Pierluigi Musarò – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2025
1 733 kr
Skickas inom 5-8 vardagar
This book explores how the intertwined challenges of climate change and human (im)mobilities are being narrated, governed, and resisted. From media and policies to art and activism, the book investigates the stories we tell—and the ones we silence—about who moves, who stays, and who tries to govern human mobilities. What emerges is a powerful critique of crisis narratives that legitimize fear, repression, and exclusion, and a call for new imaginaries grounded in justice, care, and planetary belonging. Engaging with voices from the Global South, Indigenous epistemologies, and feminist and decolonial thought, this book offers a bold rethinking of how to confront one of the defining issues of our time. It is essential reading for anyone interested in the future of climate politics, migration, and global solidarity.
E-bok
Engelska, 20252 207 kr
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This book explores how the intertwined challenges of climate change and human (im)mobilities are being narrated, governed, and resisted. From media and policies to art and activism, the book investigates the stories we tell—and the ones we silence—about who moves, who stays, and who tries to govern human mobilities. What emerges is a powerful critique of crisis narratives that legitimize fear, repression, and exclusion, and a call for new imaginaries grounded in justice, care, and planetary belonging. Engaging with voices from the Global South, Indigenous epistemologies, and feminist and decolonial thought, this book offers a bold rethinking of how to confront one of the defining issues of our time. It is essential reading for anyone interested in the future of climate politics, migration, and global solidarity.
Häftad, Engelska, 2017
314 kr
Tillfälligt slut
In 1995, in Chicago, Mary Jacob curated “Culture in action”, an experience of participatory Public Art which left a mark on the contemporary artistic research and criticism. Over the last twenty years, this “new genre of public art” (Lacy 1995) has developed. In these “dialogical” and “connective” aesthetics (Kester 1999, Gablik 1992), public artists have involved citizens in creative performances that aim to modify citizens’ perceptions of the places where they live, to create new relations within and toward the territory, and to transform (often temporarily) the physical spaces. The book moves from the first outcomes of a two-year interdisciplinary research programme on the Italian contemporary Public Art, funded by the Sardinia Region (Italy). Moving beyond the traditional ladders of formal citizen participation to territory governance, the research investigates how public artists have involved citizens in creative performances that aim to modify citizens’ perceptions of the places where they live, to create new relations within and toward the territory, and to transform (often temporarily) the physical spaces. A book particularly useful to international students who have strong interests in the ongoing debates on political participation and communication from a multidisciplinary perspective, Performative Citizenship is the product of extensive teaching experience in the field of political participation and communication, and stems from continuous comparisons between students of sociology, cultural and media studies, political sciences, arts, architecture, and urban planning.