Peter O'Connor – författare

The Routledge Companion to Drama in Education is a comprehensive reference guide to this unique performance discipline, focusing on its process-oriented theatrical techniques, engagement of a broad spectrum of learners, its historical roots as a field of inquiry and its transdisciplinary pedagogical practices.

The book approaches drama in education (DE) from a wide range of perspectives, from leading scholars to teaching artists and school educators who specialise in DE teaching. It presents the central disciplinary conversations around key issues, including best practice in DE, aesthetics and artistry in teaching, the histories of DE, ideologies in drama and education, and concerns around access, inclusivity and justice.

Including reflections, lesson plans, programme designs, case studies and provocations from scholars, educators and community arts workers, this is the most robust and comprehensive resource for those interested in DE’s past, present and future.

The Routledge Companion to Drama in Education is a comprehensive reference guide to this unique performance discipline, focusing on its process-oriented theatrical techniques, engagement of a broad spectrum of learners, its historical roots as a field of inquiry and its transdisciplinary pedagogical practices.

The book approaches drama in education (DE) from a wide range of perspectives, from leading scholars to teaching artists and school educators who specialise in DE teaching. It presents the central disciplinary conversations around key issues, including best practice in DE, aesthetics and artistry in teaching, the histories of DE, ideologies in drama and education, and concerns around access, inclusivity and justice.

Including reflections, lesson plans, programme designs, case studies and provocations from scholars, educators and community arts workers, this is the most robust and comprehensive resource for those interested in DE’s past, present and future.

In the late nineteenth and early twentieth centuries, Japan, China, and both Tsarist Russia and later the USSR, vied for imperial dominance in Northeast Asia. In the process, they contested and at the same time adopted many of the physical and rhetorical features of Old-World imperialism, mitigated by domestic political forces and deeply ingrained cultural and historical values.

With chapters written by scholars from Europe and Asia, including Russia, this collection offers new international and interdisciplinary perspectives on competitions between imperialisms in Northeast Asia in the period 1894–1953, exploring encounters between old rivals and new protagonists. Bringing together specialists from different disciplines and drawing on newly discovered and hard-to-access sources, it presents a uniquely comparative and holistic perspective on the symbiotic relationships between these regional powers and resistance to them. The contributors focus on four key areas: ideology, rivalry and territoriality, social factors, and visual representations.

A valuable resource for students and scholars of modern Northeast Asian history, and highly pertinent to understanding the imperial posturing between some of the same protagonists today.

In the late nineteenth and early twentieth centuries, Japan, China, and both Tsarist Russia and later the USSR, vied for imperial dominance in Northeast Asia. In the process, they contested and at the same time adopted many of the physical and rhetorical features of Old-World imperialism, mitigated by domestic political forces and deeply ingrained cultural and historical values.

With chapters written by scholars from Europe and Asia, including Russia, this collection offers new international and interdisciplinary perspectives on competitions between imperialisms in Northeast Asia in the period 1894–1953, exploring encounters between old rivals and new protagonists. Bringing together specialists from different disciplines and drawing on newly discovered and hard-to-access sources, it presents a uniquely comparative and holistic perspective on the symbiotic relationships between these regional powers and resistance to them. The contributors focus on four key areas: ideology, rivalry and territoriality, social factors, and visual representations.

A valuable resource for students and scholars of modern Northeast Asian history, and highly pertinent to understanding the imperial posturing between some of the same protagonists today.

Responding to the global state of permacrisis, this book explores the relationship between applied theatre and disaster.

For millennia communities have learnt to live alongside disaster through their arts making. Building on the basis of this ancestral knowledge this book explores the current uses of applied theatre in times of constant crisis. Using a critical disaster studies lens, the authors recognise the role of governments and multinational businesses in profiteering from and manipulating for their own advantage the misery caused by disasters. Case studies of different stages of disaster, from risk reduction and disaster preparedness through to the almost inevitable resistance to failed government intervention, illustrate the possibilities and limitations of applied theatre and other art forms to navigate these times. Applied theatre is seen as a vital act of aesthetic and political hope.

At a time of never-ending, overlapping disasters, this book will be important to researchers and postgraduate students working in applied theatre and disaster research in the social sciences. It will also appeal to applied arts practitioners who work in disaster zones and with relief organisations.

Responding to the global state of permacrisis, this book explores the relationship between applied theatre and disaster.

For millennia communities have learnt to live alongside disaster through their arts making. Building on the basis of this ancestral knowledge this book explores the current uses of applied theatre in times of constant crisis. Using a critical disaster studies lens, the authors recognise the role of governments and multinational businesses in profiteering from and manipulating for their own advantage the misery caused by disasters. Case studies of different stages of disaster, from risk reduction and disaster preparedness through to the almost inevitable resistance to failed government intervention, illustrate the possibilities and limitations of applied theatre and other art forms to navigate these times. Applied theatre is seen as a vital act of aesthetic and political hope.

At a time of never-ending, overlapping disasters, this book will be important to researchers and postgraduate students working in applied theatre and disaster research in the social sciences. It will also appeal to applied arts practitioners who work in disaster zones and with relief organisations.

First published in 1985 this was the first introduction to Jung which related his theories to our everyday lives.

Discover through this highly readable book that Jung’s views provide a full understanding of the concerns and anxieties of today. Sigmund Freud spoke to the generations who experienced the anxiety of sexual guilt and repression. Carl Jung speaks to our generation, who seek self-knowledge and a deeper understanding of life. This book outlines Jung’s theories and how we experience them in our personal relationships, marriages and dreams. It describes Jung’s eight psychological types and his thinking on the Self, alchemy, archetypes and the collective unconscious.

Imperative for those who wish to gain insight into Jung and their own psyche.

First published in 1985 this was the first introduction to Jung which related his theories to our everyday lives.

Discover through this highly readable book that Jung’s views provide a full understanding of the concerns and anxieties of today. Sigmund Freud spoke to the generations who experienced the anxiety of sexual guilt and repression. Carl Jung speaks to our generation, who seek self-knowledge and a deeper understanding of life. This book outlines Jung’s theories and how we experience them in our personal relationships, marriages and dreams. It describes Jung’s eight psychological types and his thinking on the Self, alchemy, archetypes and the collective unconscious.

Imperative for those who wish to gain insight into Jung and their own psyche.