Polina Barskova – författare

During the 872 days of the Siege of Leningrad (September 1941 to January 1944), the city's inhabitants were surrounded by the military forces of Nazi Germany. They suffered famine, cold, and darkness, and a million people lost their lives, making the siege one of the most destructive in history. Confinement in the besieged city was a traumatic experience. Unlike the victims of the Auschwitz concentration camp, for example, who were brought from afar and robbed of their cultural roots, the victims of the Siege of Leningrad were trapped in the city as it underwent a slow, horrific transformation. They lost everything except their physical location, which was layered with historical, cultural, and personal memory. In Besieged Leningrad, Polina Barskova examines how the city's inhabitants adjusted to their new urban reality, focusing on the emergence of new spatial perceptions that fostered the production of diverse textual and visual representations. The myriad texts that emerged during the siege were varied and exciting, engendered by sometimes sharply conflicting ideological urges and aesthetic sensibilities. In this first study of the cultural and literary representations of spatiality in besieged Leningrad, Barskova examines a wide range of authors with competing views of their difficult relationship with the city, filling a gap in Western knowledge of the culture of the siege. It will appeal to Russian studies specialists as well as those interested in war testimonies and the representation of trauma.

Six of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America’s Writers in Dialogue project. In 2020, as international travel skidded to a halt, PEN America’s Writers in Dialogue project—which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities—went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia’s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.

Six of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America’s Writers in Dialogue project. 

 In 2020, as international travel skidded to a halt, PEN America’s Writers in Dialogue project—which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities—went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. 

In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia’s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.

Growing up in Leningrad, Polina Barskova saw no trace of the estimated million people who died in the city during the Nazi blockade of 1941-44. As one of Russia's most admired and controversial contemporary writers, she has repeatedly returned to the archive of texts still being recovered from the siege, finding creative ways to commemorate these ghosts from her home city's past.A chorus of their voices and stories appears in Living Pictures, a breathtakingly inventive literary collage of memoir, archival material and fiction. With blazing immediacy and wit, Barskova delves into traumas historical and personal, writing of memories from a Soviet childhood, her foundational relationships and losses, and a life spent excavating vital fragments from under Leningrad's official history. Ending with a stunning chamber drama about two real people who died while sheltering in the Hermitage Museum during the siege, this is a rich, polyphonic work of living history.