Peter Monteath – författare

Monteath examines the international literature of the Spanish Civil War across the entire range of the political spectrum, from anarchism to nazism. Utilizing this approach he is able to highlight the extraordinary creative potential of a period in which political and aesthetic practice were almost inseparable.It is widely recognized that there was an extraordinarily high level of political commitment in the literature of the 1930s in general, and of the Spanish Civil War in particular. Writers as well as the general public seemed to interpret the world very much in political terms, and they sought in political ideologies, such as fascism and communism, the answers to the pressing problems of the age. Monteath examines the fiction, non-fictional prose texts, poetry, and drama of the period across the entire range of the political spectrum to assess the impact of political commitment on literature.While an opening chapter establishes the political background to the war, subsequent chapters are structured around the question of the relationship between literature and a particular political ideology, moving from Right to Left across the spectrum. Monteath confirms the inadequacy of the notion that the Spanish Civil War was simply a war between two sides. He shows that there are a number of themes which transcend political boundaries. Beyond those, however, it is evident that the substantive interests expressed in the literature of the war vary not only from one side of the political spectrum to the other, but also within the two opposing camps, and in particular within the Left. Monteath examines these variations and the politically based reasons for their existence in detail. An important work for all students and scholars of the Spanish Civil War and the literature of the twentieth century.

This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian.Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.

This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian.Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.

This book explores the place of China and the Chinese during the age of imperialism. Focusing not only on the state but also on the vitality of Chinese culture and the Chinese diaspora, it examines the seeming contradictions of a period in which China came under immense pressure from imperial expansion while remaining a major political, cultural and demographic force in its own right. Where histories of China commonly highlight episodes of conflict and subjugation in China’s relations with the West, the contributions to this volume explore the complex spaces where empires and their peoples did not merely collide but also became entangled.

This book explores the place of China and the Chinese during the age of imperialism. Focusing not only on the state but also on the vitality of Chinese culture and the Chinese diaspora, it examines the seeming contradictions of a period in which China came under immense pressure from imperial expansion while remaining a major political, cultural and demographic force in its own right. Where histories of China commonly highlight episodes of conflict and subjugation in China’s relations with the West, the contributions to this volume explore the complex spaces where empires and their peoples did not merely collide but also became entangled.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering ‘savage worlds’.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering ‘savage worlds’.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering ‘savage worlds’.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering ‘savage worlds’.

The never-before-told story of World War II escape artist extraordinaire, Johnny Peck.In August 1941, an eighteen-year-old Australian soldier made his first prison break an audacious night-time escape from a German prisoner-of-war camp in Crete. Astoundingly, this was only the first of many escapes.An infantryman in the 2/7 Battalion, Johnny Peck was first thrown into battle against Italian forces in the Western Desert. Campaigns against Hitlers Wehrmacht and Luftwaffe in Greece and Crete followed. When Crete fell to the Germans at the end of May 1941, Peck was trapped on the island with hundreds of other men. On the run, they depended on their wits, the kindness of strangers, and sheer good luck.When Pecks luck ran out, he was taken captive by the Germans, then the Italians. Later, after his release from a Piedmontese jail following the Italian Armistice of 1943, and at immense risk to his own life, Peck devoted himself to helping POWs cross the Alps to safety. Captured once more, Peck was sentenced to death and detained in Milans notorious, Gestapo-run San Vittore prison until escaping again, this time into Switzerland.Historian Peter Monteath reveals the action-packed tale of one young Australian soldier and his remarkable war.

The never-before-told story of World War II escape artist extraordinaire, Johnny Peck.In August 1941, an eighteen-year-old Australian soldier made his first prison break an audacious night-time escape from a German prisoner-of-war camp in Crete. Astoundingly, this was only the first of many escapes.An infantryman in the 2/7 Battalion, Johnny Peck was first thrown into battle against Italian forces in the Western Desert. Campaigns against Hitlers Wehrmacht and Luftwaffe in Greece and Crete followed. When Crete fell to the Germans at the end of May 1941, Peck was trapped on the island with hundreds of other men. On the run, they depended on their wits, the kindness of strangers, and sheer good luck.When Pecks luck ran out, he was taken captive by the Germans, then the Italians. Later, after his release from a Piedmontese jail following the Italian Armistice of 1943, and at immense risk to his own life, Peck devoted himself to helping POWs cross the Alps to safety. Captured once more, Peck was sentenced to death and detained in Milans notorious, Gestapo-run San Vittore prison until escaping again, this time into Switzerland.Historian Peter Monteath reveals the action-packed tale of one young Australian soldier and his remarkable war.

The never-before-told story of World War II escape artist extraordinaire, Johnny Peck.In August 1941, an eighteen-year-old Australian soldier made his first prison break an audacious night-time escape from a German prisoner-of-war camp in Crete. Astoundingly, this was only the first of many escapes.An infantryman in the 2/7 Battalion, Johnny Peck was first thrown into battle against Italian forces in the Western Desert. Campaigns against Hitlers Wehrmacht and Luftwaffe in Greece and Crete followed. When Crete fell to the Germans at the end of May 1941, Peck was trapped on the island with hundreds of other men. On the run, they depended on their wits, the kindness of strangers, and sheer good luck.When Pecks luck ran out, he was taken captive by the Germans, then the Italians. Later, after his release from a Piedmontese jail following the Italian Armistice of 1943, and at immense risk to his own life, Peck devoted himself to helping POWs cross the Alps to safety. Captured once more, Peck was sentenced to death and detained in Milans notorious, Gestapo-run San Vittore prison until escaping again, this time into Switzerland.Historian Peter Monteath reveals the action-packed tale of one young Australian soldier and his remarkable war.

At what point does the will to survive on the battlefield give way to bloodlust? What turns men into killers?The Battle of Crete was one of the most spectacular military campaigns of the twentieth century. For the first time in history, German forces carried out an invasion entirely from the air while poorly equipped Anzac and British forces, and local Cretans, defended the island. During the campaign, one battle stands out for its viciousness. When the Germans approached the Allies’ defensive line, known as 42nd Street, on 27 May 1941, men from the Australian 2/7 and 2/8 Battalions, New Zealanders from several battalions and British soldiers counter-attacked with fixed bayonets. By the end, bodies were strewn across the battlefield. Later, a German doctor reported that many of the bodies of the German soldiers had been mutilated.Acclaimed historian Peter Monteath draws on records and recollections of Australian, New Zealand, German and British forces and local Cretans to reveal the truth behind one of the most gruesome battles of World War II.