Peter Middleton – författare
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8 produkter
8 produkter
447 kr
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At the close of the Second World War, modernist poets found themselves in an increasingly scientific world, where natural and social sciences claimed exclusive rights to knowledge of both matter and mind. Following the overthrow of the Newtonian worldview and the recent, shocking displays of the power of the atom, physics led the way, with other disciplines often turning to the methods and discoveries of physics for inspiration. In Physics Envy, Peter Middleton examines the influence of science, particularly physics, on American poetry since World War II. He focuses on such diverse poets as Charles Olson, Muriel Rukeyser, Amiri Baraka, and Rae Armantrout, among others, revealing how the methods and language of contemporary natural and social sciences-and even the discourse of the leading popular science magazine Scientific American-shaped their work. The relationship, at times, extended in the other direction as well: leading physicists such as Robert Oppenheimer, Werner Heisenberg, and Erwin SchrA dinger were interested in whether poetry might help them explain the strangeness of the new, quantum world.Physics Envy is a history of science and poetry that shows how ultimately each serves to illuminate the other in its quest for the true nature of things.
Distant Reading
Performance, Readership, and Consumption in Contemporary Poetry
Häftad, Engelska, 2005
357 kr
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A dynamic account of the history, practice, and theory of poetry as performance. Distant Reading considers poetry as performance, offers new insights into its popularity, and proposes a new history of its origins. It also explores related issues concerning the reception of poetry, the impact of the computer on how we read poetry, the persistence of the letter 'I' in poems by avant-garde poets, the strangeness of the line-break as a demand on the reader's attention, and the idea of the reader as consumer. These themes are connected by a historically contextualized and theoretically sophisticated discussion of contemporary American and British poets continuing to work in the modernist tradition. The introductory essay establishes a new methodology that transforms close reading into what Middleton calls 'distant reading,' interpretive reading that acknowledges the distances that texts travel from their point of composition to readers in other geographical and historical locations. It indicates that poetic innovation is often driven by a desire on the part of the poet to make this distance do cultural work in the meanings that the poem generates. Ultimately, Distant Reading treats poetry as a cultural practice that is always situated within specific sites of performance - recited on stage, displayed in magazines, laid out on a page, scrolled on the computer screen - rather than as a transcendent cloud of meaning tethered only to its words.
919 kr
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Expanding Authorship collects Peter Middleton's significant essays exploring how the agency of the disputed figure of the author has increasingly extended beyond an individual, narratable self. In four sections--Sound, Communities, Collaboration, and Complexity--Middleton explores the internal divisions of lyric subjectivity as well as coauthorship, poetry networks, the creative role of editors and anthologists, and the outer limits of authorship revealed in long poems. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O'Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.
284 kr
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In his acclaimed 2008 book "Systems Thinking in the Public Sector", John Seddon blew the whistle on public sector 'reform' and the flawed gospel of quasi-markets, competition, targets and inspection. He showed how thousands of people in the UK and elsewhere had been engaged at a cost of millions of pounds, to impose and enforce targets that simply made things worse...Those people are still there - from the Audit Commission down - and the quasi-market model is still creating waste, driving up costs, damaging services and destroying morale. Now a new book spells out the alternative. "Delivering Public Services that Work" brings together case studies from 6 different public sector organisations, in the UK and New Zealand, that are using "Systems Thinking" to bring about rapid and extraordinary change. These Case Studies show: how they did it, step by step; how they overcame initial resistance and hostility from staff; how they rolled-in (rather than rolled-out) the programme across other departments/services; the astonishing results that have been achieved; and, the unexpected benefits that can accrue (a 44 per cent drop in staff illness in one case).
1 495 kr
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First published in 1992, The Inward Gaze looks at men’s fantasies and self-images from a wide range of texts (notably boy’s superhero comics, modernist literary classics, and a Freudian case-study) to discuss the theories of subjectivity, masculinity, and emotion.The author explores the split between the experience-based claims of the men’s movement and the discourse theories of postmodernism. Does this division reveal a continuing refusal of masculine self-awareness? Why does postmodernist theory investigate desire and ignore emotion?This is a ground-breaking and controversial book which seeks to reformulate the way we think about men’s subjectivity. Its interdisciplinary approach weaves together material from many different sources and will be of vital interest to students of literature, cultural studies, gender studies, and psychoanalysis.
509 kr
Skickas inom 10-15 vardagar
First published in 1992, The Inward Gaze looks at men’s fantasies and self-images from a wide range of texts (notably boy’s superhero comics, modernist literary classics, and a Freudian case-study) to discuss the theories of subjectivity, masculinity, and emotion.The author explores the split between the experience-based claims of the men’s movement and the discourse theories of postmodernism. Does this division reveal a continuing refusal of masculine self-awareness? Why does postmodernist theory investigate desire and ignore emotion?This is a ground-breaking and controversial book which seeks to reformulate the way we think about men’s subjectivity. Its interdisciplinary approach weaves together material from many different sources and will be of vital interest to students of literature, cultural studies, gender studies, and psychoanalysis.
725 kr
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Lean production, which has radically benefited traditional manufacturing, can greatly improve the software industry with similar methods and results. This transformation is possible because the same overarching principles that apply in other industries work equally well in software development. The software industry follows the same industrial concepts of production as those applied in manufacturing; however, the software industry perceives itself as being fundamentally different and has largely ignored what other industries have gained through the application of lean techniques.
929 kr
Kommande
This open access volume addresses the vital role of the live event in British spoken word poetry of the past fifty years. It starts from the premise that meaning in poetry performance is radically conditioned by the performance’s spatio-temporal situatedness and its specific forms of mediation: meaning emerges at the interface of text, voice action, body communication, the poet’s projected stage identity, and is shaped by the unique and emergent dynamic between the poet-performer, audience, technology, and performance context. Through performance analyses that are informed by archival work and original interviews with practitioners, the book sheds new light on the dynamic and varied relationships between tradition, innovation, and mediation in British spoken word poetry. It attends to the performance work of canonical, emergent, and re-discovered figures from a range of stylistic, geographical, ethnic and socio-political constituents within the UK, exploring both avant-garde and popular forms of performed poetries.By carefully relating individual performances to their specific event contexts, the volume sounds out the varied ways in which poets have creatively engaged with both literary and performance traditions as well as with media technologies. In the process, it addresses a number of key developments in UK poetry performance and underscores the transnational dimensions of “British” spoken word. In its entirety, the volume thus makes a pivotal contribution to the history of British poetry performance whilst also developing a critical lens through which to approach the poetry event.