Rachel Tzvia Back – författare

A lyric memoir about motherhood, depression, and writing_x000D__x000D_The Dark-Robed Mother is a striking blend of memoir and poetry, grappling with a cyclical "high-functioning" depression and its profound impact on self and family. It is also a modern descent into the underworld, reckoning with the myth of Demeter and Persephone as it unfolds through lived experience. Poet Rachel Tzvia Back draws on this ancient story of loss, return, and the aching bond between generations to illuminate her journey through decades of living, writing, and mothering with depression. She also explores family history and interviews each of her own children as she seeks to understand depression's mark from generation to generation. Threading myth through memoir, poetry through prose, Back confronts the question: how do we survive seasons of despair? And can we break the cycles that bind us to sorrow? Singular memories stand out as navigational "cairns," and the book calls on the poetry of other writers, summoning language to help retrieve oneself from the depths. The Dark-Robed Mother is a rare work of intellect and tenderness—a searching, intimate account of the importance of stories, language, and imagination.

This anthology includes seventy-seven poems of modern Hebrew poetry, from the 1930s to 2023, spanning approximately ninety years. Forty-one poets are represented, some with a single poem and some with more. Of the forty-one poets, all but one are Jewish, with Hebrew as their primary language of composition; the exception is the Arab poet Salman Masalha, who writes in both Arabic and Hebrew. Vigorous efforts were made to represent women's voices and Sephardic voices in the collection. Many of the poets included here live (or lived) their entire lives in Jerusalem (i.e., Zelda, Amichai, Mossel-Eiezerov, Rivka Miriam, Meiri), while many others come (or came) to Jerusalem as visitors (i.e., Raab, Ruebner, Kovner, Ravikovitch, Chalfi, Biton). Some of the poets ended up in Jerusalem at a significant juncture in their lives, and stayed (Goldberg, Gouri, Pinhas-Cohen, Behar). In choosing which Jerusalem poems to include, Rachel Back has sought to represent the great range of relationships with and perspectives on the city the different poets have. The poems are arranged in sections of chronological ordering, with their year of publication attached; as Jerusalem lives also in specific historical moments, so too must her poems. As a religious and political epicenter charged with the continuing, ever worsening, conflicts of our modern day, Jerusalem is unavoidable. She has always been unavoidable. Mythic and real, she pulls the poet toward her and insists on yet one more imagining, one more poetic crafting.Hebrew original text with facing-page English translation

A groundbreaking collection of forty-two Israeli poetic voices protesting the occupation of the West Bank.The eighty-eight poems in With an Iron Pen, all originally written in Hebrew, offer a collective protest to the continuing Israeli occupation of the West Bank and Palestinian territories-"the sin of Judah," which is written "with an iron pen, engraved with the point of a diamond on the tablet of their hearts" (Jeremiah 17:1). Including such preeminent voices as Yehuda Amichai, Aharon Shabtai, Dahlia Ravikovitch, Meir Wieseltier, and Natan Zach, the forty-two poets in this groundbreaking anthology represent the full range of contemporary Hebrew poetry. Together, they turn an unforgiving gaze on the occupation, speaking with rage, shame, sorrow, and despair at the continuing violence that has defined the lives of Palestinians and Israelis over the years and the hopelessness that has permeated both societies. The result is a collection of poems that are as important for their compelling poetic beauty as for their significant political accomplishment. The original Hebrew edition, published in 2005, received accolades in the Israeli press for its comprehensive collection of dissenting voices and for its daring and beautiful poetry. With an Iron Pen is a must read for all who seek a better understanding of the occupation and the wider conflict in the Middle East.

"Rachel Tzvia Back transmutes the hard and sharp facts of the world into green and gold in these poems that bristle with desperate hope. She's always biblical to me, not just because the Galilean landscape she lives in is so like that of those old psalms, but also because she too was a mother who sent her son to war, though she sees in that son another's son-a boy killed on a beach in far Gaza, while playing. The poet here becomes mother to both, she rises up in need to save both, to spin these new and much needed Psalms. Shone upon by a tradition of humanism and compassion, Back dares to ask the famous questions first articulated by Fanny Howe: `Where did the days go? Where to now?' And the last one, the one that always haunts her, throughout all the poems in this painful and wise book: `Are my children safe?' `We will need a new language,' Back warns. Good then that she's giving it to us."-Kazim Ali"`What Use Is Poetry, the Poet Is Asking,' and the book itself is the answer: Poetry -this poetry-is necessary, irreplaceable, urgent. This is the best work of an important Israeli-American poet, translator, peace activist and scholar who reminds us, through the courageous beauty of her poems, that not to be political in these times is to collaborate with the forces of darkness. And what is political for Back couldn't be more intensely personal, as the mother of an air-force paramedic who suffers from PTSD. Narrating the endless cycle of violence of her region, Back's poems protest, grieve, and rescue language from its political and commercial appropriations. Throughout she adopts the irreverent tradition of textual allusion in Jewish poetry, allowing herself to radically rewrite the Hebrew Bible, from Genesis to Psalms, and feminize the Jewish liturgy. This is one of the best new books of poetry I have read in recent years!"-Chana Kronfeld"Poetry may make nothing happen, as Auden infamously wrote, but Rachel Tzvia Back's poetry makes something delicately yet fiercely come forth: the grief of mothers, the fear of soldiers, the tenderness of a younger brother's hand, the stones and sand against which cyclamens struggle to flower in Israel/Palestine. This is a poetry that honors the vast silence out of which and into which we go, and the silences before and after extreme violence. Drawing on ancient epic and myth, alert to the rhythms of land- and sea-scapes, Back's poems arise from a background of unending war, refugee crises, the `sea of small feathered/things' and `of mortar fire fired.' These are incantations offered in part to heal a son, to recognize injury, to sound out grief and guilt, but also to register difficult flashes of beauty and the presiding elemental forces of "eastern winds," sun, moon, season, and sea. Back's lyrics are as purposive, stealthy, and precise as the step of the tutelary cat in some of her poems. Her beautifully spare lines offer `a narrow bridge and all the world'." -Maureen McLane

"On Ruins & Return: Poems 1999-2005" is Rachel Tzvia Back's second full-length collection and tracks the cycle of violence marking the lives of Palestinians and Israelis in the last intifadah (uprising). Rachel Tzvia Back - poet, translator and professor of literature - was born in the USA and has lived in Israel for the last 27 years.