Pilar Cuder-Dominguez – författare
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6 produkter
6 produkter
2 535 kr
Skickas inom 10-15 vardagar
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
891 kr
Skickas inom 10-15 vardagar
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
1 489 kr
Skickas inom 5-8 vardagar
Cultural Representations of Gender Vulnerability and Resistance
A Mediterranean Approach to the Anglosphere
Inbunden, Engelska, 2022
557 kr
Skickas inom 10-15 vardagar
This Open Access book considers the cultural representation of gender violence, vulnerability and resistance with a focus on the transnational dimension of our contemporary visual and literary cultures in English.
Cultural Representations of Gender Vulnerability and Resistance
A Mediterranean Approach to the Anglosphere
Häftad, Engelska, 2022
447 kr
Skickas inom 10-15 vardagar
This Open Access book considers the cultural representation of gender violence, vulnerability and resistance with a focus on the transnational dimension of our contemporary visual and literary cultures in English.
New Perspectives on The Black Atlantic
Definitions, Readings, Practices, Dialogues
Häftad, Engelska, 2012
1 220 kr
Skickas inom 5-8 vardagar
This collection of essays attempts to expand the notion of the «Black Atlantic» beyond its original racial, geographical, linguistic and cultural borders while acknowledging its remarkable ability to disturb established historical truths and to go beyond traditional dichotomies, thereby providing an essential tool for cross-cultural understanding. It is divided into four sections, each of them dealing with a different approach to the question of the «Black Atlantic». «Definitions» touches on the various limitations of Gilroy’s original concept. «Readings» focuses on how the «Black Atlantic» can be productively used in readings of certain literary texts. «Practices» shifts towards the practical applications of the concept in order to explore the impact it has had on academic disciplines and examine to what extent it may have altered their epistemology and working procedures. Finally, «Dialogues» engages with the «Black Atlantic» from the perspectives of two creative writers whose work includes transatlantic themes and characters.