Qin Shao – författare

This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting "the Nantong model" nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.

Shanghai has been demolished and rebuilt into a gleaming megacity in recent decades, now ranking with New York and London as a hub of global finance. But that transformation has come at a grave human cost. This compelling book is the first to apply the concept of domicide—the eradication of a home against the will of its dwellers—to the sweeping destruction of neighborhoods, families, and life patterns to make way for the new Shanghai. Here we find the holdouts and protesters, men and women who have stubbornly resisted domicide and demanded justice. Qin Shao follows, among others, a reticent kindergarten teacher turned diehard petitioner; a descendant of gangsters and squatters who has become an amateur lawyer for evictees; and a Chinese Muslim who has struggled to recover his ancestral home in Xintiandi, an infamous site of gentrification dominated by a well-connected Hong Kong real estate tycoon. Highlighting the wrenching changes spawned by China’s reform era, Shao vividly portrays the relentless pursuit of growth and profit by the combined forces of corrupt power and money, the personal wreckage it has left behind, and the enduring human spirit it has unleashed.To see the author's blog post on Asia Society, please click here.