Philip K. Jason – författare

Sent across the ocean by their parents and taken in by foster parents and distant relatives, approximately 1,000 children, ranging in age from fourteen months to sixteen years, landed in the United States and out of Hitler's reach between 1934 and 1945. Seventy years after the first ship brought a handful of these children to American shores, the general public and many of the children themselves remain unaware of these rescues, and the fact that they were accomplished despite powerful forces in and outside the government that did not want them to occur. This is the first published account, told in the words of the children and their rescuers, to detail this unknown part of America's response to the Holocaust. It will challenge the belief that Americans did nothing to directly and actively save Holocaust victims.Judith Tydor Baumel, Holocaust scholar and sister of two rescued children, provides an introduction explaining why, when, how, and where the rescues were carried out, who the heroes and heroines were, and which individuals and organizations placed almost insurmountable obstacles in their path. This account presents both recollections and experiences recorded at the time of the rescued children, their descendants, and their rescuers. The story demonstrates what a small group of determined people can do to change the course of history.

Best known for her diary, Anais Nin was also the author of several novels, short fiction, and a book on D.H. Lawrence. As a woman who made a career of her aesthetic femininity, her works helped shape the future of gender studies and feminist literary criticism. Her writings have challenged numerous critics, while her life has been equally fascinating. The selections in this book represent the critical response to her works, from her first efforts in the 1930s to the posthumous publication of unexpurgated diary volumes beginning in 1986, including the views of major biographers and contemporary critics.Born in France in 1903, Anais Nin spent her life in New York, Paris, and Los Angeles, where she died in 1977. Like the chaotic passages of her life, her writings have not easily fallen into neat categories. Though she published several novels, short fiction, and erotica, she is best known for her enormous and captivating diary, which sometimes commanded more attention in unpublished form than her published fiction did. As a woman writer who made a career of her aesthetic femininity, her works helped shape the future of gender studies and feminist literary criticism.The selections in this volume trace the critical response to Nin's works from the 1930s to the present. Though Nin died nearly 20 years ago, the posthumous publication of several of her works, including three unexpurgated diary volumes, has prompted renewed critical attention, including two major biographical studies. Because biographical concerns dominate critical studies, this book contains not only sections on her work in general, her short fiction, and her novels, but also special sections on her monumental diary and on her public and private selves. Within each section, critical articles and reviews are reprinted chronologically, so that the reader may trace the response to Nin over time. A bibliography lists works for further consultation, and an introductory essay explores the direction of critical attention to her writings.

During the short history of the United States, war has marked the stages of the nation's journey, and imaginative literature has reflected and shaped an understanding of that journey. To study the war literature of the United States, then, is to study not only the representation of individuals at war but also creative renderings of the American experience. Until now, the treatment of American war literature has been handicapped by the absence of a single-source reference that can be the foundation for significant inquiry. This book addresses that need by presenting succinct, authoritative entries on the major writers and texts that have imaginatively represented the American experience of war.This reference establishes the range and character of a significant body of work never before treated so comprehensively. It includes critical commentary on the novels, poems, nonfiction prose, and plays that reflect major conflicts from before the Revolutionary War through the Vietnam War and its aftermath. It also includes topical entries that survey the literature of America's major wars as well as such subjects as Indian captivity narratives, women's diaries of the Civil War, the literature of the Spanish-American War, and African American war literature. Entries are written by expert contributors and conclude with brief bibliographies, while the volume closes with a list of works for further reading.

The Korean War was a major event in American history. It marked an abrupt end to the euphoria Americans felt in the wake of victory in World War II and turned out to be the harbinger of disaster in Vietnam a decade later. Though three years of brutal fighting resulted in millions of casualties, the final truce line of 1953 corresponded almost exactly to the positions the opponents held when the fighting began. Back home, the returning veterans met with little interest in or appreciation of what they had endured. Consequently, literary responses to the Korean War did not find an eager readership. Few people, it seemed, wanted to read about what they perceived as a backwater war that possessed neither grand scale nor apparent nobility, a war that ended not with a bang, but a whimper. Yet an important literature has come out of the Korean War. As we mark the fiftieth anniversary of the war, these writings are well worth our attention. Many of the twelve stories and fifty poems assembled in Retrieving Bones have long been out of print and are almost impossible to find in any other source. The editors have enhanced this collection by providing maps, a chronology of the Korean War, and annotated lists of novels, works of nonfiction, and films. In a detailed introduction, Ehrhart and Jason discuss the milestones of the Korean War and place each fiction writer and poet represented into historical and literary contexts. Among the writers and poets are · James Lee Burke · Eugene Burdick · William Chamberlain · Rolando Hinojosa · Reg Saner · Vern Sneider · Stanford Whitmore · Keith Wilson

The imaginative literature of the Vietnam War participates—both overtly and covertly—in a struggle for national memory. First-generation Vietnam War literature, focusing on representations of combat and life in the battlefield, strove to give testimony, to write history. Later writings, in their range of genre and style, investigate and interrogate the very meaning of war—and ultimately reveal the deep and far-reaching impact of the Vietnam experience on the American psyche. To reflect these two stages, Philip Jason divides his newest book of literary criticism into two sections: 'acts' and 'shadows.' In 'Acts,' Jason provides formal and cultural readings of combat narratives—by such authors as James Webb, Larry Heinemann, and Joe Haldeman—and explores the meaning of 'authenticity' as applied to Vietnam War texts. 'Shadows' looks both forward and backward from the combat zone, challenging the parameters of what we define as 'Vietnam War literature.' Jason brings to the fore the literary treatment of Vietnamese Americans; he explores the representation of the war in contemporary detective fiction, focusing on the work of James Lee Burke; and he raises questions of genre and canon by placing Korean War and Vietnam War fiction side by side. Two final chapters on teaching the literature of the Vietnam War make this book a particularly useful reference for teachers. As a new contribution to the contemporary debates on authority, authenticity, and canonicity, Acts and Shadows is crucial reading for scholars and students of American literature in the twentieth century and beyond.