Pirkko Markula – författare

This volume examines Gilles Deleuze’s philosophy as it relates to the study of the physically active body. It explores theoretical and practical examples of how the physically active body can be examined as a material, social, political, and cultural entity using a Deleuzian perspective.Examining topics such as, the formation of thought within a capitalist system; sport, exercise, and dance as cultural arrangements; researching the physically active body from a Deleuzian perspective; and Deleuze on Foucault, this book shows ways of investigating the moving body as an agent for initiating social change.This is fascinating reading for students and researchers working in the fields of the Sociology of Sport, Sport and Politics, and Sport and Social Theory.

Exercise for women is a heavily-laden social and embodied experience. While exercise promotion has become an increasingly visible part of health campaigns, obesity among women is rising, and studies indicate that women are generally less physically active than men. Women’s (lack of) exercise, therefore, has become a public concern, and physiological and psychological research has attempted to develop more effective exercise programs aimed at women. Yet women have a complex relationship with embodiment and physical activity that is difficult for quantitative scientific approaches to explore. This book addresses this neglect by providing a much-needed feminist, qualitative social analysis of women and exercise. The contributors, drawn from across Europe and North America, investigate the ways women experience exercise within the context of the global fitness industry. All the authors take a specifically feminist perspective in their analysis of the fit, feminine body, exploring media images and the global branding of fitness products, the relationship between exercise and fat, the construction of physical activity within health discourse, and the lived experience of the exercising body. The collection explores the diversity of women’s experiences of exercise in relation to age, ethnicity and body size. The book is essential for anyone interested in health promotion, sport and exercise or the social and cultural study of gender and embodiment.

Exercise for women is a heavily-laden social and embodied experience. While exercise promotion has become an increasingly visible part of health campaigns, obesity among women is rising, and studies indicate that women are generally less physically active than men. Women’s (lack of) exercise, therefore, has become a public concern, and physiological and psychological research has attempted to develop more effective exercise programs aimed at women. Yet women have a complex relationship with embodiment and physical activity that is difficult for quantitative scientific approaches to explore. This book addresses this neglect by providing a much-needed feminist, qualitative social analysis of women and exercise. The contributors, drawn from across Europe and North America, investigate the ways women experience exercise within the context of the global fitness industry. All the authors take a specifically feminist perspective in their analysis of the fit, feminine body, exploring media images and the global branding of fitness products, the relationship between exercise and fat, the construction of physical activity within health discourse, and the lived experience of the exercising body. The collection explores the diversity of women’s experiences of exercise in relation to age, ethnicity and body size. The book is essential for anyone interested in health promotion, sport and exercise or the social and cultural study of gender and embodiment.

Drawing on the work of Foucault, Deleuze, and Latour, this book opens up a poststructuralist approach to sport, exercise, and dance research. It examines how to incorporate both articulable expression and visible material elements – theoretically and methodologically – to study the force of the moving body in practice.This book employs critical concepts including the dispositive, assemblage, and actor network to interrogate and advance our understanding of theory and method in research of physical activity practice. It asks what a poststructuralist approach might mean, especially as it concerns themes such as the body in motion, physical activity practice, network of relations, knowledge, and power for physical cultural studies scholars. Presenting in-depth case studies of adult ballet, Barre, Pilates, coaching, ice-hockey, and cross-country running, this book also examines how researchers and practitioners can begin to collaborate to create innovative instruction, training, and coaching practices.This is a fascinating reading for advanced students and researchers working in the physical cultural studies, sociology of sport and exercise, sociology of the body, sports coaching, physical education, or social theory.

Running is a fundamental human activity and holds an important place in popular culture. In recent decades it has exploded in popularity as a leisure pursuit, with marathons and endurance challenges exerting a strong fascination. Endurance Running is the first collection of original qualitative research to examine distance running through a socio-cultural lens, with a general objective of understanding the concept and meaning of endurance historically and in contemporary times.Adopting diverse theoretical and methodological approaches to explore topics such as historical conceptualizations of endurance, lived experiences of endurance running, and the meaning of endurance in individual lives, the book reveals how the biological, historical, psychological, and sociological converge to form contextually specific ideas about endurance running and runners. Endurance Running is an essential book for anybody researching across the entire spectrum of endurance sports and fascinating reading for anybody working in the sociology of sport or the body, cultural studies or behavioural science.

This volume examines Gilles Deleuze’s philosophy as it relates to the study of the physically active body. It explores theoretical and practical examples of how the physically active body can be examined as a material, social, political, and cultural entity using a Deleuzian perspective.Examining topics such as, the formation of thought within a capitalist system; sport, exercise, and dance as cultural arrangements; researching the physically active body from a Deleuzian perspective; and Deleuze on Foucault, this book shows ways of investigating the moving body as an agent for initiating social change.This is fascinating reading for students and researchers working in the fields of the Sociology of Sport, Sport and Politics, and Sport and Social Theory.

Running is a fundamental human activity and holds an important place in popular culture. In recent decades it has exploded in popularity as a leisure pursuit, with marathons and endurance challenges exerting a strong fascination. Endurance Running is the first collection of original qualitative research to examine distance running through a socio-cultural lens, with a general objective of understanding the concept and meaning of endurance historically and in contemporary times.Adopting diverse theoretical and methodological approaches to explore topics such as historical conceptualizations of endurance, lived experiences of endurance running, and the meaning of endurance in individual lives, the book reveals how the biological, historical, psychological, and sociological converge to form contextually specific ideas about endurance running and runners.Endurance Running is an essential book for anybody researching across the entire spectrum of endurance sports and fascinating reading for anybody working in the sociology of sport or the body, cultural studies or behavioural science.

Dance has become increasingly visible within contemporary culture: just think of reality TV shows featuring this art form. This shift brings the ballet body into renewed focus. Historically both celebrated and critiqued for its thin, flexible, and highly feminized aesthetic, the ballet body now takes on new and complex meanings at the intersections of performance art, popular culture, and fitness. The Evolving Feminine Ballet Body provides a local perspective to enrich the broader cultural narratives of ballet through historical, socio-cultural, political, and artistic lenses, redefining what many consider to be “high art.” Scholars in gender studies, folklore, popular culture, and cultural studies will be interested in this collection, as well as those involved in the dance world.Contributors: Kelsie Acton, Marianne I. Clark, Kate Z. Davies, Lindsay Eales, Pirkko Markula, Carolyn Millar, Jodie Vandekerkhove