Rachel Zucker – författare

"Rachel Zucker may be Generation X's likeliest heir to the confessional legacy of Sylvia Plath, Louise Gluck, and Sharon Olds."-The Believer Rending the terrorizing forces of modern existence from abstraction and placing them directly in our laps, Museum of Accidents is a brutally honest epic of domestic proportions. Rachel Zucker is the author of three collections of poetry and co-editor of Women Poets on Mentorship: Efforts and Affections. A graduate of the Iowa Writer's Workshop, she currently lives in New York City with her husband and three sons, where she is a certified labor doula.

"Zucker is a poet of bottom-scraping, blood-chilling existential anxiety, one among many, and a poet of New York City, one among many, and a poet of American Jewish inheritance, one among many, and one of the funniest, too."--Boston Review Rachel Zucker returns to themes of motherhood, marriage, and the life of an artist in this double collection of poems. Fables, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. The Pedestrians brings us back to her native New York and the daily frustrations of a woman torn by obligations. That Great Diaspora I'll never leave New York & when I do I too will be unbodied--what? you imagine I might transmogrify? I'm from nowhere which means here & so wade out into the briny dream of elsewheres like a released dybbyk but can't stand the soulessness now everyone who ever made sense to me has died & everyone I love grows from my body like limbs on a rootless tree Rachel Zucker is the author of Museum of Accidents, which was a finalist for the National Book Critics Circle Award.She is also the author of The Bad Wife, The Last Clear Narrative, Eating in the Underworld, and Annunciation.

Through heartbreaking, often comic, genre-non-conforming pieces spanning the past 10 years, Rachel Zucker trains her relentless attention on marriage, motherhood, grief, the need to speak, depression, sex, and many other topics. Part poetry, part memoir, part lyric essay—and not limited by any of these categories—SoundMachine is a book written out of the persistent feeling that the human voice is both a meaningless sound and the only way we know we exist.

Through heartbreaking, often comic, genre-non-conforming pieces spanning the past 10 years, Rachel Zucker trains her relentless attention on marriage, motherhood, grief, the need to speak, depression, sex, and many other topics. Part poetry, part memoir, part lyric essay—and not limited by any of these categories—SoundMachine is a book written out of the persistent feeling that the human voice is both a meaningless sound and the only way we know we exist.

The Poetics of Wrongness is a collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016.Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares “I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.” Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde—among many others—into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet’s need to speak, and the resulting responsibilities. Prescient in their original observations, these expanded talks seek to respond to and engage the many political events since their presentation, remaining timelessly persistent in their galvanizing force.