Phillip Mallett - Böcker

'People were poorer and had not the comforts, amusements, or knowledge we have today; but they were happier.'Lark Rise to Candleford is Flora Thompson's classic evocation of a vanished world of agricultural customs and rural culture. The trilogy of Lark Rise, Over to Candleford, and Candleford Green tells the story of Flora's childhood and youth during the 1880s in Lark Rise, in reality Juniper Hill, the hamlet in Oxfordshire where she was born. Through the eyes of Laura, the author's fictional counterpart, Flora describes the cottages, characters, and way of life of the agricultural labourers and their families with whom she grew up; seasonal celebrations, schooling, church-going, entertainment and story-telling are described in fond and documentary detail. Later, when Laura leaves school and becomes assistant to the village postmistress, the same loving detail brings vividly to life the rural post office and its staff. This edition of the trilogy reproduces the original wood-engravings by Julie Neild and includes a new introduction by Phillip Mallet which looks at the background to the books and their enduring popularity.

The essays collected here range widely over Hardy's career as both a novelist and a lyric poet.

They offer fresh reading of individual works - including his last novel, The Well-Beloved , and his first collection of verse, Wessex Poems - as well as exploring such central topics as the nature of storytelling, and the relations between poetry and song.

It is accompanied by more than 500 editorial footnotes, many new to this edition, that provide essential historical background and glossing of dialect words. Also new to the Second Edition are the twelve illustrations from the novel’s first serial publication and Hardy’s "Sketch Map of the Scene of the Story," which accompanied the 1878 edition. Again included is the "Map of Wessex of the Novels and Poems" from the 1912 Macmillan Wessex Edition of The Mayor of Casterbridge.Backgrounds and Contexts provides a useful "Glossary of Dialect Words" as well as four essays on the textual and publication history of the novel—including pieces by Simon Gatrell and Andrew Nash—all of which are newly included. Also included are six of Hardy’s nonfiction writings on the dialect in the novel, the reading of fiction, and his correspondence, five of which are new to this edition.Criticism provides a selection of contemporary reviews that suggest The Return of the Native’s initial reception as well nine of the most influential modern essays on the novel, by Gillian Beer, D. H. Lawrence, Michael Wheeler, Rosemarie Morgan, Donald Davidson, John Peterson, Richard Swigg, Pamela Dalziel, and Jennifer Gribble.A Chronology and Selected Bibliography are also included.

It has been collated with the Mellstock Edition of 1920, for which Hardy submitted final corrections. "Backgrounds and Contexts" provides new and invaluable source material on Victorian Dorset and, in particular, Dorchester, Hardy’s native home and the town upon which Casterbridge is based.  Included are six of Hardy’s nonfiction writings, notably excerpts from his essay "The Dorsetshire Laboure" (1883), in which he frankly comments on the social changes he has witnessed in the county.  Hardy’s Wessex is further examined in an essay by Michael Millgate, by maps of Casterbridge and Wessex, and by a key to local place names.  Christine Winfield discusses the novel’s manuscript and its complicated history. "Criticism" collects seventeen wide-ranging assessments of the novel--six new to the Second Edition--from both contemporary and modern critics, including Virginia Woolf, Albert J. Guerard, Julian Moynahan, John Paterson, Michael Millgate, Irving Howe, J. Hillis Miller, Ian Gregor, Elaine Showalter, George Levine, William Greenslade, H. M. Daleski, and Suzanne Keen. A Chronology and Selected Bibliography are also included.

This collection covers the range of Thomas Hardy's works and their social and intellectual contexts, providing a comprehensive introduction to Hardy's life and times. Featuring short, lively contributions from forty-four international scholars, the volume explores the processes by which Hardy the man became Hardy the published writer; the changing critical responses to his work; his response to the social and political challenges of his time; his engagement with contemporary intellectual debate; and his legacy in the twentieth century and after. Emphasising the subtle and ongoing interaction between Hardy's life, his creative achievement and the unique historical moment, the collection also examines Hardy's relationship to such issues as class, education, folklore, archaeology and anthropology, evolution, marriage and masculinity, empire and the arts. A valuable contextual reference for scholars of Victorian and modernist literature, the collection will also prove accessible for the general reader of Hardy.

Key Features:

Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms  

This collection covers the range of Thomas Hardy's works and their social and intellectual contexts, providing a comprehensive introduction to Hardy's life and times. Featuring short, lively contributions from forty-four international scholars, the volume explores the processes by which Hardy the man became Hardy the published writer; the changing critical responses to his work; his response to the social and political challenges of his time; his engagement with contemporary intellectual debate; and his legacy in the twentieth century and after. Emphasising the subtle and ongoing interaction between Hardy's life, his creative achievement and the unique historical moment, the collection also examines Hardy's relationship to such issues as class, education, folklore, archaeology and anthropology, evolution, marriage and masculinity, empire and the arts. A valuable contextual reference for scholars of Victorian and modernist literature, the collection will also prove accessible for the general reader of Hardy.