Peter Rollins – författare

American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories-Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes-the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject.The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: * What are the key films on this topic? * What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? * How have film interpretations of a particular historical topic changed, and what sorts of factors-technological, social, political, historiographical-have affected their evolution? * Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?

American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories-Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes-the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject.The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: * What are the key films on this topic? * What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? * How have film interpretations of a particular historical topic changed, and what sorts of factors-technological, social, political, historiographical-have affected their evolution? * Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?

With a sensitivity to the Christian tradition and a rich understanding of postmodern thought, Peter Rollins argues that the movement known as ‘emerging church’ offers a singular, unprecedented message of transformation that has the potential to revolutionize the theological and moral architecture of the Western church. Keeping this in mind, How (Not) to Speak of God sets out to investigate the theory and praxis of this contemporary expression of faith via an exploration that is firmly anchored in the liturgical practice of the widely acclaimed post-secular project Ikon. In so doing, Peter Rollins not only offers a clear analysis of this embryonic movement, but also provides key resources for those actively involved in developing these communities around the world. ‘This book brings together Christian mysticism, postmodern philosophy, and the practices and liturgies of an alternative worship community trying to make sense of Christianity in a postmodern environment. The results are stunning - original, provocative, and creative.’Jonny Baker‘Here in pregnant bud is the rose, the emerging new configuration, of a Christianity that is neither Roman nor Protestant, neither Eastern nor monastic; but rather is the re-formation of all of them. Here, in pregnant bud, is third millennium Christendom.’Phyllis Tickle‘I am a raving fan of the book you are holding. I loved reading it. I have already begun widely recommending it. Reading it did good for my mind and my soul. It helped me to understand my own spiritual journey more clearly, and it gave me a sense of context for the work I’m involved in. In fact, I would say this is one of the two or three most rewarding books of theology I have read in ten years.’Brian McLaren

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Much has been written by practitioners advocating the emerging church phenomenon, but confusion about the nature and beliefs of those who identify with the emerging church still exists. Now that the movement has aged a bit, the time has come for a more rigorous, scholarly analysis. Here four influential authors, each an expert in his field, discuss important cultural, theological, philosophical, and biblical underpinnings and implications of the emerging church movement. Their sympathetic yet critical assessment helps readers better understand the roots of the movement and the impact that it has had and is having on wider traditions. The book includes a 60-minute companion DVD that provides a background introduction to the emerging church and video clips of alternative worship services. The DVD also contains interviews with emerging church leaders and observers, including Brian McLaren and Rowan Williams.

In this incendiary new work, philosopher-theologian Peter Rollins proclaims that the Christian faith is not primarily concerned with questions regarding life after death but with the possibility of life before death.In order to unearth this truth, Rollins prescribes a radical and wholesale critique of contemporary Christianity that he calls pyro-theology. It is only as we submit our spiritual practices, religious rituals, and dogmatic affirmations to the flames of fearless interrogation that we come into contact with the reality that Christianity is in the business of transforming our world rather than offering a way of interpreting or escaping it. Belief in the Resurrection means but one thing: participation in an Insurrection.

In this incendiary new work, philosopher-theologian Peter Rollins proclaims that the Christian faith is not primarily concerned with questions regarding life after death but with the possibility of life before death.In order to unearth this truth, Rollins prescribes a radical and wholesale critique of contemporary Christianity that he calls pyro-theology. It is only as we submit our spiritual practices, religious rituals, and dogmatic affirmations to the flames of fearless interrogation that we come into contact with the reality that Christianity is in the business of transforming our world rather than offering a way of interpreting or escaping it. Belief in the Resurrection means but one thing: participation in an Insurrection.

In contrast to the usual answers concerning what the Good News might be, incendiary philosopher-theologian Peter Rollins suggests an alternative, radical definition: you can't be satisfied, life is difficult, and you don't know the secret. Arguing that God has traditionally been thought of as a type of product that will make you whole, remove your suffering and give you the truth, Rollins contrasts this with an approach to faith that invites us to embrace suffering, face up to our unknowing and fully accept the difficulties of existence.

In contrast to the usual answers concerning what the Good News might be, incendiary philosopher-theologian Peter Rollins suggests an alternative, radical definition: you can''t be satisfied, life is difficult, and you don''t know the secret. Arguing that God has traditionally been thought of as a type of product that will make you whole, remove your suffering and give you the truth, Rollins contrasts this with an approach to faith that invites us to embrace suffering, face up to our unknowing and fully accept the difficulties of existence.

A bold and subversive vision of faith from the front line of theological innovation

In this incendiary new work, the controversial author and speaker Peter Rollins proclaims that the Christian faith is not primarily concerned with questions regarding life after death but with the possibility of life before death.In order to unearth this truth, Rollins prescribes a radical and wholesale critique of contemporary Christianity that he calls pyro-theology. It is only as we submit our spiritual practices, religious rituals, and dogmatic affirmations to the flames of fearless interrogation that we come into contact with the reality that Christianity is in the business of transforming our world rather than offering a way of interpreting or escaping it. Belief in the Resurrection means but one thing: Participation in an Insurrection."What Pete does in this book is take you to the edge of a cliff where you can see how high you are and how far you would fall if you lost your footing. And just when most writers would kindly pull you back from edge, he pushes you off, and you find yourself without any solid footing, disoriented, and in a bit of a panic…until you realize that your fall is in fact, a form of flying. And it''s thrilling."--Rob Bell, author of Love Wins and Velvet Elvis"While others labor to save the Church as they know it, Peter Rollins takes an ax to the roots of the tree. Those who have enjoyed its shade will want to stop him, but his strokes are so clean and true that his motive soon becomes clear: this man trusts the way of death and resurrection so much that he has become fearless of religion." --Barbara Brown Taylor, author of Leaving Church and An Altar in the World“Rollins writes and thinks like a new Bonhoeffer, crucifying the trappings of religion in order to lay bare a radical, religionless and insurrectional Christianity. A brilliant new voice—an activist, a storyteller and a theologian all in one—and not a moment too soon.” --John D. Caputo, Thomas J. Watson Professor of Religion Emeritus, Syracuse University“What does it mean when the Son of God cries out, ‘My God, My God, why have you forsaken me’? Brilliantly, candidly, and faithfully, Rollins wrestles here with that question. You may not agree with his answers and conclusions, but you owe it to yourself and to the Church at large to read what he says.”  --Phyllis Tickle, author, The Great Emergence"Excellent thinking and excellent writing!  I hope this fine book receives the broad reading it deserves. It will change lives, and our understanding of what religion is all about!"-- Rohr,O.F.M., Center for Action and Contemplation; Albuquerque, New Mexico

You can’t be satisfied. Life is difficult. You don’t know the secret. Whether readers are devout believers or distant seekers, The Idolatry of God shows that we must lay down our certainties and honestly admit our doubts to identify with Jesus. Rollins purposely upsets fundamentalist certainty in order to open readers up to a more loving, active manifestation of Christ’s love. In contrast to the usual understanding of the “Good News” as a message offering satisfaction and certainty, Rollins argues for a radical and shattering alternative. He explores how the Good News actually involves embracing the idea that we can’t be whole, that life is difficult, and that we are in the dark. Showing how God has traditionally been approached as a product that will render us complete, remove our suffering, and reveal the answers, he introduces an incendiary approach to faith that invites us to joyfully embrace our brokenness, resolutely face our unknowing, and courageously accept the difficulties of existence. Only then, he argues, can we truly rob death of its sting and enter into the fullness of life.

In this mind-bending exploration of traditional Christianity, firebrand Peter Rollins turns the tables on conventional wisdom, offering a fresh perspective focused on a life filled with love.Peter Rollins knows one magic trick—now, make sure you watch closely. It has three parts: the Pledge, the Turn, and the Prestige. In Divine Magician, each part comes into play as he explores a radical view of interacting with the world in love. Rollins argues that the Christian event, reenacted in the Eucharist, is indeed a type of magic trick, one that is echoed in the great vanishing acts performed by magicians throughout the ages. In this trick, a divine object is presented to us (the Pledge), disappears (the Turn), and then returns (the Prestige). But just as the returned object in a classic vanishing act is not really the same object—but another that looks the same—so this book argues that the return of God is not simply the return of what was initially presented, but rather a radical way of interacting with the world. In an effort to unearth the power of Christianity, Rollins uses this framework to explain the mystery of faith that has been lost on the church. In the same vein as Rob Bell’s bestseller Love Wins, this book pushes the boundaries of theology, presenting a stirring vision at the forefront of re-imagined modern Christianity. As a dynamic speaker as he is in writing, Rollins examines traditional religious notions from a revolutionary and refreshingly original perspective. At the heart of his message is a life lived through profound love. Just perhaps, says Rollins, the radical message found in Christianity might be one that the church can show allegiance to.

Pete Rollins is inspired by the fact that all language fails when it comes to describing God. This, he says, is what nourishes poets and pilgrims alike as they try to capture, enact and incarnate truth. Such truth can only be lived - it cannot be reduced to mere words. From this starting point, he revisits the parables of Jesus - odd and unexpected stories that set hearers and readers spinning off course from what is safe and familiar towards some completely new kind of understanding. Parables are subversive; they never attempt to make faith simplistic. A parable does not primarily provide information about our world. Rather, if we allow it to do its work within us, it will change our world-breaking it - and us - open to wholly new possibilities. In the spirit of Jesus' parables, Peter offers some transformative stories of his own.