Philip Balma – författare

Do you want to learn Italian slang? No need to sudare sette camicie. "Streetwise Italian Dictionary/Thesaurus" makes it easy! Add spark to your everyday casual conversation by learning how to use Italian slang and expressions appropriately. "Streetwise Italian Dictionary/Thesaurus" gets you talking like you're cool without getting you into hot water! Frustrated by Italian slang? No need to calare le brache (lit., pull down one's pants - surrender), chiudere bottega (lit. to close up shop - to give up), or perdere le staffe (lit., to lose the stirrups - lose one's temper). With this book, you can trovare l'America (lit., discover America - find happiness). Inside you will find just the right expression you are looking for instantly. And whimsical illustrations get the message across with laugh-out-loud humor."Streetwise Italian Dictionary/Thesaurus" is a cinch to use for quick reference or browsing, featuring: more than 2,500 current terms and expressions; A-Z thematic arrangement in 34 English themes and 158 subcategories; literal meanings, example sentences for context, and entertaining exercises to develop active vocabulary; and helpful illustrations of 12 typical Italian gestures. Italian-English dictionary/index that cross-references all 2,500 terms and expressions are included in the thesaurus. Worried you'll be called un cervello di gallina (lit., hen's brain - not too smart)? Whether you're a student, tourist, or business traveler, whatever the topic of your conversation - be it art, health, sex, or work - "Streetwise Italian Dictionary/Thesaurus" will have you comfortable using slang and talking like you're "with it" in no time at all. (lit., sweat seven shirts - work really hard).

Author of more than thirteen books and several volumes of poetry, screenwriter, and director, Edith Bruck is one of the leading literary voices in Italy, attracting increasing attention in the English-speaking world not least for her powerful Holocaust testimony, which is often compared with the work of her contemporaries Primo Levi and Giorgio Bassani. Born in Hungary in 1932, she was deported with her family to the concentration camps of Auschwitz, Dachau, Christianstadt, Landsberg, and Bergen-Belsen, where she lost both her parents and a brother. After the war, she traveled widely until 1954 when she settled in Rome. She has lived there ever since. This important new study is motivated by a desire to better understand and situate Bruck's art as well as to advance (and, when necessary, to revise) the critical discourse on her considerable and eclectic body of work. As such, it underscores and analyzes the intermedial nature of her contributions to contemporary Italian culture, which should no longer be understood merely in terms of her willingness to revisit the subject of the Holocaust on the printed page or the silver screen. It also includes previously unpublished interviews with the author. The book will be of broad interest to scholars and students of Jewish (especially Holocaust) studies, Italian literature, film studies, women's studies, and postcolonial culture."This is the first comprehensive scholarly analysis of the work produced by a main contemporary author of Italian Holocaust literature, focused on Bruck's overall artistic production (novels, poetry, film, and TV productions). It will offer scholars and students alike a new interpretive perspective and a valuable source of reference for their studies." Gabriella Romani, Seton Hall University.

Author of more than thirteen books and several volumes of poetry, screenwriter, and director, Edith Bruck is one of the leading literary voices in Italy, attracting increasing attention in the English-speaking world not least for her powerful Holocaust testimony, which is often compared with the work of her contemporaries Primo Levi and Giorgio Bassani. Born in Hungary in 1932, she was deported with her family to the concentration camps of Auschwitz, Dachau, Christianstadt, Landsberg, and Bergen-Belsen, where she lost both her parents and a brother. After the war, she traveled widely until 1954 when she settled in Rome. She has lived there ever since. This important new study is motivated by a desire to better understand and situate Bruck''s art as well as to advance (and, when necessary, to revise) the critical discourse on her considerable and eclectic body of work. As such, it underscores and analyzes the intermedial nature of her contributions to contemporary Italian culture, which should no longer be understood merely in terms of her willingness to revisit the subject of the Holocaust on the printed page or the silver screen. It also includes previously unpublished interviews with the author. The book will be of broad interest to scholars and students of Jewish (especially Holocaust) studies, Italian literature, film studies, women''s studies, and postcolonial culture.