Rachel Dickinson – författare

Using drama right across the curriculum to improve and invigorate teaching and learning, this book provides whole school and individual class approaches underpinned by sound theory and implemented in a real primary school. Explanations and examples are given in a clear and accessible style, and links are made to The National Strategy.

The book illustrates a wide range of strategies that show how drama can help with:

This user-friendly and comprehensive text is the perfect support tool for teachers and managers ready to improve their school regardless of whether they''re approaching drama for the first time or are already passionate about it.

Using drama right across the curriculum to improve and invigorate teaching and learning, this book provides whole school and individual class approaches underpinned by sound theory and implemented in a real primary school. Explanations and examples are given in a clear and accessible style, and links are made to The National Strategy.

The book illustrates a wide range of strategies that show how drama can help with:

This user-friendly and comprehensive text is the perfect support tool for teachers and managers ready to improve their school regardless of whether they''re approaching drama for the first time or are already passionate about it.

Approached from a historical lens, learn about the great and influential families, their rise and sometimes their fall.

No one likes to believe that America has its own aristocracy, but the families described in this narrative share how these American families climbed the social ladder and their resulting legacies. Approached from a historical lens, learn about the great and influential families, their rise and sometimes their fall, including the following families:Vanderbilt, Rockefeller, Ford, Getty, Hearst, Morgan, Astor, Coors, Adams, Kennedy, Nampeyo, Wyeth, Carter, and Barrymore.

The essays of The Loneliest Places began as a chronicle of Rachel Dickinson’s life after her son’s suicide. The pieces became much more.

Dickinson writes the unimaginable and terrifying facts of heart-breaking loss. In The Loneliest Places she tells stories from her months on the run, fleeing her grief and herself, as she escapes to Iceland and the Falkland Islands―as far as possible from the memories of her dead son, Jack. She frankly relates the paralyzing emotion that sometimes left her trapped in her home, confined to a single chair, helplessly isolated.

The tales from these years are bleak, and Dickinson’s journey home, back to her changed self and fractured family, is lonely. Conjuring Emily Dickinson, she describes, though, how hope was sighted, allowed to perch, and then, remarkably, made actual.