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Historians and literary scholars tend to agree that British intellectual culture underwent a fundamental transformation between 1770 and 1845. Yet they are unusually divided about the nature of that transformation and whether it is best understood as an epistemic rupture from, or a continuous dialogue with, the long eighteenth century. Rethinking British Romantic History, 1770-1845 rethinks the ways in which we understand the historical writing and thehistorical consciousness of late eighteenth- and early nineteenth-century Britain by arguing that British historicism developed largely in quasi and para-historical genres such as memoir, biography, verse, fiction, and painting, rather than in works of ''real'' history. In a number of inter-related essays onchanging generic forms, styles, methods, and standards, the collection demonstrates that the aesthetic developments associated with British literary ''Romanticism'' not only intersected in mutually dependent ways with concurrent experiments and innovations in historical writing, but that these intersections forced an epistemological crisis-a deeply felt tension about the role of feeling and imagination in historical writing-that is still resonating in historiographical debates today. In exploringthis theme, the volume also seeks to consider wider questions about the philosophy of history and literature, including questions of truth, evidence, professionalization, disciplinary strategies, and methodology. At its heart is the idea that literary texts and other artistic representations ofhistory can have historical value, and should therefore be taken seriously by practitioners of history in all its forms.

Settler Fiction from the Southern Hemisphere, 1820-1890 posits that the nineteenth-century settler novel, far from being a generic and belated version of metropolitan fiction, can assist us in understanding complex, transitionary modes of settler and migrant cultural identification across and between multiple settler colonial spaces. It therefore seeks to disrupt linear understandings of Angloworld migration as a single ship voyage from Europe or America in favour of a broader heuristic grounded in the thickness of networks and interrelations, and in relations of entanglement, connection, proximity, and contiguity. The book's focus is on two themes: first, the ways in which settler fiction encodes regional spatial imaginaries, such as Australasia, Oceania, and the trans-Tasman world; and second, representations of imagined noncommunities, marginalised or precarious political subjects, and the historically punishable bodies of Indigenous and mixed-race peoples, indentured labourers, non-European diasporas, convicts, white paupers, and those considered eugenically unfit. Moving away from curiously static understandings of settler cultural history as the reproduction of modular British institutions, this book demonstrates that settler fiction requires us to read settlerism against its professed ideology of stability, permanence, and coherence.

Settler Fiction from the Southern Hemisphere, 1820-1890 posits that the nineteenth-century settler novel, far from being a generic and belated version of metropolitan fiction, can assist us in understanding complex, transitionary modes of settler and migrant cultural identification across and between multiple settler colonial spaces. It therefore seeks to disrupt linear understandings of Angloworld migration as a single ship voyage from Europe or America in favour of a broader heuristic grounded in the thickness of networks and interrelations, and in relations of entanglement, connection, proximity, and contiguity. The book's focus is on two themes: first, the ways in which settler fiction encodes regional spatial imaginaries, such as Australasia, Oceania, and the trans-Tasman world; and second, representations of imagined noncommunities, marginalised or precarious political subjects, and the historically punishable bodies of Indigenous and mixed-race peoples, indentured labourers, non-European diasporas, convicts, white paupers, and those considered eugenically unfit. Moving away from curiously static understandings of settler cultural history as the reproduction of modular British institutions, this book demonstrates that settler fiction requires us to read settlerism against its professed ideology of stability, permanence, and coherence.

Settler Fiction from the Southern Hemisphere, 1820-1890 posits that the nineteenth-century settler novel, far from being a generic and belated version of metropolitan fiction, can assist us in understanding complex, transitionary modes of settler and migrant cultural identification across and between multiple settler colonial spaces. It therefore seeks to disrupt linear understandings of Angloworld migration as a single ship voyage from Europe or America in favour of a broader heuristic grounded in the thickness of networks and interrelations, and in relations of entanglement, connection, proximity, and contiguity. The book's focus is on two themes: first, the ways in which settler fiction encodes regional spatial imaginaries, such as Australasia, Oceania, and the trans-Tasman world; and second, representations of imagined noncommunities, marginalised or precarious political subjects, and the historically punishable bodies of Indigenous and mixed-race peoples, indentured labourers, non-European diasporas, convicts, white paupers, and those considered eugenically unfit. Moving away from curiously static understandings of settler cultural history as the reproduction of modular British institutions, this book demonstrates that settler fiction requires us to read settlerism against its professed ideology of stability, permanence, and coherence.

Historians and literary scholars tend to agree that British intellectual culture underwent a fundamental transformation between 1770 and 1845. Yet they are unusually divided about the nature of that transformation and whether it is best understood as an epistemic rupture from, or a continuous dialogue with, the long eighteenth century. Rethinking British Romantic History, 1770-1845 rethinks the ways in which we understand the historical writing and the historical consciousness of late eighteenth- and early nineteenth-century Britain by arguing that British historicism developed largely in quasi and para-historical genres such as memoir, biography, verse, fiction, and painting, rather than in works of 'real' history. In a number of inter-related essays on changing generic forms, styles, methods, and standards, the collection demonstrates that the aesthetic developments associated with British literary 'Romanticism' not only intersected in mutually dependent ways with concurrent experiments and innovations in historical writing, but that these intersections forced an epistemological crisis-a deeply felt tension about the role of feeling and imagination in historical writing-that is still resonating in historiographical debates today. In exploring this theme, the volume also seeks to consider wider questions about the philosophy of history and literature, including questions of truth, evidence, professionalization, disciplinary strategies, and methodology. At its heart is the idea that literary texts and other artistic representations of history can have historical value, and should therefore be taken seriously by practitioners of history in all its forms.

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today.Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers:Important propositions and landmark ideas in the Romantic period;Key debates and critical approaches to Romantic studies;New and revisionary approaches to Romantic literature and art;The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics;European and Global Romanticism;The legacies of Romanticism in the twentieth and twenty-first centuries.Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today.Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers:Important propositions and landmark ideas in the Romantic period;Key debates and critical approaches to Romantic studies;New and revisionary approaches to Romantic literature and art;The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics;European and Global Romanticism;The legacies of Romanticism in the twentieth and twenty-first centuries.Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today.

Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers:

Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries.

Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today.

Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers:

Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries.

Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

Working against the long-standing belief that romantic-era history is primarily sentimental, Romantic Pasts argues that historians from Mary Wollstonecraft to Thomas Carlyle developed a new kind of cognitive or psychological historicism that was as much concerned with motive as with affect. Recognising that feelings could be a viable object of historical study as well as a sentimental or affective mode, these historians increasingly reconfigured psycho-physiological and behavioural processes as situated and historically variable phenomena that could reflect changes in social and historical contexts. Weaving together literary criticism, the history of emotions, theories of the novel and philosophies of history, this book rethinks the paradigm of resurrection or revivification that has come to stand for romantic history, as well as that history's place within the development of modern historiography.

Working against the long-standing belief that romantic-era history is primarily sentimental, Romantic Pasts argues that historians from Mary Wollstonecraft to Thomas Carlyle developed a new kind of cognitive or psychological historicism that was as much concerned with motive as with affect. Recognising that feelings could be a viable object of historical study as well as a sentimental or affective mode, these historians increasingly reconfigured psycho-physiological and behavioural processes as situated and historically variable phenomena that could reflect changes in social and historical contexts. Weaving together literary criticism, the history of emotion, theories of the novel and philosophies of history, this book rethinks both the paradigms of resurrection and revivification that have come to stand for romantic history and that history's place within the development of modern history.

This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the south examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the ‘British world’ by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.