Rachel Zadok - Böcker

Including 2022 Caine Prize winning story "Five Years Next Sunday" by Idza Luhumyo, 2022 Nommo Award shortlisted story "Shelter" by Mzobi Haimbe and 2023 O'Henry Prize for Short Fiction winner "Mother" by Jacob M'hangoThis genre-spanning anthology explores the many ways that we grow, adapt, and survive in the face of our ever-changing global realities. These evocative, often prescient, stories showcase new and emerging writers from across Africa to investigate many of the pressing issues of our time: climate change, pandemics, social upheaval, surveillance, and more. In Disruption, authors from across Africa use their stories to explore the concept of change—environmental, political, and physical—and the power or impotence of the human race to innovate our way through it. From a post-apocalyptic African village in Innocent Ilo’s “Before We Die Unwritten,” to space colonization in Alithnayn Abdulkareem’s “Static,” to a mother’s attempt to save her infant from a dust storm in Mbozi Haimbe’s “Shelter,” Disruption illuminates change around and within, and our infallible capacity for hope amidst disaster. Facing our shared anxieties head on, these authors scrutinize assumptions and invent worlds that combine the fantastical with the probable, the colonial with the dystopian, and the intrepid with the powerless, in stories recognizing our collective future and our disparate present.Disruption is the newest anthology from Short Story Day Africa, a non-profit organization established to develop and share the diversity of Africa’s voices through publishing and writing workshops.

Brittle Paper's "Anticipated African Books of 2024"From Short Story Day Africa, eleven writers from Africa and the African diaspora explore the identities that connect us, the obsessions that bewitch us, and the self-delusions that drive us apart.Passion and apathy, creation and destruction, honesty and deception—the blurred lines between these powerful forces are fundamental to the human condition. In three parts, the writers of Captive investigate these liminal spaces and rail against the boxes in which others seek to confine them, as writers, as Africans, and as humans.Journey from the fantastical Heaven’s Mouth where time stands still, to a London bus where a neurodiverse woman steals love to the songs of Tom Jones . . . flip the page to Ghana to examine a fertility fetish, or a post-apocalyptic Lesotho where sentient AI uses our emotions against us . . . visit the deceptively beautiful islands off the Tanzanian coast, where the ocean is always hungry, and women pay the price. Captive is a riot of imagination, a collision of worlds, and a testament to the shape-shifting nature of the soul.