Philippe Artières – författare & böcker

Speech Begins After Death

Häftad, Engelska, 2016

180 kr

Skickas inom 5-8 vardagar

In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is now being published for the first time in English. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his life, from his school days to his discovery of the pleasure of writing. Wide ranging, characteristically insightful, and unexpectedly autobiographical, the discussion is revelatory of Foucaults intellectual development, his aims as a writer, his clinical methodology (lets say Im a diagnostician), and his interest in other authors, including Raymond Roussel and Antonin Artaud. Foucault discloses, in ways he never had previously, details about his home life, his family history, and the profound sense of obligation he feels to the act of writing. In his Introduction, Philippe Artie8res investigates Foucaults engagement in various forms of oral discourse-lectures, speeches, debates, press conferences, and interviews-and their place in his work. Speech Begins after Death shows Foucault adopting a new language, an innovative autobiographical communication that is neither conversation nor monologue, and is one of his most personal statements about his life and writing.

Language, Madness, and Desire

On Literature

AvMichel Foucault,Philippe Artièresm. fl.

Inbunden, Engelska, 2015

383 kr

Skickas inom 5-8 vardagar

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire.The associations between madness and language-and madness and silence-preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing-particularly La Nouvelle Justine and Juliette-he devotes a full two-part lecture series focusing on notions of literary self-consciousness.Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.

Speech Begins After Death

In Conversation with Claude Bonnefoy

AvMichel Foucault,Philippe Artieres

Inbunden, Engelska, 2026

541 kr

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In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is published here. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his life, from his school days to his discovery of the pleasure of writing.Wide ranging, characteristically insightful, and unexpectedly autobiographical, the discussion sheds light on Foucault's intellectual development, his aims as a writer, his clinical methodology ("let's say I'm a diagnostician"), and his interest in other authors, including Raymond Roussel and Antonin Artaud. Foucault discloses, in ways he never had previously, details about his home life, his family history, and the profound sense of obligation he feels to the act of writing.Speech Begins after Death shows Foucault adopting a new language, an innovative autobiographical communication that is neither conversation nor monologue, and is one of his most personal statements about his life and writing.

Speech Begins After Death

In Conversation with Claude Bonnefoy

AvMichel Foucault,Philippe Artieres

Häftad, Engelska, 2026

161 kr

Skickas inom 5-8 vardagar

In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is published here. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his life, from his school days to his discovery of the pleasure of writing.Wide ranging, characteristically insightful, and unexpectedly autobiographical, the discussion sheds light on Foucault's intellectual development, his aims as a writer, his clinical methodology ("let's say I'm a diagnostician"), and his interest in other authors, including Raymond Roussel and Antonin Artaud. Foucault discloses, in ways he never had previously, details about his home life, his family history, and the profound sense of obligation he feels to the act of writing.Speech Begins after Death shows Foucault adopting a new language, an innovative autobiographical communication that is neither conversation nor monologue, and is one of his most personal statements about his life and writing.

Language, Madness, and Desire

On Literature

AvMichel Foucault,Philippe Artièresm. fl.

Häftad, Engelska, 2021

242 kr

Skickas inom 5-8 vardagar

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire.The associations between madness and language-and madness and silence-preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing-particularly La Nouvelle Justine and Juliette-he devotes a full two-part lecture series focusing on notions of literary self-consciousness.Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.

Cahier de L'Herne N°95 : Foucault

AvJean-Francois Bert,Philippe Artieresm. fl.

E-bok

PDF, Franska, 2011

401 kr

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Ce Cahier de l’Herne dynamique, transdisciplinaire et créatif recueille des entretiens : ceux d’amis,de proches, qui dressent un portrait plus intime, offrant un visage différent de l’auteur ; des textesinédits de Foucault, et même inconnus à ce jour, sur l’art, la folie, Nietzsche, etc. ; des témoignagesqui révèlent l’atmosphère intellectuelle de l’époque et la place controversée mais néanmoins centralequ’y occupa Foucault. Toute la variété de l’oeuvre de Michel Foucault est prise en considération dansl’éventail des contributions.Une iconographie inédite et abondante vient enrichir ce Cahier.

Cahier de L'Herne N°120 : Pierre Michon

AvAgnes Castiglione,Philippe Artieresm. fl.

E-bok

PDF, Franska, 2017

435 kr

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Les Cahiers de L’Herne entreprennent de saluer en Pierre Michon l’absolue singularité d’une voix et d’une écriture qui n’en finit pas de surprendre et d’enchanter un lectorat toujours plus vaste depuis l’apparition, en 1984, de son premier ouvrage, Vies minuscules. Les livres de Pierre Michon, denses et tendus dans leur beauté paradoxale, à la fois sauvage et classique, naturelle et travaillée, ont depuis longtemps conquis une place de premier plan auprès des écrivains, des lettrés et dans les milieux de la critique savante. Il est alors naturel de solliciter dans ce volume les plus grands noms de la critique universitaire — Jean-Pierre Richard, Henri Mitterrand ou Philippe Berthier — tout en s’ouvrant à d’autres disciplines de la pensée et de la création : l’Histoire (Patrick Boucheron, François Hartog), histoire de l’art et anthropologie, géographie (Jean-Louis Tissier), la musique et arts plastiques (Henri Cueco), l’art théâtral (Denis Podalydès), sans oublier la question de la traduction (Élizabeth Deshays). Ce Cahier est aussi l’occasion de convoquer autour de l’œuvre de Michon, les textes et témoignages de grands critiques et écrivains comme Pietro Citati, Maurice Nadeau ou Jacques Réda, et d’autres contemporains (Goffette, Bergounioux, Echenoz ou Olivier Rolin) ou auteurs plus jeunes (Marie-Hélène Lafon, Maylis de Kerangal) qui disent ici le pouvoir fécondant de cette écriture éblouissante et rare.

S’intéressant aussi à l’atelier littéraire, le présent Cahier donne à lire nombre d’inédits ou textes rares de Michon : premiers écrits mais aussi variantes, passages supprimés, chapitres retranchés, toutes « victimes » de l’exigence de l’auteur qui opte pour le fragment fulgurant et l’inachèvement. Ainsi ce Cahier de L’Herne participe-t-il puissamment du rayonnement de l’œuvre dense, lumineuse et féconde de cet immense écrivain aussi rare et secret qu’exigeant — donnant toute sa véracité à cette remarque que l’entreprise vient de susciter chez Jean-Pierre Richard à propos de notre auteur : « Son silence si têtu, il faudrait alors l’entendre comme une sorte de paradoxale, et réversible, insémination… ».

Clínica de la escritura

Historia de la mirada médica sobre la escritura

AvPhilippe Artieres

E-bok

PDF, Spanska, 2016

113 kr

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De 1850 a 1914, los médicos constituyen la escritura de los marginales en objetos reveladores de la verdad. Al leer las escrituras ordinarias, descubren objetos inquietantes, como escritos que escapan a su clave de lectura, signos gráficos que parecen testimoniar en carácter anormal de su autor y, finalmente, rasgos gráficos que revelan patologías desconocidas.Así pues, se trata de descifrar los escritos de los marginales para determinar sus características. Se procura identificar los signos que indican el grado de normalidad del escribiente. Se observa el esto gráfico, al fin de aislar las patologías propias del mecanismo de la escritura. Por último, debido al entusiasmo por la grafología, la medicina trata de clarificar las claves que ella utiliza. De este modo, los médicos hacen entrar a la escritura en el laboratorio. Estos conocimientos inducen muchas modificaciones en la sociedad de fines de siglo. Así, se reconsidera el peritaje,se renueva la enseñanza de la escritura y se modifica su práctica profesional.Valiéndose de las herramientas creadas por Michel Foucault, este ensayo muestra precisamente de qué modo la medicina ha apelado a la escritura para crear una nueva división entre el bien y el mal,lo verdadero y lo falso, lo natural y lo artificial, lo normal y lo patológico.

Cahier de L'Herne N°120 : Pierre Michon

AvAgnes Castiglione,Philippe Artieresm. fl.

E-bok

Franska, 2017

435 kr

Läs direkt efter köp

Les Cahiers de L’Herne entreprennent de saluer en Pierre Michon l’absolue singularité d’une voix et d’une écriture qui n’en finit pas de surprendre et d’enchanter un lectorat toujours plus vaste depuis l’apparition, en 1984, de son premier ouvrage, Vies minuscules. Les livres de Pierre Michon, denses et tendus dans leur beauté paradoxale, à la fois sauvage et classique, naturelle et travaillée, ont depuis longtemps conquis une place de premier plan auprès des écrivains, des lettrés et dans les milieux de la critique savante. Il est alors naturel de solliciter dans ce volume les plus grands noms de la critique universitaire — Jean-Pierre Richard, Henri Mitterrand ou Philippe Berthier — tout en s’ouvrant à d’autres disciplines de la pensée et de la création : l’Histoire (Patrick Boucheron, François Hartog), histoire de l’art et anthropologie, géographie (Jean-Louis Tissier), la musique et arts plastiques (Henri Cueco), l’art théâtral (Denis Podalydès), sans oublier la question de la traduction (Élizabeth Deshays). Ce Cahier est aussi l’occasion de convoquer autour de l’œuvre de Michon, les textes et témoignages de grands critiques et écrivains comme Pietro Citati, Maurice Nadeau ou Jacques Réda, et d’autres contemporains (Goffette, Bergounioux, Echenoz ou Olivier Rolin) ou auteurs plus jeunes (Marie-Hélène Lafon, Maylis de Kerangal) qui disent ici le pouvoir fécondant de cette écriture éblouissante et rare.

S’intéressant aussi à l’atelier littéraire, le présent Cahier donne à lire nombre d’inédits ou textes rares de Michon : premiers écrits mais aussi variantes, passages supprimés, chapitres retranchés, toutes « victimes » de l’exigence de l’auteur qui opte pour le fragment fulgurant et l’inachèvement. Ainsi ce Cahier de L’Herne participe-t-il puissamment du rayonnement de l’œuvre dense, lumineuse et féconde de cet immense écrivain aussi rare et secret qu’exigeant — donnant toute sa véracité à cette remarque que l’entreprise vient de susciter chez Jean-Pierre Richard à propos de notre auteur : « Son silence si têtu, il faudrait alors l’entendre comme une sorte de paradoxale, et réversible, insémination… ».

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Philippe Artières – författare

Speech Begins After Death

Language, Madness, and Desire

Speech Begins After Death

Speech Begins After Death

Language, Madness, and Desire

Cahier de L'Herne N°95 : Foucault

Cahier de L'Herne N°120 : Pierre Michon

Clínica de la escritura

Cahier de L'Herne N°120 : Pierre Michon

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