Pierre Dubois – författare
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27 produkter
27 produkter
Inbunden, Engelska, 2004
2 244 kr
Skickas inom 10-15 vardagar
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
Inbunden, Franska, 2022
459 kr
Skickas inom 5-8 vardagar
338 kr
Skickas inom 5-8 vardagar
Inbunden, Latin, 2022
359 kr
Skickas inom 5-8 vardagar
Häftad, Latin, 2022
207 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2015
1 531 kr
Skickas inom 7-10 vardagar
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.
Häftad, Engelska, 2018
542 kr
Skickas inom 7-10 vardagar
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.
E-bok
Engelska, 2021283 kr
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Whereas Dr Burney''s writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney''s remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney''s view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.
E-bok
PDF, Engelska, 2021283 kr
Läs direkt efter köp
Whereas Dr Burney''s writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney''s remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney''s view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.
Häftad, Engelska, 2021
239 kr
Skickas inom 7-10 vardagar
Whereas Dr Burney's writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney's remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney's view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.
Häftad, Engelska, 2016
815 kr
Skickas inom 10-15 vardagar
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
E-bok
Engelska, 2017936 kr
Läs direkt efter köp
Charles Avison''s Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to ''musical criticism'' proper, it established the primary importance of ''expression'' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes''s Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called ''ancient music'' (such as Hayes) and the more ''modern'' musicians. Beyond matters of taste, what was at stake in Avison''s theoretical contribution was the assertion that the individual''s response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison''s theory of music.
E-bok
PDF, Engelska, 2017936 kr
Läs direkt efter köp
Charles Avison''s Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to ''musical criticism'' proper, it established the primary importance of ''expression'' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes''s Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called ''ancient music'' (such as Hayes) and the more ''modern'' musicians. Beyond matters of taste, what was at stake in Avison''s theoretical contribution was the assertion that the individual''s response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison''s theory of music.
Häftad, Engelska, 2022
122 kr
Skickas inom 5-8 vardagar
Texas Jack is a legendary hero, a crack shot and a champion of the helpless who gunned down dozens of enemies... in his travelling show and the novels that bear his name! In reality, though, he's never been west, and has never shot at anyone. So when a government agent asks him to go to Wyoming to face a bloodthirsty maniac, his first reaction is to say no. Yet to preserve his reputation, he eventually takes the job, and leaves with his three co-stars in the show...
Häftad, Engelska, 2022
122 kr
Skickas inom 5-8 vardagar
Jack and his friends, still attached to Marshal Sykes' posse, are on their way to Eagle Town to rendezvous with a cavalry detachment. Yet there are still questionsmarks hanging over his mission. Too many ambushes, too many coincidences... Not to mention that the idea of sending a circus act to fight a deadly bandit remains a preposterous idea to Sykes.. and that the presence of the too-beautiful Amy creates tensions between the two teams.
Häftad, Franska, 2012
330 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2014
228 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2016
161 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2023
324 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2022
250 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2022
257 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2025
382 kr
Skickas inom 5-8 vardagar
Häftad, Franska, 2021
490 kr
Skickas inom 3-6 vardagar
Inbunden, Tyska
211 kr
Skickas inom 3-6 vardagar
Inbunden, Tyska, 2019
279 kr
Skickas inom 3-6 vardagar
Inbunden, Franska, 2022
359 kr
Tillfälligt slut
Häftad, Franska, 2022
207 kr
Tillfälligt slut