Peter Reading – författare

ICE Handbook of Ground Investigation is a comprehensive practical guide, presented in two volumes, that covers the range of techniques used in conducting thorough and effective ground investigations. It provides comprehensive and up-to-date guidance on the latest technologies, methods and procedures available to establish the properties of the ground which, ultimately, will be needed for design. Through the use of clear information and quick-reference tables to support decision-making, it simplifies the process and demonstrates that any site scenario can be addressed methodically. The examples of best practice will also facilitate compliance with current British Standards and Eurocodes.Geotechnical field activities and laboratory testing focusses on both site and laboratory based techniques used to determine the geotechnical characteristics of the ground. This includes intrusive methods of investigation, sampling, instrumentation and monitoring, together with field and laboratory testing.Coverage includesintrusive methods of investigationgeotechnical samplingdown-hole geophysicsinstrumentation and monitoringfield testinggeotechnical laboratory testing.The book is aimed at anyone who may be involved in procuring, designing, carrying out or supervising ground investigations, as well as those analysing the data produced. This includes practicing geotechnical engineers and engineering geologists, structural and environmental engineers, students and clients.

Peter Reading was one of the most original and controversial British poets of the post-war period: angry, uncompromising, gruesomely ironic, hilarious and heartbreaking – as funny as he was disconcerting. He was a prodigiously skilful and technically inventive poet, mixing the matter and speech of the gutter with highly sophisticated metrical and syllabic patterns to produce scathing and grotesque accounts of lives blighted by greed, meanness, ignorance, phony media flimflam, political ineptness and cultural impoverishment. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can now be seen to link the 24 books which make up his Collected Poems. This was published in three volumes from Bloodaxe: Poems 1970-1984 (1995), Poems 1985-1996 (1996) and Poems 1997-2003 (2003). He subsequently produced two later collections, -273.15 (2005) and Vendange Tardive (2010). He died in 2011.Volume 1 of his Collected Poems includes an Introduction by Isabel Martin and was a Poetry Book Society Recommendation. The collections included (in full) are: Water and Waste (1970), For the Municipality’s Elderly (1974), The Prison Cell & Barrel Mystery (1976), Nothing For Anyone (1977), Fiction (1979), Tom o' Bedlam’s Beauties (1981), Diplopic (1983), 5x5x5x5x5 (1983) and C (1984)

Peter Reading was one of Britain’s most original and controversial poets: angry, uncompromising, gruesomely ironic, hilarious and heartbreaking – as funny as he was disconcerting. Over four decades he became our most skilful and technically inventive poet, mixing the matter and speech of the gutter with highly sophisticated metrical and syllabic patterns to produce scathing and grotesque accounts of lives blighted by greed, meanness, ignorance, phony media flimflam, political ineptness and cultural impoverishment. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can now be seen to link the 24 books which make up his Collected Poems. This was published in three volumes from Bloodaxe: Poems 1970-1984 (1995), Poems 1985-1996 (1996) and Poems 1997-2003 (2003). He subsequently produced two later collections, -273.15 (2005) and Vendange Tardive (2010). He died in 2011.Volume 2 of his Collected Poems includes an index for the first two volumes. The collections included (in full) are: Ukulele Music (1985), Going On (1985), Stet (1986), Final Demands (1988), Perduta Gente (1989), Shitheads (1989), Evagatory (1992), Last Poems (1994) and Eschatological (1996).

Peter Reading was one of Britain’s most original and controversial poets: angry, uncompromising, gruesomely ironic, hilarious and heartbreaking – as funny as he was disconcerting. Over four decades he became our most skilful and technically inventive poet, mixing the matter and speech of the gutter with highly sophisticated metrical and syllabic patterns to produce scathing and grotesque accounts of lives blighted by greed, meanness, ignorance, phony media flimflam, political ineptness and cultural impoverishment. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can now be seen to link the 24 books which make up his Collected Poems. This was published in three volumes from Bloodaxe: Poems 1970-1984 (1995), Poems 1985-1996 (1996) and Poems 1997-2003 (2003). He subsequently produced two later collections, -273.15 (2005) and Vendange Tardive (2010). He died in 2011. The collections included (in full) in Volume 3 of his Collected Poems are: Work in Regress (1997), Ob. (1999), Marfan (2000), [untitled] (2001), Faunal (2002), Civil (2002) and d (2003).

After mapping Britain’s national decline over thirty years through 25 books of poetry, Peter Reading reinvented himself as a writer in his 21st-century work. The bitter social critic became poetry’s Millennial prophet of doom, directing his venom and sorrow at the destruction of the world’s wildlife and environment. -273.15 [absolute zero] was his first new collection after his three-volume Collected Poems. The book is a lament, a tirade, a disaster warning, and an anthropologist’s catalogue of our final expedition addressed to an earlier survivor of global catastrophe, Noah of the Flood. He published his final collection, Vendange Tardive, in 2010.