Peter Read - Böcker

A Rape of the Soul So Profound began when a young researcher accidentally came upon restricted files in an archives collection. What he read overturned all his assumptions about an important part of Aboriginal experience and Australia's past. The book ends in the present, 20 years later, in the aftermath of the Royal Commission on the Stolen Generations. Along the way Peter Read investigates how good intentions masked policies with inhuman results. He tells the poignant stories of many individuals, some of whom were forever broken and some who went on to achieve great things. This is a book about much sorrow and occasional madness, about governments who pretended things didn't happen, and about the opportunities offered to right a great wrong.

Feelings about lost or destroyed places rouse our deepest emotions. Losing a home or a suburb or leaving a homeland can be like losing a loved one. This book examines what it means to lose a place forever and why we return, and keep on returning, to these places so large in our memories. It considers many lost towns, suburbs, and homes: Darwin after Cyclone Tracy, the flooding of the town of Adaminaby in New South Wales, the inundation of Lake Pedder in Tasmania, bushfire at Macedon in Victoria, migration from other countries, the clearing of neighbourhoods for freeways and the everyday circumstances which force people from their land. Peter Read establishes how important the places we live in are, and how much we grieve when we lose them. It tells a human story, which is disturbing, poetic, and often inspiring. Everyone who has lost a place of importance to them will find it unforgettable.

This extraordinary book, published in 2000, explores the feelings of non-Aboriginal Australians as they articulate their sense of belonging to the land. Always acting as a counterpoint is the prior occupation and ownership by Aboriginal people and their spiritual attachment. Peter Read asks the pivotal questions: what is the meaning of places important to non-Aboriginal Australians from which the indigenous people have already been dispossessed? How are contemporary Australians thinking through the problem of knowing that their places of attachment are also the places which Aboriginals loved - and lost? And are the sites of all our deep affections to be contested, articulated, shared, foregone or possessed absolutely? The book cleverly interweaves Read's analysis (and personal quest for belonging) with the voices of poets, musicians, artists, historians, young people, Asian Australians, farmers and seventh generation Australians.

This extraordinary book, published in 2000, explores the feelings of non-Aboriginal Australians as they articulate their sense of belonging to the land. Always acting as a counterpoint is the prior occupation and ownership by Aboriginal people and their spiritual attachment. Peter Read asks the pivotal questions: what is the meaning of places important to non-Aboriginal Australians from which the indigenous people have already been dispossessed? How are contemporary Australians thinking through the problem of knowing that their places of attachment are also the places which Aboriginals loved - and lost? And are the sites of all our deep affections to be contested, articulated, shared, foregone or possessed absolutely? The book cleverly interweaves Read's analysis (and personal quest for belonging) with the voices of poets, musicians, artists, historians, young people, Asian Australians, farmers and seventh generation Australians.

Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.

Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.

Why does a highly skilled and highly trained sculptor, the master of every style and technique, insist on working in the style of the Italian Renaissance? The answer is that to Dabro, every sculpture must speak to humanity, which means that it must be an element of humanity. If it does not, the sculptor has failed. Working with female models throughout his long life, he has sought to portray an essence of femininity, and therefore an essence of humanity.Ante Dabro believes that the ability to see what other people don’t see is a real gift. He says, ‘It’s like a star wheeling round the earth, fertilising the imagination as it goes.’ This book explores the different ways he has liberated an essence of humanity by releasing the soul of a human form from its imprisoning substance, whether it be from wood, marble, stone or plaster.The author, one of Australia’s best known historians and biographers, like Dabro, wants our imaginations to soar and rejoice in the creative spirit which has driven his sculptures for more than 60years.

Ryan Reynolds and Rob McElhenney's TV series about their shock buyout of Wrexham AFC has propelled the team to unimaginable new popularity. Lifelong fan Peter Read looks at his own obsessive support, the club's history, and developments over the first two seasons under the Hollywood stars. -- Cyngor Llyfrau Cymru