Philip Hughes – författare

A new selection from Philip Hughes' unpublished notebooks going back over twenty-five years. In an astonishing collection of twenty-seven notebooks created over a quarter of a century, Philip Hughes has sought to capture the spirit of a place: its geological structure, its relationship with the surrounding landscape, and its occasional signs of human intervention. These painterly but topographically precise notebooks record moments when the artist has been moved to draw what he can see, whether from the shelter of a standing stone in Orkney, Scotland, from the air over the Simpson desert in Australia, or from a postal boat sailing through the Norwegian fjords. Pieced together by Hughes himself from over a thousand drawings, this is a logbook of momentary observations. Some are swift sketches of fields or horizons, others are slower studies of lichen and flowers in Antarctica, or lines of quartz in granite in Cornwall. The depth of feeling and knowledge Hughes has for different terrains and climates underpins the beauty of this essential and inspiring selection of notebooks.

In over 140 superbly reproduced artworks, the artist Philip Hughes records eleven iconic walks across the length and breadth of Britain, from Allt Coire Pheiginn in Scotland to Zennor Head in Cornwall. Inspired and informed by maps, aerial photographs and electronic survey techniques, Hughes’s clean, spacious artworks, with their arresting blocks of colour, make contemporary some of the most ancient and formidable landmarks of the British Isles. Hughes’s artworks – often incorporating written notes, archaeological scans and contour maps – feature important heritage sites, including Neolithic settlements such as Maes Howe in Orkney, standing stones such as Stonehenge, the Three Peaks in Yorkshire, or places of particular mystery and beauty such as Silbury Hill, the oldest and tallest artificial mound in Europe. Notebook spreads contain exquisite drawings and paintings made on the spot and vivid extracts from Hughes’s diaries and notes, help to evoke the mood and atmosphere of the awe-inspiring landscapes. Complete with an enlightening introduction by writer Kay Syrad and short prefaces to each of the sections by Hughes himself, this beautiful, reflective book will resonate with artists, walkers and anyone who shares a love of ancient sites in the landscape.

This book provides a new look at the climatic history of the last 2.6 million years during the ice age, a time of extreme climatic fluctuations that have not yet ended. This period also coincides with important phases of human development from Neanderthals to modern humans, both of whom existed side by side during the last cold stage of the ice age. The ice age has seen dramatic expansions of glaciers and ice sheets, although this has been interspersed with relatively short warmer intervals like the one we live in today. The book focuses on the changing state of these glaciers and the effects of associated climate changes on a wide variety of environments (including mountains, rivers, deserts, oceans and seas) and also plants and animals. For example, at times the Sahara was green and colonized by humans, and Lake Chad covered 350,000 km2 – larger than the United Kingdom. What happened during the ice age can only be reconstructed from the traces that are left in the ground. The work of the geoscientist is similar to that of a detective who has to reconstruct the sequence of events from circumstantial evidence. The book draws on the specialisms and experience of the authors who are experts on the glacial history of the Earth.Readership: Undergraduate and postgraduate students studying the Quaternary,  researchers, and anyone interested in climate change, environmental change and geology. The book provides a rich collection of illustrations and photographs to help the readers at all levels visualise the dramatic consequences of glacier expansions during the Ice Age.

This book provides a new look at the climatic history of the last 2.6 million years during the ice age, a time of extreme climatic fluctuations that have not yet ended. This period also coincides with important phases of human development from Neanderthals to modern humans, both of whom existed side by side during the last cold stage of the ice age. The ice age has seen dramatic expansions of glaciers and ice sheets, although this has been interspersed with relatively short warmer intervals like the one we live in today. The book focuses on the changing state of these glaciers and the effects of associated climate changes on a wide variety of environments (including mountains, rivers, deserts, oceans and seas) and also plants and animals. For example, at times the Sahara was green and colonized by humans, and Lake Chad covered 350,000 km2 – larger than the United Kingdom. What happened during the ice age can only be reconstructed from the traces that are left in the ground. The work of the geoscientist is similar to that of a detective who has to reconstruct the sequence of events from circumstantial evidence. The book draws on the specialisms and experience of the authors who are experts on the glacial history of the Earth.Readership: Undergraduate and postgraduate students studying the Quaternary,  researchers, and anyone interested in climate change, environmental change and geology. The book provides a rich collection of illustrations and photographs to help the readers at all levels visualise the dramatic consequences of glacier expansions during the Ice Age.

Storytelling Exhibitions describes the role and practice of modern ‘spatial storytellers’ and looks at the potential of exhibitions to shape our understanding of the world. It explains how curators, designers, artists and scientists combine to tell powerful stories through exhibition design.Exhibition designer and educator Philip Hughes shows how contemporary tools and technologies - digital reconstruction, 3D scanning and digital archives – interweave with traditional forms of informing, displaying and promoting to create powerful narrative spaces.Whether telling stories of politics, trends, society, war, science or history, Storytelling Exhibitions provides inspiration and guidance on designing installations which change the way we think.Examples included from:Te Papa, Wellington, New ZealandNational Museum of African American History and Culture, Washington, USAWeltmuseum Wien, AustriaSanta Cruz Museum of Art and History, USLascaux: Centre International de l'Art Pariétal in Montignac, FranceStapferhaus, Lenzburg, SwitizerlandMicropia, Amsterdam, Netherlands…and many more

From Karinjini in the west to Fraser Island in the east, via the northern Kimberley and far southwest of Tasmania, Painting the Ancient Land of Australia follows painter Philip Hughes, palette in hand, across the length and breadth of the country. Hughes’s work is defined by his breathtaking portrayals of natural landscapes and human interventions, informed and inspired by maps and aerial photographs. With a bold graphic style complemented by expressive blocks of colour, Hughes’s practice seems particularly suited to the Australian landscape, as notable for its ecological nuances as it is for its stark extremes. Featuring work created over a span of three decades, a mixture of elegant sketches alongside larger painted artworks, Painting the Ancient Land of Australia presents a deeply personal exploration of a continent.

"This key text offers mentors and students an insight into the relationship between mentorship theory, policy and practice." - Diane Tofts, Kings College London

What does effective mentoring mean in actual practice? How can I be a good mentor?

This book answers these questions and is designed to offer nursing and healthcare students a foundation in effective mentoring. Chapters examine the roles and responsibilities of the mentor, and how they enhance the process of mentorship. By examining the relevant competencies and knowledge base, the book provides an essential framework for developing the practice skills needed for successful mentoring.

Key features include:

- Embedded in real-life practice and case study examples

- Offers tips for successful mentoring and reflects upon likely challenges

- Features a range of interactive study activities linked to the student and mentor's experiences

- Presents the most up-to-date professional guidance

- Includes running themes of reflective practice; evidence-based practice and multi-professional working.

Mentoring Nursing & Healthcare Students will help both the mentor and the student to develop the skills needed for effective collaboration. It is the core text for mentor preparation and mentor update courses in nursing, midwifery and allied health.

"This key text offers mentors and students an insight into the relationship between mentorship theory, policy and practice." - Diane Tofts, Kings College London

What does effective mentoring mean in actual practice? How can I be a good mentor?

This book answers these questions and is designed to offer nursing and healthcare students a foundation in effective mentoring. Chapters examine the roles and responsibilities of the mentor, and how they enhance the process of mentorship. By examining the relevant competencies and knowledge base, the book provides an essential framework for developing the practice skills needed for successful mentoring.

Key features include:

- Embedded in real-life practice and case study examples

- Offers tips for successful mentoring and reflects upon likely challenges

- Features a range of interactive study activities linked to the student and mentor's experiences

- Presents the most up-to-date professional guidance

- Includes running themes of reflective practice; evidence-based practice and multi-professional working.

Mentoring Nursing & Healthcare Students will help both the mentor and the student to develop the skills needed for effective collaboration. It is the core text for mentor preparation and mentor update courses in nursing, midwifery and allied health.