Pico Iyer – författare

With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection.In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets.'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime.'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right.'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.'Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading.Inspired by Robert MacfarlaneCurated by Jennie Orchard

This elegant collaboration pairs Michael Kenna’s luminous black-and-white landscapes with Pico Iyer’s contemplative prose, tracing the parallels of two lives lived in motion. Though they didn’t meet until they were both in their sixties, photographer Michael Kenna and writer Pico Iyer had been unknowingly following similar paths for decades. Both were born in England, studied near Oxford in the 1970s, moved to the U.S. West Coast, and fell in love with Japan.This book brings their work together in a profoundly personal collaboration: more than sixty of Kenna’s prints, each accompanied by an essay both from Iyer and Kenna himself. Kenna’s work—minimalist, often made in long exposure—captures fleeting moments of calm and clarity: a fog-bound canal in Venice, a deserted jetty in Mallorca, a line of trees dissolving into snow in Hokkaido. Spanning fifty years and five continents, these photographs offer meditations shaped by light, shadow, and quiet transformation. In prose that mirrors the restraint and depth of the images, Iyer writes about travel, childhood, coincidence, and the invisible threads that connect us.Beautifully printed and designed for slow reading and close looking, Same Sun Same Moon is a book for art lovers, writers, travelers, and anyone drawn to the subtle interplay of image and word, solitude and connection.

For over three decades, Pico Iyer, one of our most cherished travel writers, has been a friend to the Dalai Lama. Over these years through intimate conversations, he has come to know him in a way that few can claim. Here he paints an unprecedented portrait of one of the most singular figures of our time, explaining the Dalai Lama''s work and ideas about politics, science, technology, and religion. For Buddhist and non-Buddhist alike, The Open Road illuminates the hidden life and the daily challenges of this global icon.

From the Trade Paperback edition.

Pico Iyer’s intoxicating new novel is at once a stylish intellectual mystery and a pulse-quickening love story—the love in question being at once sacred and profane.John Macmillan, a classically reticent Englishman who has moved to California to study the poems of the Sufi mystic Rumi, unexpectedly becomes involved in two equally absorbing quests. The first is for a mysterious Rumi manuscript that may have been smuggled out of Iran; the second for the elusive Camilla Jensen, who continually offers herself to him only to repeatedly slip from his grasp. Are these quests somehow related? And can Macmillan give himself over to them without losing his career and identity?Moving deftly from California academia to the mosques of Iran, filled with insights into the minds of Islam and the modern West, Abandon is a magic carpet-ride of a book.From the Trade Paperback edition.

One of the best travel writers now at work in the English language brings back the sights and sounds from a dozen different frontiers. A cryptic encounter in the perfumed darkness of Bali; a tour of a Bolivian prison, conducted by an enterprising inmate; a nightmarish taxi ride across southern Yemen, where the men with guns may be customs inspectors or revolutionaries–these are just three of the stops on Pico Iyer’s latest itinerary. But the true subject of Sun After Dark is the dislocations of the mind in transit. And so Iyer takes us along to meditate with Leonard Cohen and talk geopolitics with the Dalai Lama. He navigates the Magritte-like landscape of jet lag, “a place that no human had ever been until forty or so years ago.” And on every page of this poetic and provocative book, he compels us to redraw our map of the world.From the Trade Paperback edition.

The author of Video Night in Kathmandu ups the ante on himself in this sublimely evocative and acerbically funny tour through the world''s loneliest and most eccentric places. From Iceland to Bhutan to Argentina, Iyer remains both uncannily observant and hilarious.From the Trade Paperback edition.

When Pico Iyer decided to go to Kyoto and live in a monastery, he did so to learn about Zen Buddhism from the inside, to get to know Kyoto, one of the loveliest old cities in the world, and to find out something about Japanese culture today -- not the world of businessmen and production lines, but the traditional world of changing seasons and the silence of temples, of the images woven through literature, of the lunar Japan that still lives on behind the rising sun of geopolitical power.All this he did. And then he met Sachiko.Vivacious, attractive, thoroughly educated, speaking English enthusiastically if eccentrically, the wife of a Japanese "salaryman" who seldom left the office before 10 P.M., Sachiko was as conversant with tea ceremony and classical Japanese literature as with rock music, Goethe, and Vivaldi. With the lightness of touch that made Video Night in Kathmandu so captivating, Pico Iyer fashions from their relationship a marvelously ironic yet heartfelt book that is at once a portrait of cross-cultural infatuation -- and misunderstanding -- and a delightfully fresh way of seeing both the old Japan and the very new.From the Trade Paperback edition.

Mohawk hair-cuts in Bali, yuppies in Hong Kong and Rambo rip-offs in the movie houses of Bombay are just a few of the jarring images that Iyer brings back from the Far East.

Pico Iyer has for many years described with keen perception and exacting wit the shifting textures of faraway lands anchored on a spinning globe that mixes and matches East and West. Now he casts a philosophical eye upon this curious state of floatingness.In the transnational village that our world has become, travel and technology fuel each other and us. As Iyer points out, "everywhere is so made up of everywhere else," and our very souls have been put into circulation. Yet even global beings need a home.Using his own multicultural upbringing (Indian, American, British) as a point of departure, Iyer sets out on a quest, both physical and psychological, to find what remains constant in a world gone mobile. He begins in Los Angeles International Airport, where town life — shops, services, sociability — is available without a town, and in Hong Kong, where people actually live in self-contained hotels. He moves on to Toronto, which has been given new life and a new literature by its immigrant population, and to Atlanta, where the Olympic Village inadvertently commemorates the corporate universalism that is the Olympics'' secret face. And, finally, he returns to England, where the effects of empire-as-global-village are still being sorted out, and to Japan, where in the midst of alien surfaces, Iyer unexpectedly finds a home."As a guide to far-flung places, Pico Iyer can hardly be surpassed," The New Yorker has written. In The Global Soul, he extends the meaning of far-flung to places within and all around us.From the Hardcover edition.

Having captivated readers with such gems of travel writing as Video Night in Kathmandu, Pico Iyer now presents a novel whose central character is another place: the melancholy, ebullient, and dazzlingly inconsistent island that is Castro''s Cuba. "On almost every page you can smell the dust, the cheap perfume and the rum of Havana today, or better still, tonight."--Los Angeles Times.From the Trade Paperback edition.

In Tropical Classical the author of Video Nights in Katmandu and The Lady and the Monk visits a holy city in Ethiopia, where hooded worshippers practice a Christianity that has remained unchanged since the Middle Ages. He follows the bewilderingly complex route of Bombay''s dabbawallahs, who each day ferry 100,000 different lunches to 100,000 different workers.Iyer chats with the Dalai Lama and assesses the books of Salman Rushdie and Cormac McCarthy. And he brings his perceptive eye and unflappable wit to bear on the postmodern vogues for literary puffery, sexual gamesmanship, and frequent-flier miles. Glittering with aphorisms, overflowing with insight, and often hilarious, Tropical Classical represents some of Iyer''s finest work.From the Trade Paperback edition.

From one of our most astute observers of human nature, a far-reaching exploration of Japanese history and culture and a moving meditation on impermanence, mortality, and grief.For years, Pico Iyer has split his time between California and Nara, Japan, where he and his Japanese wife, Hiroko, have a small home. But when his father-in-law dies suddenly, calling him back to Japan earlier than expected, Iyer begins to grapple with the question we all have to live with: how to hold on to the things we love, even though we know that we and they are dying. In a country whose calendar is marked with occasions honoring the dead, this question is more urgent than anywhere else. Iyer leads us through the year following his father-in-law''s death, introducing us to the people who populate his days: his ailing mother-in-law, who often forgets that her husband has died; his absent brother-in-law, who severed ties with his family years ago but to whom Hiroko still writes letters; and the men and women in his ping-pong club, who, many years his senior, traverse their autumn years in different ways. And as the maple leaves begin to redden and the heat begins to soften, Iyer offers us a singular view of Japan, in the season that reminds us to take nothing for granted.

From the acclaimed author of The Art of Stillness--one of our most engaging and discerning travel writers--a unique, indispensable guide to the enigma of contemporary Japan.After 32 years in Japan, Pico Iyer can use everything from anime to Oscar Wilde to show how his adopted home is both hauntingly familiar, and the strangest place on earth. "Arguably the world''s greatest living travel writer." (Outside) He draws on readings, reflections, and conversations with Japanese friends to illuminate an unknown place for newcomers, and to give longtime residents a look at their home through fresh eyes. A Beginner''s Guide to Japan is a playful and profound guidebook full of surprising, brief, incisive glimpses into Japanese culture. Iyer''s adventures and observations as he travels from a meditation-hall to a love-hotel, from West Point to Kyoto Station make for a constantly surprising series of provocations guaranteed to pique the interest and curiosity of those who don''t know Japan, and to remind those who do of the wide range of fascinations the country and culture contain.

In the global village that our world has become, travel and technology fuel each other and us. "Everywhere is made up of everywhere else," motion is our most constant state of being, our very souls have been put into circulation. Yet, as Pico Iyer points out in his fresh, acutely observant, and witty new book, even a global person must have a home. Using his own multicultural upbringing (Indian, American, British) as a point of departure, Iyer sets out on a journey - both physical and psychological - toward a definition of home in this world gone mobile. He travels: to Los Angeles International Airport, where town life (shops, services, sociability) is available without a town; to Hong Kong, where hotels are self-contained communities; to Toronto, made cosmopolitan by its emigre population; to Atlanta, where the Olympic Village unintentionally commemorates the mass-produced universalism that shapes the games; to England, where the effects of empire-as-global-village are still being sorted out; and, to Japan, where Iyer unexpectedly, and finally, finds a home for himself.