Philip M. Peek – författare

"This volume of finely crafted case studies is also the vehicle for an important general theory of divination. . . . this is a book overflowing with ideas that will powerfully stimulate further research." —Journal of Ritual Studies"The essays in this collection provide a very useful overview of both the diversity of African divination systems and of recent approaches to their study." —ChoiceThis unique collection of essays by an exceptional international group of Africanists demonstrates the central role that divination continues to play throughout Africa in maintaining cultural systems and in guiding human action. African Divination Systems offers insights for current discussions in comparative epistemology, cross-cultural psychology, cognition studies, semiotics, ethnoscience, religious studies, and anthropology.

In Africa, where the birthrate of twins is among the highest in the world, twins can be seen as a burden to their families and a threat to the social order, or they can be seen as a gift from God and beings with unique abilities who bring about social harmony. Philip M. Peek and the contributors to this illuminating, multidisciplinary volume explore this rich cultural heritage by examining topics such as twins in artistic representation, twins and divination, and twins in performance, cosmology, religion, and popular culture.

This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.

This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.

Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.

Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.

A survey of little-studied sacred African bells and ritual objectsSummoning the Ancestors explores a collection of 72 ofo (small ritual objects) and 74 bells produced in southern Nigeria by Igala, Igbo, Edo, Yorùbá, and other neighboring peoples, which was gifted to the Fowler Museum by Mark Clayton. The use of bronze ofo, dynamic symbols of one's relationship with the ancestors, dates back to at least the fifteenth century. Ofo likely derive from wire-wrapped bundles of twigs from a tree venerated in southern Nigeria. Bells—largely made in the late nineteenth to mid-twentieth centuries—were cast in copper alloys of bronze or brass, using the lost-wax technique. Many were rung to invoke ancestors or nature spirits, and some announced the presence of important members of the living world, such as priests or local rulers. Richly illustrated, Summoning the Ancestors highlights the remarkable degree of variation possible even in such modest artistic genres.