Rabun Taylor – författare

How were the architectural ideas behind great Roman building projects carried out in practice? Roman Builders is the first, general interest book to address this question. Using the Baths of Caracalla, the Pantheon, the Coliseum, and the great temples at Baalbek as physical documents for their own building histories, this book traces the thought processes and logistical considerations - the risks, reversals, compromises, and refinements - that led to ultimate success. Each major phase of the building process is considered: design, groundwork, support structures, complex armatures, such as the superstructures of amphitheaters, vaults, and decorations. New hypotheses are advanced on the raising of monolithic columns, the construction sequence of the Coliseum, and the vaulting of the Pantheon. The illustrations include archival and original photographs, as well as numerous explanatory drawings.

This interdisciplinary study explores the meanings of mirrors and reflections in Roman art and society. When used as metaphors in Roman visual and literary discourses, mirrors had a strongly moral force, reflecting not random reality but rather a carefully filtered imagery with a didactic message. Focusing on examples found in mythical narrative, religious devotion, social interaction and gender relations, Rabun Taylor demonstrates that reflections served as powerful symbols of personal change. Thus, in both art and literature, a reflection may be present during moments of a protagonist's inner or outer transformation.

Spanning the entire history of the city of Rome from Iron Age village to modern metropolis, this is the first book to take the long view of the Eternal City as an urban organism. Three thousand years old and counting, Rome has thrived almost from the start on self-reference, supplementing the everyday concerns of urban management and planning by projecting its own past onto the city of the moment. This is a study of the urban processes by which Rome's people and leaders, both as custodians of its illustrious past and as agents of its expansive power, have shaped and conditioned its urban fabric by manipulating geography and organizing space; planning infrastructure; designing and presiding over mythmaking, ritual, and stagecraft; controlling resident and transient populations; and exploiting Rome's standing as a seat of global power and a religious capital.