Pier Massimo Forni - Böcker

Selected by Choice magazine as an Outstanding Academic Book for 1996The Decameron is a narrative account of a situation in which narration takes place-a collection of one hundred stories set within a larger story. As a group of young men and women fleeing the plague trade stories to pass the time of crisis, storytelling occurs in a social context that allows for comment upon the tales by the tellers themselves, in a setting that elicits one story in return for another.In his close and original analysis, Pier Massimo Forni uses the notion of rhetoric as a guiding principle for a critical assessment of the Decameron. He explores the discursive tools with which the narrators connect the contents of their stories to their audience's environment, and goes on to argue that the book is significantly marked by Boccaccio's habit of exploring the narrative potential of rhetorical forms.By showing how the Decameron marks a new stage in the development of vernacular realism, Forni also charts a new course in Boccaccio criticism. Viewing the cultural and rhetorical context of the medieval masterpiece from a fresh perspective, he offers intriguing insights into the functioning of Boccaccio's narrative. Adventures in Speech maps the cognitive poetic processes that rule the complex authorial network of relationships involving speech, event, received culture, and narrative objects.

When originally published in 1995, the volume represented a major, new departure from the “normal” sort of scholarship on Boccaccio’s masterpiece, and its unique approach and contents are still valid and valuable today. The seventeen original essays in the volume focus on providing a comprehensive view of the Decameron through the analysis of particular aspects, particular problem areas in the reading and interpretation of the work. Each essay offers a critical window on a defined topic (indicated by the headwords), and, when taken together, these individual essays intersect with, supplement, and reinforce one another, thus emphasizing the harmonious nature of the work as a whole and the importance of examining it through a variety of lenses. The newness of the volume also consists in its introduction of innovative exegetical approaches and the identification of previously unidentified sources and influences. While not providing an orderly reading of the Decameron as a more traditional series of day-by-day lecturae would do, the essays examine multiple novelle from various Days and from differing perspectives so as to provide an assemblage of comprehensive views on the text. For the English-language edition two new items have been added: an update to Vittore Branca’s essay on the history of the text of the Decameron and a bibliographical overview of North-American studies on the Decameron and, more generally, on Boccaccio’s life, works and influence.