Rachel Lyon – författare

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, exploring who holds the power in a modern underworld.Camp counsellor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island off the coast of Maine. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. When her daughter seemingly disappears, Emer crosses land and sea to heed a cry for help she alone is convinced she hears.Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a lush and haunting story that explores love, attraction, control, obliteration and America’s own late capitalist mythos. Advance praise for Fruit of the Dead'A gripping literary thriller, Fruit of the Dead presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. Egan and Cline fans: assemble.' Caoilinn Hughes, author of The Wild Laughter‘Ancient Greece meets Succession by way of Emma Cline, Fruit of the Dead is a deliciously dark examination of agency and power, and the savage complexity of the mother-daughter bond.’ Ruth Gilligan, author of The Butchers  ‘Mesmerised and profoundly alarmed, I read this in one go; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and Fruit of the Dead further confirms what I’ve long suspected: I want to lunge to read anything she writes.’ R. O. Kwon, author of The Incendiaries‘Irresistible and devastating. Lyon has spun an utterly absorbing, lush and terror-laced retelling of an ancient, archetypal tale – a young woman tempted and taken, a mother’s feral grief – that is both timeless and crisply contemporary.' Melissa Febos, author of Girlhood

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, exploring who holds the power in a modern underworld.Camp counsellor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island off the coast of Maine. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. When her daughter seemingly disappears, Emer crosses land and sea to heed a cry for help she alone is convinced she hears.Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a lush and haunting story that explores love, attraction, control, obliteration and America’s own late capitalist mythos. Praise for Fruit of the Dead‘An unnerving literary thriller... An absorbing exploration of ancient themes like power and temptation.’ Mail on Sunday'Riveting and lush… a spellbinding account of a young woman’s hunger for freedom, the sordid underbelly of big pharma, and the siren call of addiction.' Leslie Jamison, author of Splinters'A gripping literary thriller, Fruit of the Dead presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. Egan and Cline fans: assemble.' Caoilinn Hughes, author of The Wild Laughter‘Ancient Greece meets Succession by way of Emma Cline, Fruit of the Dead is a deliciously dark examination of agency and power, and the savage complexity of the mother-daughter bond.’ Ruth Gilligan, author of The Butchers  ‘Mesmerised and profoundly alarmed, I read this in one go; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and Fruit of the Dead further confirms what I’ve long suspected: I want to lunge to read anything she writes.’ R. O. Kwon, author of The Incendiaries

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, exploring who holds the power in a modern underworld. Camp counsellor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative.  The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island off the coast of Maine. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. When her daughter seemingly disappears, Emer crosses land and sea to heed a cry for help she alone is convinced she hears. Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a lush and haunting story that explores love, attraction, control, obliteration and America’s own late capitalist mythos. Advance praise for Fruit of the Dead 'A gripping literary thriller, Fruit of the Dead presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. Egan and Cline fans: assemble.' Caoilinn Hughes, author of The Wild Laughter ‘Ancient Greece meets Succession by way of Emma Cline, Fruit of the Dead is a deliciously dark examination of agency and power, and the savage complexity of the mother-daughter bond.’ Ruth Gilligan, author of The Butchers   ‘Mesmerised and profoundly alarmed, I read this in one go; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and Fruit of the Dead further confirms what I’ve long suspected: I want to lunge to read anything she writes.’ R. O. Kwon, author of The Incendiaries ‘Irresistible and devastating. Lyon has spun an utterly absorbing, lush and terror-laced retelling of an ancient, archetypal tale – a young woman tempted and taken, a mother’s feral grief – that is both timeless and crisply contemporary.' Melissa Febos, author of Girlhood

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, about addiction and sex, family and independence, and who holds the power in a modern underworld.Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help she alone is convinced she hears.Alternating between the two women’s perspectives, Rachel Lyon’s Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s own late capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting and ecstatic novel that vibrates with lush abandon. Readers will not soon forget it.Praise for Fruit of the Dead‘An unnerving literary thriller... An absorbing exploration of ancient themes like power and temptation.’ Mail on Sunday'Riveting and lush… a spellbinding account of a young woman’s hunger for freedom, the sordid underbelly of big pharma, and the siren call of addiction.' Leslie Jamison, author of Splinters'A gripping literary thriller, Fruit of the Dead presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. Egan and Cline fans: assemble.' Caoilinn Hughes, author of The Wild Laughter‘Ancient Greece meets Succession by way of Emma Cline, Fruit of the Dead is a deliciously dark examination of agency and power, and the savage complexity of the mother-daughter bond.’ Ruth Gilligan, author of The Butchers ‘Mesmerised and profoundly alarmed, I read this in one go; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and Fruit of the Dead further confirms what I’ve long suspected: I want to lunge to read anything she writes.’ R. O. Kwon, author of The Incendiaries

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, exploring who holds the power in a modern underworld. Camp counsellor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative.  The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island off the coast of Maine. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. When her daughter seemingly disappears, Emer crosses land and sea to heed a cry for help she alone is convinced she hears. Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a lush and haunting story that explores love, attraction, control, obliteration and America’s own late capitalist mythos. Advance praise for Fruit of the Dead 'A gripping literary thriller, Fruit of the Dead presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. Egan and Cline fans: assemble.' Caoilinn Hughes, author of The Wild Laughter ‘Ancient Greece meets Succession by way of Emma Cline, Fruit of the Dead is a deliciously dark examination of agency and power, and the savage complexity of the mother-daughter bond.’ Ruth Gilligan, author of The Butchers   ‘Mesmerised and profoundly alarmed, I read this in one go; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and Fruit of the Dead further confirms what I’ve long suspected: I want to lunge to read anything she writes.’ R. O. Kwon, author of The Incendiaries ‘Irresistible and devastating. Lyon has spun an utterly absorbing, lush and terror-laced retelling of an ancient, archetypal tale – a young woman tempted and taken, a mother’s feral grief – that is both timeless and crisply contemporary.' Melissa Febos, author of Girlhood

Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzieLu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it.Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotionaldues that must be paid on the road to success.‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates‘A sparkling debut’ New York Times Book Review

Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success.‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates‘A sparkling debut’ New York Times Book Review

Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success.‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates‘A sparkling debut’ New York Times Book Review

Soon to be made into a major motion picture—Self Portrait—starring Zoë Kravitz and Thomasin McKenzieLonglisted for the Center for Fiction First Novel Prize, a "rich and thorny page turner" (Los Angeles Times) literary psychological horror about an ambitious young artist whose accidental photograph of a tragedy could jumpstart her career, but devastate her most intimate friendship.Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, responsible for her aging father, and worrying that her crumbling loft apartment is being sold to developers, she is at a point of desperation. One day, in the background of a self-portrait, Lu accidentally captures an image of a boy falling to his death. The photograph turns out to be startlingly gorgeous, the best work of art she’s ever made. It’s an image that could change her life…if she lets it. But the decision to show the photograph is not easy. The boy is her neighbors’ son, and the tragedy brings all the building’s residents together. It especially unites Lu with the boy’s beautiful grieving mother, Kate. As the two forge an intense bond based on sympathy, loneliness, and budding attraction, Lu feels increasingly unsettled and guilty, torn between equally fierce desires: to advance her career, and to protect a woman she has come to love. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a “sparkling debut” (The New York Times Book Review) about the emotional dues that must be paid on the road to success and a powerful exploration of the complex terrain of female friendship. “The conflict is rich and thorny, raising questions about art and morality, love and betrayal, sacrifice and opportunism, and the chance moments that can define a life…It wrestles with the nature of art, but moves with the speed of a page-turner” (Los Angeles Times).

Named a Best Book of the Year by Oprah Daily * “Mesmerizing.” —Town & Country * “Twisty and unsettling.” —People * “Ancient Greece meets Succession by way of Emma Cline…deliciously dark.” —Ruth Gilligan * A “superb…refreshing” (The New York Times Book Review) reimagining of the myth of Persephone and Demeter set on a lush private island, exploring themes of addiction and sex, family, independence, and who holds the power in a modern underworld.Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother’s disappointment, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a pharmaceutical company, Rolo Picazo is wealthy, divorced, and magnetic. He is also intoxicated by Cory. When Rolo offers her a job, Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and the opiates manufactured by his company, she tells herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help that only she can hear. Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s late-capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting, electric novel that readers will not soon forget.

Named a Best Book of the Year by Oprah Daily * “Mesmerizing.” —Town & Country * “Twisty and unsettling.” —People * “Ancient Greece meets Succession by way of Emma Cline…deliciously dark.” —Ruth Gilligan * A “superb…refreshing” (The New York Times Book Review) reimagining of the myth of Persephone and Demeter set on a lush private island, exploring themes of addiction and sex, family, independence, and who holds the power in a modern underworld.Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother’s disappointment, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a pharmaceutical company, Rolo Picazo is wealthy, divorced, and magnetic. He is also intoxicated by Cory. When Rolo offers her a job, Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and the opiates manufactured by his company, she tells herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help that only she can hear. Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s late-capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting, electric novel that readers will not soon forget.