Philip Schwyzer – författare

This study draws on the theory and practice of archaeology to develop a new perspective on the literature of the Renaissance. Philip Schwyzer explores the fascination with images of excavation, exhumation, and ruin that runs through literary texts including Spenser''s Faerie Queene, Shakespeare''s Romeo and Juliet and Hamlet, Donne''s sermons and lyrics, and Thomas Browne''s Hydriotaphia, or Urne-Buriall. Miraculously preservedcorpses, ruined monasteries, Egyptian mummies, and Yorick''s skull all figure in this study of the early modern archaeological imagination. The pessimism of the period is summed up in the haunting motif of the beautiful corpse that, once touched, crumbles to dust.Archaeology and literary studies are themselves products of the Renaissance. Although the two disciplines have sometimes viewed one another as rivals, they share a unique and unsettling intimacy with the traces of past life - with the words the dead wrote, sang, or heard, with the objects they made, held, or lived within. Schwyzer argues that at the root of both forms of scholarship lies the forbidden desire to awaken (and speak with) the dead. However impossible or absurd this desire may be,it remains a fundamental source of both ethical responsibility and aesthetic pleasure.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare''s birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard''s reign. Yet even after the extinction ofmemory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princesreputedly murdered in the Tower, and the King''s own body, which remained lost until its dramatic rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare''s play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a freshapproach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard''s reign but also on what those traces do through Shakespeare—the play,in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its dramatic rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare--the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

This study draws on the theory and practice of archaeology to develop a new perspective on the literature of the Renaissance. Philip Schwyzer explores the fascination with images of excavation, exhumation, and ruin that runs through literary texts including Spenser's Faerie Queene, Shakespeare's Romeo and Juliet and Hamlet, Donne's sermons and lyrics, and Thomas Browne's Hydriotaphia, or Urne-Buriall. Miraculously preserved corpses, ruined monasteries, Egyptian mummies, and Yorick's skull all figure in this study of the early modern archaeological imagination. The pessimism of the period is summed up in the haunting motif of the beautiful corpse that, once touched, crumbles to dust. Archaeology and literary studies are themselves products of the Renaissance. Although the two disciplines have sometimes viewed one another as rivals, they share a unique and unsettling intimacy with the traces of past life - with the words the dead wrote, sang, or heard, with the objects they made, held, or lived within. Schwyzer argues that at the root of both forms of scholarship lies the forbidden desire to awaken (and speak with) the dead. However impossible or absurd this desire may be, it remains a fundamental source of both ethical responsibility and aesthetic pleasure.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its apparent rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare - the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

This volume brings together new work on the image of the nation and the construction of national identity in English literature of the seventeenth century. The chapters in the collection explore visions of British nationhood in literary works including Michael Drayton and John Selden’s Poly-Olbion and Andrew Marvell’s Horatian Ode, shedding new light on topics ranging from debates over territorial waters and the free seas, to the emergence of hyphenated identities, and the perennial problem of the Picts. Concluding with a survey of recent work in British studies and the history of early modern nationalism, this collection highlights issues of British national identity, cohesion, and disintegration that remain undeniably relevant and topical in the twenty-first century.This book was originally published as a special issue of the journal, The Seventeenth Century.

This volume brings together new work on the image of the nation and the construction of national identity in English literature of the seventeenth century. The chapters in the collection explore visions of British nationhood in literary works including Michael Drayton and John Selden’s Poly-Olbion and Andrew Marvell’s Horatian Ode, shedding new light on topics ranging from debates over territorial waters and the free seas, to the emergence of hyphenated identities, and the perennial problem of the Picts. Concluding with a survey of recent work in British studies and the history of early modern nationalism, this collection highlights issues of British national identity, cohesion, and disintegration that remain undeniably relevant and topical in the twenty-first century.This book was originally published as a special issue of the journal, The Seventeenth Century.

The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved the denigration and outright denial of Englishness. Philip Schwyzer argues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England, but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity. Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V and King Lear, Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the expanding scholarship on early modern Britishness, this study gives detailed attention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature and identity.

The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved the denigration and outright denial of Englishness. Philip Schwyzer argues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England, but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity. Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V and King Lear, Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the expanding scholarship on early modern Britishness, this study gives detailed attention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature and identity.

Archipelagic Identities explores the invention and interplay of national, regional and linguistic identities in the literatures of early modern Britain and Ireland. The volume includes innovative work by leading practitioners of British studies, and sheds new light on classic cases such as Edmund Spenser's Irish experience, whilst also introducing less familiar writers and texts, such as Anne Dowriche's The French Historie, William Browne's Britannia Pastorals, William Richards' Wallography, Anne Bradstreet's 'Dialogue between Old England and New', and the works of Gaelic bards and French Huguenot refugees. Foregrounding issues of gender, class and migratory identity which have not previously received significant attention in this field, Archipelagic Identities brings British studies into the mainstream of contemporary literary criticism.

Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare's status as an unproblematic English or British dramatist.

Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare's status as an unproblematic English or British dramatist.

Shakespeare and Wales offers a ''Welsh correction'' to a long-standing deficiency. It explores the place of Wales in Shakespeare''s drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare''s major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare''s Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare''s status as an unproblematic English or British dramatist.

Shakespeare and Wales offers a ''Welsh correction'' to a long-standing deficiency. It explores the place of Wales in Shakespeare''s drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare''s major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare''s Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare''s status as an unproblematic English or British dramatist.

Archipelagic Identities explores the invention and interplay of national, regional and linguistic identities in the literatures of early modern Britain and Ireland. The volume includes innovative work by leading practitioners of British studies, and sheds new light on classic cases such as Edmund Spenser''s Irish experience, whilst also introducing less familiar writers and texts, such as Anne Dowriche''s The French Historie, William Browne''s Britannia Pastorals, William Richards'' Wallography, Anne Bradstreet''s ''Dialogue between Old England and New'', and the works of Gaelic bards and French Huguenot refugees. Foregrounding issues of gender, class and migratory identity which have not previously received significant attention in this field, Archipelagic Identities brings British studies into the mainstream of contemporary literary criticism.

Archipelagic Identities explores the invention and interplay of national, regional and linguistic identities in the literatures of early modern Britain and Ireland. The volume includes innovative work by leading practitioners of British studies, and sheds new light on classic cases such as Edmund Spenser''s Irish experience, whilst also introducing less familiar writers and texts, such as Anne Dowriche''s The French Historie, William Browne''s Britannia Pastorals, William Richards'' Wallography, Anne Bradstreet''s ''Dialogue between Old England and New'', and the works of Gaelic bards and French Huguenot refugees. Foregrounding issues of gender, class and migratory identity which have not previously received significant attention in this field, Archipelagic Identities brings British studies into the mainstream of contemporary literary criticism.

The work of the map-maker and historian Humphrey Llwyd (1527–68) were a crucial contribution to a new vision of Britain in the early modern period. It lies close to the roots of the emerging ideology of British Empire, and Llwyd’s influence is to be found in the works of major English poets such as Edmund Spenser and Michael Drayton. His history of medieval Wales, Cronica Walliae, shaped Welsh historical traditions for centuries to come. Llwyd is also the earliest extant source for the legend of Prince Madoc, whose twelfth-century voyage to America shaped British fantasies of the New World from the reign of Elizabeth to the nineteenth century. This is the first book-length study of Llwyd’s works, influence and intellectual milieu, and contributions from scholars in the fields of history, geography and literary studies cover the range of Llwyd’s achievement as a cartographer, historian and chorographer of Wales and Britain.

The work of the map-maker and historian Humphrey Llwyd (1527–68) were a crucial contribution to a new vision of Britain in the early modern period. It lies close to the roots of the emerging ideology of British Empire, and Llwyd’s influence is to be found in the works of major English poets such as Edmund Spenser and Michael Drayton. His history of medieval Wales, Cronica Walliae, shaped Welsh historical traditions for centuries to come. Llwyd is also the earliest extant source for the legend of Prince Madoc, whose twelfth-century voyage to America shaped British fantasies of the New World from the reign of Elizabeth to the nineteenth century. This is the first book-length study of Llwyd’s works, influence and intellectual milieu, and contributions from scholars in the fields of history, geography and literary studies cover the range of Llwyd’s achievement as a cartographer, historian and chorographer of Wales and Britain.

The work of the map-maker and historian Humphrey Llwyd (1527–68) were a crucial contribution to a new vision of Britain in the early modern period. It lies close to the roots of the emerging ideology of British Empire, and Llwyd’s influence is to be found in the works of major English poets such as Edmund Spenser and Michael Drayton. His history of medieval Wales, Cronica Walliae, shaped Welsh historical traditions for centuries to come. Llwyd is also the earliest extant source for the legend of Prince Madoc, whose twelfth-century voyage to America shaped British fantasies of the New World from the reign of Elizabeth to the nineteenth century. This is the first book-length study of Llwyd’s works, influence and intellectual milieu, and contributions from scholars in the fields of history, geography and literary studies cover the range of Llwyd’s achievement as a cartographer, historian and chorographer of Wales and Britain.

First collection devoted to the Poly-Olbion, bringing out in particular its concerns with nature and the environment.Poly-Olbion (1612-1622), the collaborative work of the poet Michael Drayton, the legal scholar John Selden, and the engraver William Hole, ranks among the most remarkable literary productions of early modern England, and arguably among the most important. An ambitious and idiosyncratic survey of the history, topography, and ecology of England and Wales - ranging in its preoccupations from the supernatural conception of Merlin to the curious habits of beavers, and from celebrations of martial glory to laments over the diminishment of woodlands - the book seems determined to pack all of national and natural history between its covers. In the course of thirty songs, Drayton's Muse traverses a varying landscape in which personified rivers, hills, and forests sing of past glories and disasters, pursuing local and regional rivalries whilst propounding a heterogeneous vision of Britain. However, perhaps because of its very uniqueness, it has received relatively little critical attention.This is the first ever volume of essays on Poly-Olbion, and a reflection of the work's increasing prominence in scholarship on the literature and culture of early modern England: the poem has long been central to critical studies of early modern nationhood and nationalism, but in the last decade it has also assumed a central place in discussions of pre-modern approaches to ecological sustainability and environmental degradation. The contributors here address questions about the form and purpose of Poly-Olbion, as well as engaging with these dominant critical debates, reflecting the extent to which the preoccupations of Drayton and his collaborators have become our own.

In the present as in the past, the dead have been deployed to promote visions of identity, as well as ostensibly wider human values. Through a series of case studies from ancient Egypt through prehistoric, historic, and present-day Europe, this book discusses what is constant and what is locally and historically specific in our ways of interacting with the remains of the dead, their objects, and monuments. Postmortem interaction encompasses not only funerary rituals and intergenerational engagement with forebears, but also concerns encounters with the dead who died centuries and millennia ago. Drawing from a variety of disciplines such as archaeology, bioarchaeology, literary studies, ancient Egyptian philology, and sociocultural anthropology, this volume provides an interdisciplinary account of the ways in which the dead are able to transcend temporal distances and engender social relationships. Until quite recently, literary sciences and archaeology were generally regarded asincommensurable in their aims, methodologies, and source material. Although archaeologists and literary critics have been increasingly willing to borrow concepts and terminology from the other discipline, this book is one examples of a genuinely collaborative endeavor.This is an open access book.