R. Emig – författare

This interdisciplinary study analyzes the ways in which signs of masculinity have been performed across a wide variety of contexts and genres - including literature, classical ballet, sports, rock music, films and computer games - from the early nineteenth century to the present day.

This study reads Auden's poetry and plays through the shifts from modernism to postmodernism. It analyses the experiments in Auden's writings for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden's poetry emphasises the absence of certainties. Yet far from becoming nihilistic, it generates hope, affection, and most importantly an ethical challenge of responsibility out of its discoveries.

This study reads Auden's poetry and plays through the shifts from modernism to postmodernism. It analyzes the experiments in Auden's writings for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that, rather than providing firm answers, Auden's poetry emphasizes the absence of certainties. Yet far from becoming nihilistic, it generates hope, affection, and most importantly, an ethical challenge of responsibility out of its discoveries.

Stereotypes continue to dominate contemporary Anglo-German relations. This volume brings together views from psychology, history, cultural theory, literature, pedagogy, but also business and management studies to elucidate the origins, forms, and possible strategies of dealing with cliches of "the British" and "the Germans". By assessing their impact on the personal sphere and that of communication, the media, business, and politics, they demonstrate how an awareness of stereotypes can be part of a realistic assertion of identity in a changing world.