R. T. Smith – författare

"This is no fairy tale. / It's all fantastic and bizarre and true. / It's my life, a raspy song, that sounds better if you sing along."  The men and women who live and work near Opelika, Alabama, gather at the Hollow Log Lounge. There, under the watchful eye of the stuffed fox behind the bar, they unload their gripes and worries, tell their stories, argue, joke, commune, complain, and confess.  In this collection of poems, R. T. Smith paints a vividly imagined portrait of the community in this small-town bar, capturing the chorus of the patrons' voices echoing off the knotted wood-paneled walls. Smith's stand-in, Sam Buckhannon, scribbles stories heard and overheard as tongues loosened by liquor spin out monologues in which southern idiom and vernacular seem perfectly at home within the constraints of measured verse.

In the best tradition of southern storytelling, Uke Rivers Delivers features raconteurs as beguiling as the tales they tell. These lyrical, darkly humorous monologues portray a range of denizens of the American South desperately trying to come to grips with their inherited pasts. A Confederate reenactor receives a message from the beyond to lay to rest the remains of Stonewall Jackson's horse. A docent at Washington and Lee University's Lee Chapel offers prim instruction on the facts and legends about ""the General"" with both reverence and irony. The young son of a lewd, alcoholic, self-dubbed evangelist acquires the wits - and the will - for survival by protecting the family's sunflower crops. A midget ukulele virtuoso is so surprised by his own eruption into violence that he can attribute it only to genetics. One of Jeff Davis's fellow cross-dressers; the killer of John Wilkes Booth; a Rebel deserter whose superior exacts his pound of flesh - all these characters and more, through their twisted and torn vernaculars, seek understanding and revival in R. T. Smith's superb collection.

Outlaw Style is a collection of narrative and lyric poems, many of them in the tradition of Robert Browning’s dramatic monologues. While gothic imagery, humor, and nineteenth-century diction and reference alternate and interweave, the four thematic currents that converge in the collection are music, race, spirituality, and the impact of monstrosity on somewhat innocent bystanders. Poems like “Dar He,” “Scuppernongs,” and “Plantation of the Mad” address the history of American racial intolerance with muted horror, while the final series of poems explores the roots and impact of traditional music, from unsettling songs of the Carter Family through Delta Blues and the haunting ballad “Strange Fruit.” The collection also features poems, such as “Shepherd Ollie Strawbridge on the Chicken Business,” which question the nature of spirituality; and the central section, “The Booth Prism,” performs a kind of séance in which the author channels the voices of many of the people—from Anna Surratt Tonry to Booth’s lovers and siblings—whose lives were altered by contact with Lincoln’s assassin. Throughout Outlaw Style formal and vernacular rhythms stand in counterpoint, images of violence excavate a stark and troubling beauty, and history and mystery fuse and feud, as the landscape and culture of the American South are presented for interrogation and understanding.