Philippe Vergne – författare

The Walker Art Center recently opened its expanded space, which includes a new theater, a new restaurant and more galleries, but is best known for being Herzog & de Meuron's first public building in the United States. The project drew national coverage from media including The New York Times. Expanding the Center addresses this public interest in the building with a generous selection of images, including sketches, renderings and photographs of the construction process and the completed work. Herzog & de Meuron's shimmering but grounded design mirrors the textures and shades of the Walker's original space, and an institutional philosophy based in innovation and risk-taking, the exploration of alternative approaches to learning, the experimental use of technologies to communicate information, and the design of spaces to enhance a variety of museum experiences. The book is organized around the decisions and actions of the architects, builders, Walker staff and the audience--i.e. designing, constructing, unveiling, staging, gathering, patterning, framing, collecting--and highlights the thinking that led to the visible form of the Center as well as the innovative projects and initiatives that give it its inimitable character.

The first serious study on the work of one of the most iconoclastic artists living today An aesthetic outlier and artistic maverick, Cameron Jamie is a Los Angeles-born, Paris-based American artist whose critically acclaimed art has been exhibited worldwide in some of the most prestigious exhibitions and institutional venues. Over the course of more than three decades, Jamie has established a multi-faceted practice defined by cultural exploration and formal experimentation that resists categorizations. His artwork encompasses a wide range of artistic cross-disciplines including drawing, painting, sculpture, ceramics, printmaking, photography, performance, filmmaking, music, and independent publishing. Jamie’s groundbreaking work has explored, investigated, and analysed how the structures of mythology and rituals in popular and vernacular cultures are shaped and shared, and the extent to which they participate in the creation of individuals’ fictional worlds and fictional selves. Featuring a large number of previously unpublished images and never-seen-before archival material, this fascinating and long-overdue book will be the first comprehensive monographic publication dedicated to one of the most significant artistic visionaries working today.