Phillip Lopate – författare

Finalist, 2025 PEN / Diamonstein-Spielvogel Award for the Art of the Essay, PEN AmericaPhillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes.In an essayist’s sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu’s Late Spring, David Lynch’s Mulholland Drive, and Andrei Tarkovsky’s Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman’s rigorous honesty, Ingmar Bergman’s intimacy, Abbas Kiarostami’s playfulness, Kenji Mizoguchi’s visual style, and Frederick Wiseman’s vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate’s passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.

Finalist, 2025 PEN / Diamonstein-Spielvogel Award for the Art of the Essay, PEN AmericaPhillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes.In an essayist’s sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu’s Late Spring, David Lynch’s Mulholland Drive, and Andrei Tarkovsky’s Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman’s rigorous honesty, Ingmar Bergman’s intimacy, Abbas Kiarostami’s playfulness, Kenji Mizoguchi’s visual style, and Frederick Wiseman’s vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate’s passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.

A richly textured portrait of an American man of letters who came to exemplify the writer’s life with all its setbacks and triumphsWashington Irving (1783–1859) is often considered America’s first professional writer, supporting himself and his family amid the ups and downs of literary fortune. He burst on the scene with his uproarious History of New York, followed by his Sketch Book, a collection of personal essays and short stories that includes “Rip Van Winkle” and “The Legend of Sleepy Hollow.” As an essayist and teacher, Phillip Lopate identifies with Irving, inspired by his humane and elegant prose style, and by Irving’s courage and persistence in the face of setbacks and his own limitations as a writer.In this illuminating book, Lopate reflects on Irving and his extensive body of work through a series of warmly sympathetic sketches of his own. Irving was the first American writer to attain international renown, attracting such devoted fans as Charles Dickens and Lord Byron, and while he may have been overrated in his day, he has since become undeservedly neglected. A lifelong bachelor, he was urbane, popular, and socially adept, mixing with royals as well as paupers, yet underneath it all he was a loner and a melancholic. Lopate describes how Irving constantly reinvented himself, first as a satirist, then a belletrist, at times a hack writer, and finally as a serious biographer of figures like George Washington and the Prophet Muhammad. Along the way, he explains why minor writers like Irving have their enduring fascinations.Delving into all that is likable and perplexing about the man once considered America’s most famous writer, A Washington Irving Sketch Book brings Irving closer to today’s readers, capturing the charm of his work and the vicissitudes of literary fashion.

"Over the years I have developed a distaste for the spectacle of joie de vivre, the knack of knowing how to live," begins the title essay by Phillip Lopate. This rejoinder to the cult of hedonism and forced conviviality moves from a critique of the false sentimentalization of children and the elderly to a sardonic look at the social rite of the dinner party, on to a moving personal testament to the "hungry soul."  Lopate's special gift is his ability to give us not only sophisticated cultural commentary in a dazzling collection of essays but also to bring to his subjects an engaging honesty and openness that invite us to experience the world along with him. Also included here are Lopate's inspiring account of his production of Chekhov's Uncle Vanya with a group of preadolescents, a look at the tradition of the personal essay, and a soul-searching piece on the suicide of a schoolteacher and its effect on his students and fellow teachers.  By turns humorous, learned, celebratory, and elegiac, Lopate displays a keen intelligence and a flair for language that turn bits of common, everyday life into resonant narrative. This collection maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candor.

In 1977, Bennington College alumna Edith Barbour Andrews established the Ben Belitt Lectureships in gratitude to her teacher Ben Belitt and dedicated the publication of the lectures (in the form of chapbooks) to the memory of William Troy, another of her beloved teachers. The collection, published here in one volume, comprises lectures by some of the most inspiring writers and keenest critics of our time. In his introduciton to The Ordering Mirror, Phillip Lopate contrasts the anticipations and the audience/lecturer dynamic inherent in attending yearly lecture, with the experience of reading them, and the opportunity for reflection and comparison. Lopate summarizes that, "It is enough to appreciate that we are watching masters of the game of essay-writing, who, even as they comment on the masterpieces of other writers, practice their own wizardry." The volume includes: George Steiner, "The Uncommon Reader" (1978)Frank Kermode, "Divination" (1979)Harold Bloom, "To the Tally of My Soul: Whitman's Image of Voice" (1980)Denis Donoghue, "The Politics of Modern Criticism" (1981)Irving Howe, "The Making of a Critic" (1982)Richard Ellman, "The Uses of Decadence: Wilde, Yeats, Joyce" (1983)Bernard Malamud, "Long Work, Short Life" (1984)Ben Belitt, "Literature and Belief: Three 'Spiritual Exercises'" (1985)Saul Bellow, "Summations" (1987)Hugh Kenner, "Magics and Spells (about curses, charms, and riddles)" (1987)Richard Rorty, "The Barber of Kasbeam: Nabokov on Cruelty" (1988)Rene Girard, "Collective Violence and Sacrifice in Shakespeare's Julius Caesar" (1989)Nadine Gordimer, "Three in a Bed: Fiction, Morals and Politics" (1990)Seamus Heaney, "Dylan the Durable?: On Dylan Thomas" (1992)Cynthia Ozick, "What Henry James Knew" (1992)