Peyman Vahabzadeh – författare

Analyzes new social movements and their ramifications for social and political theory.By reexamining the very foundations of everyday acting and thinking and stepping into the open expanse of a possible transition to a postmodern era, this book presents a radical phenomenological approach to the study of contemporary social movements. It offers a theory of acting that refuses to surrender to norms and legislations and thus always intimates a mode of thinking that challenges various manifestations of ultimacy. Vahabzadeh invites us to radically rethink many basic principles that inform our lives, such as the democratic discourse, the concept of rights, liberal democratic regimes, time and epochs, oppression, acting, and the practice of sociology, in an effort to instate a reworked concept of experience in theories about social movements.

Analyzes new social movements and their ramifications for social and political theory.By reexamining the very foundations of everyday acting and thinking and stepping into the open expanse of a possible transition to a postmodern era, this book presents a radical phenomenological approach to the study of contemporary social movements. It offers a theory of acting that refuses to surrender to norms and legislations and thus always intimates a mode of thinking that challenges various manifestations of ultimacy. Vahabzadeh invites us to radically rethink many basic principles that inform our lives, such as the democratic discourse, the concept of rights, liberal democratic regimes, time and epochs, oppression, acting, and the practice of sociology, in an effort to instate a reworked concept of experience in theories about social movements.

Emerging in the early 1970s, the Organization of Iranian People's Fadai Guerrillas (OIPFG) become one of the most important secular leftist political organizations in Iran. Despite their lasting influence and the way in which their efforts helped shape the history of Iran for decades to come, little is known about the group. ""A Guerrilla Odyssey"" presents the first comprehensive examination of the rise and fall of the Fadai urban guerrilla movement in Iran. Drawing on exhaustive analyses of the published and unpublished works of the Fadai Guerrillas, as well as of archival material and interviews with activists, the author demonstrates historically and sociologically the conditions that surrounded the debut and demise of the urban guerrilla warfare that defined Iranian political life in the 1970s Vahabzdeh offers a critique of various aspects of the Fadai's theories of national liberation in an attempt to reconsider the painful relationship among modernization, secularism, and democracy in contemporary Iran. In addition, the author makes a compelling case explaining why older revolutionary social movements of the 1960s and 1970s have transformed into the new democratic social movements that emerged from the 1980s onward in the form of today's women's, student, and youth movements in Iran. ""A Guerilla Odyssey"" is a meticulously researched and engrossing narrative that promises to be a major contribution to the field of Iranian history.

At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah’s dictatorship and the regime’s "Great Civilisation" propaganda. With the emergence of urban guerrilla warfare in 1971, dissident artists – spearheaded by Marxist People’s Fadai Guerrillas (PFG) – created symbolic works that popularised the militants’ ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents.By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants – who were few in number – were able to acquire a ‘heroic’ dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence.

At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's "Great Civilisation" propaganda. With the emergence of urban guerrilla warfare in 1971, dissident artists spearheaded by Marxist People's Fadai Guerrillas (PFG) created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents.By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants who were few in number were able to acquire a 'heroic' dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence.

Through an original and close reading of the key literature regarding both revolutionary violence and nonviolence, this book collapses the widely-assumed concepts of violence and nonviolence as mutually exclusive. By revealing that violence and nonviolence are braided concepts arising from human action, Peyman Vahabzadeh submits that in many cases the actions deemed to be either violent or nonviolent might actually produce outcomes that are not essentially different. Vahabzadeh offers a conceptual phenomenology of the key thinkers and theorists of both revolutionary violence and various approaches to nonviolence. Arguing that violence is inseparable from civilizations, Violence and Nonviolence concludes by making a number of original conceptualizations regarding the relationship between violence and nonviolence, exploring the possibility of a nonviolent future and proposing to understand the relationship between the two concepts as concentric, not opposites.

Through an original and close reading of the key literature regarding both revolutionary violence and nonviolence, this book collapses the widely-assumed concepts of violence and nonviolence as mutually exclusive. By revealing that violence and nonviolence are braided concepts arising from human action, Peyman Vahabzadeh submits that in many cases the actions deemed to be either violent or nonviolent might actually produce outcomes that are not essentially different. Vahabzadeh offers a conceptual phenomenology of the key thinkers and theorists of both revolutionary violence and various approaches to nonviolence. Arguing that violence is inseparable from civilizations, Violence and Nonviolence concludes by making a number of original conceptualizations regarding the relationship between violence and nonviolence, exploring the possibility of a nonviolent future and proposing to understand the relationship between the two concepts as concentric, not opposites.

For Land and Culture offers the first comprehensive account of a long forgotten and neglected grassroots movement. In the wake of Iran's 1979 revolution, Turkmen peasants collectively occupied their ancestral lands, which had been seized through colonial modernization, land registry and land reform under the Pahlavi monarchy. The book chronicles this movement using theoretical and historical engagement with the modern councils and offers a detailed account of the "land question" in Iran's colonial modernization. The book describes the systematic dispossession of Turkmen communities from some of the most fertile areas in Iran. Vahabzadeh shows how Turkmen land occupation in 1979 led to a sophisticated council system that offered a practical politics of semi-autonomous, democratic self-governance in the face of hostile militias and other forces of the nascent authoritarian Islamic Republic. With social justice as one of its unshakable pillars, the Turkmen council movement took back land as commons and abolished capitalist private ownership of land, providing an alternative to top-down politics until it was defeated by the state through a combination of military terror and assimilation. Although short lived, the radically democratic movement connected with global struggles of Indigenous Peoples and autonomous movements who had broken away from patriarchal state forms and capitalist domination.

Following the 1953 coup that toppled the democratically elected government of Mossadeq and restored the rule of the Shah in Iran, Mostafa Sho‘aiyan became a key figure on the country’s militant left. From a life underground he contributed significantly to the study of Iranian history and politics, and developed a unique theory of revolution.A Rebel’s Journey provides fascinating insights into the life and work of this singular theoretician. Peyman Vahabzadeh sets Sho‘aiyan’s thought in the context of his time and place, and explores how his revolutionary theory might contribute to today’s expanding movements for social justice and liberation.

This interdisciplinary volume offers a range of studies spanning the various historical, political, legal, and cultural features of social justice in Iran, and proposes that the present-day realities of life in Iran could not be farther from the promises of the Iranian Revolution.