Rachel Moseley – författare

The first full length academic study of Hepburn's star persona and films featuring reseach into the experience of British women who have admired her in the 1950s, 1960s and the 1990s. Examines the historical specificity of discourses of feminity circulating around Hepburn and her female fans, suggesting that the flexibility of Hepburn's image has contributed to her enduring appeal. Makes a significant contribution to the growing field of star studies. Argues that class and gender are siginifcant factors in the relatonship between stars and audiences.

This book explores the history of Cornwall‘s picturing on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham’s Poldark books. Drawing on art history to illuminate the construction of Cornwall in films and television programmes, the book looks at amateur film, newsreels and contemporary film practice as well as drama.It argues that Cornwall‘s screen identity has been dominated by the romantic coastal edge, leaving the regional interior absent from representation. In turn, the emphasis on the coast in Cornwall‘s screen history has had a significant and ongoing economic impact on the area.New research with an innovative approach, looking at amateur film and newsreels alongside mainstream film and television.  Will appeal to both the academic and the more general reader.

This book explores the history of Cornwall‘s picturing on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham’s Poldark books. Drawing on art history to illuminate the construction of Cornwall in films and television programmes, the book looks at amateur film, newsreels and contemporary film practice as well as drama.It argues that Cornwall‘s screen identity has been dominated by the romantic coastal edge, leaving the regional interior absent from representation. In turn, the emphasis on the coast in Cornwall‘s screen history has had a significant and ongoing economic impact on the area.New research with an innovative approach, looking at amateur film and newsreels alongside mainstream film and television.  Will appeal to both the academic and the more general reader.

Television for Women brings together emerging and established scholars to reconsider the question of ‘television for women’. In the context of the 2000s, when the potential meanings of both terms have expanded and changed so significantly, in what ways might the concept of programming, addressed explicitly to a group identified by gender still matter? The essays in this collection take the existing scholarship in this field in significant new directions. They expand its reach in terms of territory (looking beyond, for example, the paradigmatic Anglo-American axis) and also historical span. Additionally, whilst the influential methodological formation of production, text and audience is still visible here, the new research in Television for Women frequently reconfigures that relationship. The topics included here are far-reaching; from television as material culture at the British exhibition in the first half of the twentieth century, women’s roles in television production past and present, to popular 1960s television such as The Liver Birds and, in the twenty-first century, highly successful programmes including Orange is the New Black, Call the Midwife, One Born Every Minute and Wanted Down Under. This book presents ground-breaking research on historical and contemporary relationships between women and television around the world and is an ideal resource for students of television, media and gender studies.

Television for Women brings together emerging and established scholars to reconsider the question of ‘television for women’. In the context of the 2000s, when the potential meanings of both terms have expanded and changed so significantly, in what ways might the concept of programming, addressed explicitly to a group identified by gender still matter? The essays in this collection take the existing scholarship in this field in significant new directions. They expand its reach in terms of territory (looking beyond, for example, the paradigmatic Anglo-American axis) and also historical span. Additionally, whilst the influential methodological formation of production, text and audience is still visible here, the new research in Television for Women frequently reconfigures that relationship. The topics included here are far-reaching; from television as material culture at the British exhibition in the first half of the twentieth century, women’s roles in television production past and present, to popular 1960s television such as The Liver Birds and, in the twenty-first century, highly successful programmes including Orange is the New Black, Call the Midwife, One Born Every Minute and Wanted Down Under. This book presents ground-breaking research on historical and contemporary relationships between women and television around the world and is an ideal resource for students of television, media and gender studies.

Having menopausal symptoms as an autistic person can feel isolating and confusing. You might be wondering why you are feeling so lost or why your experience doesn't seem anything like other people's. Here to provide you with clarity are Dr. Rachel Moseley, who is autistic herself, and Professor Julie Gamble-Turner, who has personal experience of the menopause. They combine their years of experience researching autism, health and wellbeing to bring you this indispensable book. Drawing on the powerful voices of sixteen autistic experts, chapters cover everything from understanding why being autistic will affect your experience of the menopause to advice about finding the strategies that work for you and seeking help. You will learn how the menopause can cause changes to your emotions, attention and memory as well as affect things like sensory issues, masking and communication, giving you tools to manage changes effectively and, most importantly, provide reassurance that you're not alone. Whether you're an autistic person currently going through the menopause, are not yet menopausal, or have come out the other side, this book provides the knowledge and support you have been missing.

Fashioning Film Stars brings together work by established and emerging scholars in the field of film costume and star studies, to address the significance of the relationships between fashion, dress and star image. While studies of individual stars have often commented on the importance of style to the construction of their persona, such work has until now remained largely focused upon the female Hollywood, or occasionally European, star. This scholarly and readable volume redresses that balance, offering close analyses of the detail and significance of male and female star style in Hollywood. European, Asian and Latin American contexts. It brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does dress operate in relation to stardom to articulate particular identities - gendered, national, classed, ethnic, sexual? How, precisely, does film costume operate, and how is it understood, semiotically, socially, culturally? Does star dress 'disappear' against the body as 'clothes', or speak out performatively as 'costume' or 'spectacle'? It answers them in an engaging and accessible volume which will be of interest to film scholars and film fans alike.

What is the relationship between feminism and popular culture? Has there been a 'backlash' against feminism or is feminism now part of contemporary 'commonsense'? Can feminism learn from popular culture? Feminism in Popular Culture explores these questions through a diverse range of texts and sites - from news coverage, 'The Vagina Monologues', the Scream trilogy, 'Ally McBeal' and 'Sex and the City', sex documentaries and TV cooks, to breakdancing, beauty salons and computer game-playing. Feminism in Popular Culture does not assume that popular culture could benefit from a feminist 'makeover'. Rather, it analyses how different meanings of feminism have been negotiated within popular culture - how popular culture has made sense of feminism.