Philip Gerard – författare

All writers conduct research. For some this means poring over records and combing, archives but for many creative writers research happens in the everyday world when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger.The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable and enjoyable research plan. It shows that research shouldn't be seen as a dry, plodding aspect of writing. Instead, it's an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction. Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers in addition to those from his own projects.Throughout, Gerard brings knowledge from his seasoned background into play, drawing on his experiences as a reporter and a writer of both fiction and nonfiction. His enthusiasm for adventure is infectious and will inspire writers to step away from the keyboard and into the world. "Research can take you to that golden intersection where the personal meets the public, the private crosses the universal, where the best literature lives," Gerard writes. With his masterly guidance, anyone can become an expert in artful investigation.

Set off the treacherous Outer Banks of North Carolina during the final days of the First World War, Hatteras Light is the compelling story of the dedicated keepers of the Hatteras lighthouse and their tightly knit community. For generations these men have drawn their livelihood from the sea, served in the rescue of shipwreck victims, and guarded seagoers from the hazardous shoals. Their wives and daughters endure a difficult, solitary life, their fortitude constantly tested. Loyal to one another and to a traditional way of life, the islanders are suspicious of outsiders and censorious of those who leave. The insular world of these Hatterasmen disrupts when a German U-boat reveals itself offshore, indiscriminately sinking civilian and military vessels, challenging the courage of the lifesavers, and signaling the dawning of a darker, less honorable age. Over a few crucial days, we become intimate with these men and women, and with the German officers aboard U-55 who have made the islanders' lives hell. What emerges is an adventure story full of wisdom and compassion, a novel unfailingly accurate in portraying the struggle of man and sea, man against man, and of men and women. Based on historical fact, Philip Gerard's novel is a powerful book whose storytelling represents the most human tendencies in life and art.Philip Gerard is the author of five novels and eight books of nonfiction, including Down the Wild Cape Fear: A River Journey Through the Heart of North Carolina and The Patron Saint of Dreams, winner of the 2012 North American Gold Medal in Essay/Creative Nonfiction from The Independent Publisher.

To understand the long march of events in North Carolina from secession to surrender is to understand the entire Civil War--a personal war waged by Confederates and Unionists, free blacks and the enslaved, farm women and plantation belles, Cherokees and mountaineers, conscripts and volunteers, gentleman officers and poor privates. In the state's complex loyalties, its sprawling and diverse geography, and its dual role as a home front and a battlefield, North Carolina embodies the essence of the whole epic struggle in all its terrible glory.Philip Gerard presents this dramatic convergence of events through the stories of the individuals who endured them--reporting the war as if it were happening in the present rather than with settled hindsight--to capture the dreadful suspense of lives caught up in a conflict whose ending had not yet been written. As Gerard reveals, whatever the grand political causes for war, whatever great battles decided its outcome, and however abstract it might seem to readers a century and a half later, the war was always personal.

In Down the Wild Cape Fear, novelist and nonfiction writer Philip Gerard invites readers onto the fabled waters of the Cape Fear River and guides them on the 200-mile voyage from the confluence of the Deep and Haw Rivers at Mermaid Point all the way to the Cape of Fear on Bald Head Island. Accompanying the author by canoe and powerboat are a cadre of people passionate about the river, among them a river guide, a photographer, a biologist, a river keeper, and a boat captain. Historical voices also lend their wisdom to our understanding of this river, which has been a main artery of commerce, culture, settlement, and war for the entire region since it was first discovered by Verrazzano in 1524. Gerard explores the myriad environmental and political issues being played out along the waters of the Cape Fear. These include commerce and environmental stewardship, wilderness and development, suburban sprawl and the decline and renaissance of inner cities, and private rights versus the public good.

In August 1898, Wilmington, North Carolina, was a mecca for middle-class black citizens. Many of the city's lawyers, businessmen, and other professionals were black, as were all the tradesmen and stevedores. The black community outnumbered the white community by more than two to one. But white civic leaders, many descended from the antebellum aristocracy, did not consider this progress. They looked around and saw working-class white citizens out of jobs. They heard black citizens addressing white neighbors "in the familiar." They hated the fact that local government was run by Republican "Fusionists" sympathetic to the black majority. In this roiling environment, the newspaper office turned into an arsenal, secret societies espousing white supremacy were formed, and isolated acts of violence ensued. The situation was inflamed further by public speeches from both sides. One morning in November, the almost inevitable gunfire began. By the time it was over, a government had fallen, citizens died or dispersed, and Wilmington would never be the same again. Based on actual events, Cape Fear Rising tells a story of one city's racial nightmare—a nightmare that was repeated throughout the South at the turn of the century. Although told as fiction, the core of this novel strikes at the heart of racial strife in America.

This book is the first in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1940s—a decade which began with the state gearing up for war just as the last formerly enslaved person passed away. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era, such as the music explosion around John Coltrane and Thelonious Monk in the eastern part of the state and Earl Scruggs and traditional string band music in the west, the polio pandemic, shipbuilding in wartime, a harsh era of hurricanes and floods, as well as tobacco as the king of the farming and industrial sectors.The book contains color vintage photographs and illustrations. The author, writer, professor, and musician, Philip Gerard, has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.