Phil Baker – författare

La Fee Verte (or "The Green Fairy") has intoxicated artists, poets, and writers ever since the late eighteenth century. Stories abound of absinthe's druglike sensations of mood lift and inspiration due to the presence of wormwood, its infamous "special" ingredient, which ultimately leads to delirium, homicidal mania, and death. Opening with the sensational 1905 Absinthe Murders, Phil Baker offers a cultural history of absinthe, from its modest origins as an herbal tonic through its luxuriantly morbid heyday in the late nineteenth century. Chronicling a fascinatingly lurid cast of historical characters who often died young, the absinthe scrapbook includes Paul Verlaine, Arthur Rimbaud, Charles Baudelaire, Oscar Wilde, Ernest Dowson, Aleister Crowley, Arthur Machen, August Strindberg, Alfred Jarry, Vincent van Gogh, Henri de Toulouse-Lautrec, Alphonse Allais, Ernest Hemingway, and Pablo Picasso. Along with discussing the rituals and modus operandi of absinthe drinking, Baker reveals the recently discovered pharmacology of how real absinthe actually works on the nervous system, and he tests the various real and fake absinthe products that are available overseas. The Book of Absinthe is a witty, erudite primer to the world's most notorious drink.

City of cities, the modern world’s first great metropolis, London has shaped everything from clothing to youth culture. It has a unique place in the world’s memory, even as its role has changed from the capital of the planet to its playground, and as its lived history has mutated into the heritage industry.Londoner Phil Baker explores the city’s history, and the London of today, balancing well-known major events with more curious and eccentric details. He reveals a city of almost unmatched historical density and richness. For Baker, London turns out to be Gothic in all senses of the word, enjoyably haunted by its own often bloody past. And despite extensive redevelopment, as he shows in this engaging and insightful book, some of the magic remains.

Along with Jack Kerouac and Allen Ginsberg, William S. Burroughs (1914-1997) is an iconic figure of the Beat generation. In this revealing study Phil Baker traces this cult writer's life - from the New York underworld of the 1940s to Mexico and the South American jungle, Tangier and the writing of Naked Lunch, Paris and the Beat Hotel, 1960s London, and small-town Kansas - in order to investigate his work as an autobiographical explorer of altered consciousness and inner space, reporting back from the frontiers of his experience.After accidentally shooting his wife in 1951, Burroughs felt it was his destiny to struggle with the 'Ugly Spirit' that had possessed him. His early absorption in psychoanalysis gave way to Scientology and demonology, and he came to believe in an increasingly magical universe, sending curses and operating a 'wishing machine'. His paranoid vision and his lifelong preoccupation with freedom and its opposites - all forms of addiction and control - finally evolved into a concern with ecology and an all-out ethical conflict between good people who live and let live, or 'Johnsons', and those who impose themselves on others, wrecking the planet in the process.Drawing on newly available material, and rooted in Burroughs's vulnerable emotional life and seminal friendships, this insightful book provides a lucid and powerful account of his career and significance.