Peter Schulman – författare

Explores the unique and volatile relationship of these two nations and cultures over the past two centuries, as expressed in literature, film, and philosophy.Rhine Crossings explores the conflicts and resolutions that have characterized the relationship between France and Germany over the past two centuries. Despite their varying outlooks on life and style (the French esprit and the German wesen), and despite three bloody wars (the Franco-Prussian and the two world wars), there has always been and still is a vital intellectual, political, and cultural exchange between these former "archenemies." The essays in this book detail the admiration and antagonism in French and German attempts to seek each other out while keeping their individual senses of self. Focusing on representative works of literature, film, and philosophy, the contributors identify the problems vexing these countries (war, economic competition) as well as possible solutions (the Maastricht treaty, increasing youth exchange). From the literary salons of the eighteenth century to the trenches of the twentieth, from a love-hate relationship to one of cooperation and peace, this book investigates the unique and volatile dialectic between these two nations and cultures.

Explores the unique and volatile relationship of these two nations and cultures over the past two centuries, as expressed in literature, film, and philosophy.Rhine Crossings explores the conflicts and resolutions that have characterized the relationship between France and Germany over the past two centuries. Despite their varying outlooks on life and style (the French esprit and the German wesen), and despite three bloody wars (the Franco-Prussian and the two world wars), there has always been and still is a vital intellectual, political, and cultural exchange between these former "archenemies." The essays in this book detail the admiration and antagonism in French and German attempts to seek each other out while keeping their individual senses of self. Focusing on representative works of literature, film, and philosophy, the contributors identify the problems vexing these countries (war, economic competition) as well as possible solutions (the Maastricht treaty, increasing youth exchange). From the literary salons of the eighteenth century to the trenches of the twentieth, from a love-hate relationship to one of cooperation and peace, this book investigates the unique and volatile dialectic between these two nations and cultures.

Widely rumored to exist, then circulated in a corrupt form, Jules Verne’s final and arguably most daring and hauntingly beautiful novel—his own “invisible man”—appears here for the first time in a faithful translation. Readers of English can rediscover the pleasures of Verne’s storytelling in its original splendor and enjoy a virtually unknown gem of action, adventure, and style from a master of French literature.Wilhelm Storitz, the son of a famous Prussian scientist (and possessor of his father’s secrets—even, perhaps, a formula that confers invisibility), vows revenge on the family that has denied him the love of his life, Myra Roderich. Wilhelm’s actions on the eve of Myra’s wedding unfold in a surprising and sinister way, leading to an ending that will astonish the reader.   Like many works left unpublished when Jules Verne died, The Secret of Wilhelm Storitz was prepared and edited by his son, Michel. After a century of obscurity, this unique work in Verne’s oeuvre is finally in the hands of readers, in a fine, authentic translation.

In a world of increasing conformity, the modern eccentric can be seen as a contemporary hero and guardian of individualism. This study defines the modern eccentric in twentieth-century French literature and compares the notions of the eccentric in nineteenth-and twentieth-century French literature by tracing the eccentric's relationship to time, space, and society. While previous studies have focused on the notion of eccentricity in purely formal terms, The Sunday of Fiction delineates the eccentric as a fully fictional character. This work also completes prior criticism by exploring twentieth-century fictional eccentrics in works by authors such as Raymond Queneau, Jean-Echenoz, Jean-Philippe Toussaint, Georges Perec, and by filmmakers such as Jacques Tati and Pierre Etaix. Notions of eccentricity since the nineteenth century shift from rather foppish, outlandish representations of aristocratic eccentrics towards a more popular, discreet figure who is uniquely in tune with vanishing spaces of daily life: amusement parks, cafes, grand movie palaces. While the modern world around them is obsessed with speed, technology, and innovation, modern French eccentrics view daily life as a sort of holiday to be savored. In this way, The Sunday of Fiction details the various means modern eccentrics employ to successfully transform the humdrum into the marvelous, or rather Mondays into Sundays.