Philip Rieff – författare

Now a classic, this book was hailed upon its original publication in 1959 as "An event to be acclaimed . . . a book of genuine brilliance on Freud's cultural importance . . . a permanently valuable contribution to the human sciences."—Alastair MacIntyre, Manchester Guardian"This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."—Henry A. Murray, American Sociological Review"Rieff's tremendous scholarship and rich reflections fill his pages with memorable treasures."—Robert W. White, Scientific American"Philip Rieff's book is a brilliant and beautifully reasoned example of what Freud's influence has really been: an increasing intellectual vigilance about human nature. . . . What the analyst does for the patient—present the terms for his new choices as a human being—Mr. Rieff does in respect to the cultural significance of Freudianism. His style has the same closeness, the same undertone of hypertense alertness. Again and again he makes brilliant points."—Alfred Kazin, The Reporter

Collected here for the first time, these writings demonstrate the range and precision of Philip Rieff's sociology of culture. Rieff addresses the rise of psychoanalytic and other spiritual disciplines that have reshaped contemporary culture.

Collected here for the first time, these writings demonstrate the range and precision of Philip Rieff's sociology of culture. Rieff addresses the rise of psychoanalytic and other spiritual disciplines that have reshaped contemporary culture.

From the profoundly influential social theorist Philip Rieff comes a posthumously published analysis of the deepest level of crisis in our culture.According to Rieff, the contemporary notion of charisma-the personal magnetism of political leaders or movie stars-is a tragic misunderstanding of a profoundly important concept. Charisma originally meant religious grace and authority transferred through divine inspiration, before it evolved into little more than a form of celebrity stripped of moral considerations. Rieff argues that without morality, the gift of grace becomes indistinguishable from the gift of evil and devolves into a license to destroy in the name of faith or ideology. Offering brilliant interpretations of Kierkegaard, Weber, Kafka, Nietzsche, and Freud, Rieff shows how certain thinkers attacked the very possibility of faith and genuine charisma and helped prepare the way for a therapeutic culture in which it is impossible to recognize anything as sacred.From the Trade Paperback edition.

With ""My Life among the Deathworks; Illustrations of the Aesthetics of Authority"", the renowned cultural theorist and Freud scholar Philip Rieff inaugurates a trilogy that signals the summation of his scholarly lifework. With this series, ""Sacred Order/Social Order"", to be published in consecutive volumes, Rieff both continues and supersedes the lines of thought that characterize the earlier, influential works upon which his reputation was forged. Readers familiar with Rieff's distinctive oeuvre will recognize central themes and find final recitations on the cultural impact of Freud and his creation ""psychological man"" or ""the therapeutic,"" which Rieff here renames the ""new man"". Whether conversant with Rieff's work or new to its unique interpretive power, readers of ""Sacred Order/Social Order"" will discover a series of provocative insights, illuminated by Rieff's wide-ranging expositions, theoretical advances, and stylistic innovations. In this first volume, Rieff articulates a comprehensive, typological theory of Western culture. Using visual illustrations and unique juxtapositions, he displays remarkable erudition in drawing from such disciplines as sociology, history, literature, poetry, music, plastic arts, and film; he contrasts the changing modes of spiritual and social thought that have struggled for dominance throughout Western history. Our modern culture - to Rieff's mind only the ""third"" type in Western history - is the object of his deepest scrutiny, described here as morally ruinous, death-affirming rather than life-affirming, and representing an unprecedented attempt to create a culture completely devoid of any concept of the sacred. For Rieff, culture represents the ""form of fighting before the firing begins"" in a literal life-and-death struggle for a particular type of world-creation. Having concluded in this final phase of his career that there is no neutral ground in this struggle, Rieff takes aim at many of the most significant ""deathworks"" in modern literature, art, and history - from Joyce's ""Finnegans Wake"" and ""Duchamp's Etant donnes"" to Hitler's death camps - in an attempt to undo them by using them against themselves. In so doing, he seeks to show the reader what really animates, and is ultimately at stake, in the contemporary ""culture wars"" raging over such issues as euthanasia, education, medical research, sexuality, race, class, and gender.

Philip Rieff earned recognition as one of the most profound social theorists of culture and authority of the twentieth century. Through such works as ""Freud: The Mind of the Moralist and The Triumph of the Therapeutic"", he proved himself an incisive interpreter of Freud and his legacy. His work now culminates with the long-awaited trilogy ""Sacred Order/Social Order"", a three-volume work on social theory and contemporary culture.In volume 2, ""The Crisis of the Officer Class: The Decline of the Tragic Sensibility"", Philip Rieff continues his assault against the deathworks of our modern age. Invoking his theory developed in volume 1, he elaborates on his critique of our current culture as distinguishable only by its rejection of any and all visions of sacred order.