Philip West - Böcker

It has been said that the poems of Vaughan's Silex Scintillans (1650; 1655) are the most biblical in English: this book revises our understanding of that claim, not by rejecting it, but by asking what it might have meant in the 1650s. Recovering the historical, literary, and scriptural context of Vaughan's poetry and his neglected prose works, particularly The Mount of Olives (1652), this study reveals the different ways in which Vaughan's work is shot through and fired by the Bible as it was read in the 'Godly nation' of the mid-seventeenth century. The uses, or scripture practices, singled out, relate both to his position as an 'Anglican survivalist' during the Commonwealth and to his acceptance of George Herbert's task of writing 'true hymns': his reading of the Genesis story of Jacob as an analogue for his own experiences as a Christian and as an image of the true Church in the 1650s; his framing of Silex Scintillans as an act of thanksgiving modelled on Hezekiah's song in Isaiah; his construction of a paraliturgical 'rule' of holy living; his exposure of the 'false prophets' of the Last Days prophesied by Christ; and his profoundly scriptural rejection of the fraud (as he saw it) of millenarian religion.

Analyzing the economic, strategic, and cultural elements that shape the attraction--and the friction--between the Pacific and Atlantic communities, this book integrates European perspectives into a discussion that has traditionally been dominated by Asian and U.S. voices. The authors take as their theme the uncertainty created by the Pacific Rim’s new role in shifting the international balances of political and economic power. Economic uncertainty has been fueled by Asia’s trade surpluses with Western Europe and the United States, with the West viewing its system of free world trade as working to the greater advantage of the Asia Pacific. Strategic uncertainty pivots on the U.S.-USSR superpower rivalry and on the growing influence of Japan and the PRC on the strategic balance in the Pacific Basin. A more subtle and powerful constraint surfaces in the realm of culture--in differing perceptions among the people of the Asia Pacific and the West concerning liberal values and the liberal underpinnings of the present system of world trade.

Analyzing the economic, strategic, and cultural elements that shape the attraction--and the friction--between the Pacific and Atlantic communities, this book integrates European perspectives into a discussion that has traditionally been dominated by Asian and U.S. voices. The authors take as their theme the uncertainty created by the Pacific Rim’s new role in shifting the international balances of political and economic power. Economic uncertainty has been fueled by Asia’s trade surpluses with Western Europe and the United States, with the West viewing its system of free world trade as working to the greater advantage of the Asia Pacific. Strategic uncertainty pivots on the U.S.-USSR superpower rivalry and on the growing influence of Japan and the PRC on the strategic balance in the Pacific Basin. A more subtle and powerful constraint surfaces in the realm of culture--in differing perceptions among the people of the Asia Pacific and the West concerning liberal values and the liberal underpinnings of the present system of world trade.

This text examines the Pacific War, the Korean War and the Vietnam War, from the perspective of those who fought the wars and lived through them. The relationship between history and memory informs the book, and each war is relocated in the historical and cultural experiences of Asian countries.

This text examines the Pacific War, the Korean War and the Vietnam War, from the perspective of those who fought the wars and lived through them. The relationship between history and memory informs the book, and each war is relocated in the historical and cultural experiences of Asian countries.

In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.

In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.