot-prone 1960s is a page-turning meditation on the effect that love can have on profound faith. Once married, the Manseaus continued to fight for Father Bill''s right to serve the church as a priest, and it was into this situation that Peter and his siblings were born and raised to be good Catholics while they witnessed their father''s personal conflict with the church''s hierarchy. A multigenerational tale of spirituality, Vows also charts Peter''s own calling, one which he tried to deny even as he felt compelled to consider the monastic life, toying with the idea of continuing a family tradition that stretches back over 300 years of Irish and French Catholic priests and nuns. It is also in Peter''s deft hands that we learn about a culture and a religion that has shaped so much of American life, affected generations of true believers, and withstood great turmoil. Vows is a compelling tale of one family''s unshakable faith that to be called is to serve, however high the cost may be.

Summer, sweltering, 1996. A book warehouse in western Massachusetts. A man at the beginning of his adult life -- and the end of his career rope -- becomes involved with a woman, a language, and a great lie that will define his future. Most auspiciously of all, he runs across Itsik Malpesh, a ninetysomething Russian immigrant who claims to be the last Yiddish poet in America. When a set of accounting ledgers in which Malpesh has written his memoirs surfaces -- twenty-two volumes brimming with adventure, drama, deception, passion, and wit -- the young man is compelled to translate them, telling Malpesh''s story as his own life unfolds, and bringing together two paths that coincide in shocking and unexpected ways. Moving from revolutionary Russia to New York''s Depression-era Lower East Side to millennium''s-end Baltimore with drama, adventure, and boisterous, feisty charm to spare, the unpeeling of this friendship is a story of the entire twentieth century. For fans of Nicole Krauss, Nathan Englander, Richard Powers, Amy Bloom, and Lore Segal, this book will amaze at every turn: narrated by two poets (one who doesn''t know he is and one who doesn''t know he isn''t), it is a wise and warm look at the constant surprises and ineluctable ravages of time. It''s a book about religion, love, and typesetting -- how one passion can be used to goad and thwart the other -- and most of all, about how faith in the power of words can survive even the death of a language. A novel of faith lost and hope found in translation, Songs for the Butcher''s Daughter is at once an immigrant''s epic saga, a love story for the ages, a Yiddish-inflected laughing-through-tears tour of world history for Jews and Gentiles alike, and a testament to Manseau''s ambitious genius.

Itsik Malpesh was born the son of a goose-plucking factory manager during the Russian pogroms - his life saved on the night it began by the young daughter of a kosher slaughterer. Or so he believes… Exiled during the war, Itsik eventually finds himself in New York, working as a typesetter and writing poetry to his muse, the butcher''s daughter, whom he is sure he will never see again. But it is here in New York that Itsik is unexpectedly reunited with his greatest love - and, later, his greatest enemy - with results both serendipitous and tragic. His story is recounted in his memoirs thanks to the most unlikely of translators - a twenty-one-year-old Boston Catholic college student who, in meeting Itsik, has embarked upon a great lie that will define his future and the most extraordinary friendship he''ll ever know.