Pingali Suranna – författare

Composed in the mid-sixteenth century, The Sound of the Kiss, or The Story That Must Never Be Told, could be considered the first novel written in South Asia. Telugu, the language spoken in today's Andhra Pradesh region of southern India, has a classical literary tradition extending over a thousand years. Suranna's masterpiece comes from a period of intense creativity in Telugu, when great poets produced strikingly modern innovations. The novel explodes preconceived ideas about early South Indian literature: for example, that the characters lack interiority, that the language is formulaic, and that Telugu texts are mere translations of earlier Sanskrit works. Employing the poetic style known as campu, which mixes verse and prose, Pingali Suranna's work transcends our notions of traditional narrative. "I wanted to have the structure of a complex narrative no one had ever known," he said of his great novel, "with rich evocations of erotic love, and also descriptions of gods and temples that would be a joy to listen to." The Sound of the Kiss is both a gripping love story and a profound meditation on mind and language.Shulman and Rao include a thorough introduction that provides a broader understanding of, and appreciation for, the complexities and subtleties of this text.

This sixteenth-century work has a modern sensibility, presenting characters' inner worlds and understanding love as the fullest realization of the individual.The Demon's Daughter (Prabhavati-pradyumnamu) is a sixteenth-century novel by the south Indian poet Pingali Suranna, originally written in Telugu, the language of present-day Andhra Pradesh. Suranna begins with a story from classical Hindu mythology in which a demon plans to overthrow the gods. Krishna's son Pradyumna is sent to foil the plot and must infiltrate the impregnable city of the demons; Krishna helps ensure his success by having a matchmaking goose cause Pradyumna to fall in love with the demon's daughter. The original story focuses on the ongoing war between gods and anti-gods, but Pingali Suranna makes it an exploration of the experience of being and falling in love. In this, the work evinces a modern sensibility, showing love as both an individualized emotion and the fullest realization of a person, transcending social and cultural barriers.The translators include an afterword that explores the cultural setting of the work and its historical and literary contexts. Anyone interested in the literature and mythology of India will find this book compelling, but all readers who love a good story will enjoy this moving book. Velcheru Narayana Rao and David Shulman have provided an elegant translation that will serve well the contemporary reader who wishes to encounter a masterwork of world literature largely unknown in the West.