Prudentius - Böcker

Spirited verse.Prudentius (Aurelius Prudentius Clemens) was born in AD 348 probably at Caesaraugusta (Saragossa) and lived mostly in northeastern Spain, but visited Rome between 400 and 405. His parents, presumably Christian, had him educated in literature and rhetoric. He became a barrister and at least once later on an administrator; he afterwards received some high honor from Emperor Theodosius. Prudentius was a strong Christian who admired the old pagan literature and art, especially the great Latin poets whose forms he used. He looked on the Roman achievement in history as a preparation for the coming of Christ and the triumph of a spiritual empire. The Loeb Classical Library edition of the poems of Prudentius is in two volumes. Volume I presents: “Preface” (Praefatio); “The Daily Round” (Liber Cathemerinon); twelve literary and attractive hymns, parts of which have been included in the Breviary and in modern hymnals; “The Divinity of Christ” (Apotheosis), which maintains the Trinity and attacks those who denied the distinct personal being of Christ; “The Origin of Sin” (Hamartigenia) attacking the separation of the “strict” God of the Old Testament from the “good” God revealed by Christ; “Fight for Mansoul” (Psychomachia), which describes the struggle between (Christian) Virtues and (Pagan) Vices; and the first book of “Against the Address of Symmachus” (Contra Orationem Symmachi), in which pagan gods are assailed.The second volume contains the second book of “Against the Address of Symmachus,” opposing a petition for the replacement of an altar and statue of Victory; “Crowns of Martyrdom” (Peristephanon Liber), fourteen hymns to martyrs mostly of Spain; “Lines To Be Inscribed under Scenes from History” (Tituli Historiarum), forty-nine four-line stanzas that are inscriptions for scenes from the Bible depicted on the walls of a church; and an Epilogue.

Spirited verse.Prudentius (Aurelius Prudentius Clemens) was born in AD 348 probably at Caesaraugusta (Saragossa) and lived mostly in northeastern Spain, but visited Rome between 400 and 405. His parents, presumably Christian, had him educated in literature and rhetoric. He became a barrister and at least once later on an administrator; he afterwards received some high honor from Emperor Theodosius. Prudentius was a strong Christian who admired the old pagan literature and art, especially the great Latin poets whose forms he used. He looked on the Roman achievement in history as a preparation for the coming of Christ and the triumph of a spiritual empire. The Loeb Classical Library edition of the poems of Prudentius is in two volumes. Volume I presents: “Preface” (Praefatio); “The Daily Round” (Liber Cathemerinon); twelve literary and attractive hymns, parts of which have been included in the Breviary and in modern hymnals; “The Divinity of Christ” (Apotheosis), which maintains the Trinity and attacks those who denied the distinct personal being of Christ; “The Origin of Sin” (Hamartigenia) attacking the separation of the “strict” God of the Old Testament from the “good” God revealed by Christ; “Fight for Mansoul” (Psychomachia), which describes the struggle between (Christian) Virtues and (Pagan) Vices; and the first book of “Against the Address of Symmachus” (Contra Orationem Symmachi), in which pagan gods are assailed.The second volume contains the second book of “Against the Address of Symmachus,” opposing a petition for the replacement of an altar and statue of Victory; “Crowns of Martyrdom” (Peristephanon Liber), fourteen hymns to martyrs mostly of Spain; “Lines To Be Inscribed under Scenes from History” (Tituli Historiarum), forty-nine four-line stanzas that are inscriptions for scenes from the Bible depicted on the walls of a church; and an Epilogue.

Lively new translations of two classical works that offer wise advice about how to resist temptationHow to Have Willpower brings together two profound ancient meditations on how to overcome pressures that encourage us to act against our own best interests—Plutarch’s essay On Dysopia or How to Resist Pressure and Prudentius’s poetic allegory Psychomachia or How to Slay Your Demons. Challenging the idea that humans are helpless victims of vice, these works—introduced and presented in vivid, accessible new prose translations by Michael Fontaine, with the original Latin and Greek texts on facing pages—emphasize the power of personal choice and the possibility of personal growth, as they offer insights and practical advice about resisting temptation.In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying “yes” against our better judgment. And in a delightfully different work, Prudentius, a Latin Christian poet, dramatizes the necessity to actively fight temptation through the story of an epic battle within the human soul between fierce warrior women representing our virtues and vices.Plutarch and Prudentius insist that we allow pressure or temptations to get the best of us. But they also agree that we can do something about it. And their wisdom can help.

Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since—most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.

Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since—most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.

The poems of Aurelius Prudentius appear in two volumes of the present series, i.e., Volume 43 and this volume, 52. It cannot be said that poetry, in a literary sense, truly prospered in Christian surroundings. However, the greatest of the Latin Christian poets was the present author, who was born in any one of the three cities: Tarragona, Saragossa, and Calahorra. Modern scholarship favors Calahorra.Any estimate of Prudentius must include a recognition of certain defects in his works, notably the length and prolixity of his hymns, the crude realism in his descriptions of the torments of the martyrs, the long declamatory speeches, the unreality of his allegory, and his excessive use of alliteration and assonance. Though his writings as a whole cannot be ranked among those of the great poetry in many instances. Prudentius has a technical skill surpassing that of the other Christian Latin poets. He is the creator of the Christian ode and the Christian allegory. He has something of the epic power of Virgil and the lyric beauty and variety of Horace.Prudentius has still greater claims to greatness, however, in the Christian thought and inspiration of his poetry. A recent critic has declared with truth that Prudentius is 'first a Catholic and only in the second place a poet.' His faith is that of the Nicene Creed.In his poetry, Prudentius celebrates the triumph of Christianity over paganism. He saw the Church emerging from its three-hundred-year struggle against the forces if idolatry and heresy, triumphant through its saving doctrine and the blood of its martyrs. He saw the magnificent basilicas, both in Spain and in Rome, rising in the place of the pagan temples. As an historian of Christian thought and culture at the end of the fourth century, Prudentius cannot be overestimated.

Prudentius, often acclaimed as the greatest Latin Christian poet, was born probably in Calahorra, Spain, the son of highly cultured Roman citizens and fervent Christians. His death occurred after 405. The metric structure of his poems clearly shows the great influence of Horace although echoes of other Latin poets are likewise detected.The Book of Hymns for Every Day (Liber Cathemerinon) is a collection of hymns for use at times of prayer that were once customary in the early Church: at cock-crow, morning hymn, hymns before and after repast, hymn at time of lamp lighting, hymn before sleep. Hymns to be used for special feasts and occasions conclude the work.The Book of the Martyrs' Crowns (Liber Peristephanon) is a work that comprises fourteen hymns in honor of various martyrs. Six hymns honor the Spanish martyrs: Emeterius, Chelidonius, Eulalia, the Eighteen Martyrs of Saragossa, Vincent, Fructuosus and companions. Five hymns sing the praises of Roman martyrs: Lawrence, Cassian, Hippolytus, Peter and Paul, Agnes. Three more hymns honoring the memory of Quirinus, Romanus and Cyprian conclude this work. The accounts of the martyrdom of Sts. Emetrius, Chelidonius, Lawrence, Eulalia, Cassian, Romanus, Hippolytus, the Eighteen Martyrs of Saragossa are the earliest extant.