Pramit Chaudhuri – författare

Epic and tragedy, from Homer's Achilles and Euripides' Pentheus to Marlowe's Tamburlaine and Milton's Satan, are filled with characters challenging and warring against the gods. Nowhere is the theme of theomachy more frequently and powerfully represented, however, than in the poetry of early imperial Rome, from Ovid's Metamorphoses at the beginning of the first century AD to Statius' Thebaid near its end. This book - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature.Drawing on a variety of contexts - politics, religion, philosophy, and aesthetics - Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world. A cast of tyrants, emperors, rebels, iconoclasts, philosophers, and ambitious poets brings to life some of the most extraordinary artistic products of classical antiquity. Based on close readings of the major extant epics and selected tragedies, the book replaces a traditionally Virgiliocentric view of imperial epic with a richer dialogue between Greek and Roman texts, contemporary authors, and diverse genres. The renewed sense of a tradition reveals how the conflicts these works represent constitute a distinctive theology informed by other discourses yet peculiar to epic and tragedy. Beginning with the Greek background and ending by looking ahead to developments in the Renaissance, this book charts the history of a theme that would find its richest expression in a time when men became gods and impiety threatened the very order of the world.Covering a wide range of literary and historical topics - from metapoetics to the sublime, from divination to Epicureanism, and from madness to apotheosis - the book will appeal to all readers interested in Latin literature, Roman cultural history, poetic theology, and the epic and tragic traditions from antiquity to modernity.

Epic and tragedy, from Homer''s Achilles and Euripides'' Pentheus to Marlowe''s Tamburlaine and Milton''s Satan, are filled with characters challenging and warring against the gods. Nowhere is the theme of theomachy more frequently and powerfully represented, however, than in the poetry of early imperial Rome, from Ovid''s Metamorphoses at the beginning of the first century AD to Statius'' Thebaid near its end. This book -- the first full-length study of human-divine conflict in Roman literature -- asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature.Drawing on a variety of contexts -- politics, religion, philosophy, and aesthetics -- Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world. A cast of tyrants, emperors, rebels, iconoclasts, philosophers, and ambitious poets brings to life some of the most extraordinary artistic products of classical antiquity. Based on close readings of the major extant epics and selected tragedies, the book replaces a traditionally Aeneid-centric view of imperial epic with a richer dialogue between Greek and Roman texts, contemporary authors, and diverse genres. The renewed sense of a tradition reveals how the conflicts these works represent constitute a distinctive theology informed by other discourses yet peculiar to epic and tragedy. Beginning with the Greek background and ending with a look ahead to developments in the Renaissance, this book charts the history of a theme that would find its richest expression in a time when men became gods and impiety threatened the very order of the world.

This collection brings together leading experts in a number of fields of the humanities to offer a new perspective on the classical tradition. Drawing on reception studies, philology and early modern studies, the essays explore the interaction between literary criticism and the multiple cultural contexts in which texts were produced, discovered, appropriated and translated. The intersection of Realpolitik and textual criticism, poetic and musical aesthetics, and authority and self-fashioning all come under scrutiny. The canonical Latin writers and their subsequent reception form the backbone of the volume, with a focus on the European Renaissance. It thus marks a reconnection between classical and early modern studies and the concomitant rapprochement of philological and cultural historical approaches to texts and other works of art. This book will be of interest to scholars in classics, Renaissance studies, comparative literature, English, Italian and art history.

For the Greeks and Romans, the world was full of gods, but this fundamental aspect of their experience poses major challenges to modern understanding. The concept of belief has been central to meeting those challenges but has itself been hotly debated, and has at times even been rejected as a supposedly Christianising anachronism. Others, meanwhile, have argued that a culture-neutral model of belief is both possible and essential, while the advent of the cognitive science of religion has offered new possibilities for understanding ancient religious worlds. The essays in this volume trace the historical development of the modern concept of belief, examine ancient debates about the nature of human knowledge of the divine, and draw on perspectives from anthropology, cognitive science and early modern history as well as classical studies to explore the nature and role of belief in Greek and Roman religion in ancient literature, society, experience and practice.

For the Greeks and Romans, the world was full of gods, but this fundamental aspect of their experience poses major challenges to modern understanding. The concept of belief has been central to meeting those challenges but has itself been hotly debated, and has at times even been rejected as a supposedly Christianising anachronism. Others, meanwhile, have argued that a culture-neutral model of belief is both possible and essential, while the advent of the cognitive science of religion has offered new possibilities for understanding ancient religious worlds. The essays in this volume trace the historical development of the modern concept of belief, examine ancient debates about the nature of human knowledge of the divine, and draw on perspectives from anthropology, cognitive science and early modern history as well as classical studies to explore the nature and role of belief in Greek and Roman religion in ancient literature, society, experience and practice.