Philip Cottrell - Böcker

This is a full and authoritative account of the history of private banking, beginning with its development in conjunction with the world markets served by and centred on a few European cities, notably Amsterdam and London. These banks were usually partnerships, a form of organization which persisted as the role of private banking changed in response to the political and economic transformations of the late 18th and early 19th centuries. It was in this period, and the succeeding Golden Age of private banking from 1815 to the 1870s, that many of the great names this book treats rose to fame: Baring, Rothschild, Mallet and Hottinger became synonymous with wealth and economic power, as German, French and the remarkably long-lasting Geneva banks flourished and expanded. The last parts of this study detail the way in which private banking adapted to the age of the corporate economy from the 1870s to the 1930s, the decline during and after the Great Depression and the post-war renaissance. It concludes with an appraisal of the causes and consequences of the modern expansion of private banking: no longer the exclusive preserve of partnerships, the management of investment portfolios of wealthy individuals and institutions is now a major concern of international joint-stock banks.

The essays incorporated into this volume share an ambitious interest in investigating death as an individual, social and metaphorical phenomenon that may be exemplified by themes involving burial rituals, identity, and commemoration. The disciplines represented are as diverse as art history, classics, history, music, languages and literatures, and the approaches taken reflect various aspects of contemporary death studies. These include the fear of death, the role of death in shaping human identity, the ‘taming’ of death through ritual or aesthetic sublimation, and the utilization of death – particularly dead bodies – to manipulate social and political ends.The topics covered include the exhumation and reburial of Cardinal John Henry Newman;the funerary monument of John Donne in his shroud; the funeral of Joseph Stalin; the theme of mutilation and non-burial of the corpse in Homer’s Iliad; the individual’s encounter with death in the work of the German Philosopher Josef Pieper; the Requiem by the Irish composer Charles Villiers Stanford; the imagery of death in Giovanni Verga’s novel Mastro-don Gesualdo, and the changing attitudes toward death in the writings of Michel Foucault.