Peter Shapiro – författare

The engrossing, insightful, and personal musical odyssey of Peter Shapiro, perhaps the most notable independent concert promoter since Bill GrahamPeter Shapiro is the best known and most influential concert promoter of his generation. He owned the legendary Wetlands in Tribeca and has gone on to much bigger things, including Brooklyn Bowl (NYC, Las Vegas, Philadelphia, and Nashville), the Capitol Theatre in Port Chester, producing U2 3D, and promoting the Grateful Dead's fiftieth-anniversary tour ("Fare Thee Well") featuring the Core Four and Trey Anastasio . . . and so much more.In The Music Never Stops, Shapiro shares the inside story of how he became a power-house in the music industry-an island in an increasingly consolidated landscape of venues, ticketing, and touring-through the lens of fifty iconic concerts. Along the way, readers gain insight into what it was like to work with some of the most celebrated bands in modern music, including not just the Grateful Dead and U2, but also Bob Dylan, Phish, Dave Matthews Band, Al Green, Ms. Lauryn Hill, Jason Isbell, Preservation Hall Jazz Band, The Roots, Robert Plant, Leonard Cohen, and many more.Featuring never-before-published back-stage anecdotes, insights, and photographs of the biggest bands in the business and the concerts that later became legendary, The Music Never Stops is a perfect guide for any-one who wants to understand the modern live music industry.

Peter Shapiro is the best known and most influential concert promoter of his generation. He owned the legendary Wetlands in Tribeca and has gone on to much bigger things, including Brooklyn Bowl (NYC, Las Vegas, Philadelphia, and Nashville), the Capitol Theatre in Port Chester, producing U2 3D, and promoting the Grateful Dead's fiftieth-anniversary tour ("Fare Thee Well") featuring the Core Four and Trey Anastasio . . . and so much more.In The Music Never Stops, Shapiro shares the inside story of how he became a power-house in the music industry-an island in an increasingly consolidated landscape of venues, ticketing, and touring-through the lens of fifty iconic concerts. Along the way, readers gain insight into what it was like to work with some of the most celebrated bands in modern music, including not just the Grateful Dead and U2, but also Bob Dylan, Phish, Dave Matthews Band, Al Green, Ms. Lauryn Hill, Jason Isbell, Preservation Hall Jazz Band, The Roots, Robert Plant, Leonard Cohen, and many more.Featuring never-before-published back-stage anecdotes, insights, and photographs of the biggest bands in the business and the concerts that later became legendary, The Music Never Stops is a perfect guide for any-one who wants to understand the modern live music industry.

Disco emerged from the fall-out of the Black Power Movement and an almost exclusively gay scene in a blaze of poppers, strobe lights, tight trousers, hysterical diva vocals and synthesized beats in the late sixties. As a genre, disco radically re-defined the sensibility of the seventies to the extent where reactionary rockers felt the need to launch a paranoid 'Disco Sucks' campaign at the end of the decade. Featuring artists such as Chic, Sylvester, Donna Summer and Frank Grasso, Turn the Beat Around illustrates why and how disco changed the face of popular culture forever.

The Watsonville Canning strike was a dramatic show of the power by women workers whose struggle became a rallying point for the Chicano movement. In the course of the strike, a virtually moribund local union was revitalised, and Watsonville's Latino majority emerged as a major force in local politics.