Rachilde – författare

When the rich and well-connected Raoule de Vénérande becomes enamoured of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule’s suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.A writer and cultural arbiter of a salon in France from the early 1880s until 1930, Rachilde (Marguerite Eymery) won celebrity with this scandalously decadent novel. An inversion of the Pygmalion story, the book was judged to be pornographic, and a Belgian court sentenced its author (in absentia) to two years in prison. Verlaine congratulated Rachilde on the invention of a new vice.

In this key text from the French decadent movement, an aristocratic young woman becomes enamored of a young man who makes artificial flowers for a living.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890–1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama. Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D''Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama. Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D''Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

“A captivating exercise in intriguing symbolism.” —John Taylor, Times Literary SupplementWhen Jean Maleux, a young sailor, is appointed assistant keeper of the Ar-Men lighthouse off the coast of Brittany, he is drawn into a dark world of physical peril, sexual obsession and necrophilia. The lighthouse is home to the eccentric, embittered keeper Mathurin Barnabas: an irascible and grizzled old man who appears to be more animal than human.Time passes in alternating stages of mind-numbing monotony and bouts of horror as our hero struggles against the endless assaults of wind and loneliness, with only his duties and his mute companion for distraction. The sea evolves into a wild force and the lighthouse itself into a monster that Jean must tame if he is to survive. First published in French in 1899 and never before translated, The Tower of Love will be of keen interest to readers of Decadent, Symbolist and Romantic horror fiction.Rachilde was the pen name of Marguerite Vallette-Eymery (1860–1953). She was the only female writer for the literary journal Le decadent.Melanie C. Hawthorne is a professor in the Department of Global Languages & Cultures at Texas A&M University. She is the translator of Rachilde’s novels The Juggler and Monsieur Vénus.

När den adliga Raoule de Vénérande träffar den fattige arbetaren Jacques Silvert drabbas hon av en häftig förälskelse och bestämmer sig för att hon vill ha honom till sin älskarinna. Han installeras i en överdådig ateljé där hon drogar, slår och älskar sitt vackra offer som gör allt för att glömma sin manliga stolthet och förföras av lyxen. Kan man finna sig i en sådan tillvaro? Kan omvärlden tolerera den? Vännen och före detta husarofficeren baron de Raittolbe gör det i vilket fall inte. Hans stiliga mustasch darrar av svartsjuka och oförlöst begär – men är det verkligen till Raoule hans lust står? Ödesdigra konsekvenser väntar för den som försöker skriva om reglerna och för den som är alltför vacker. I den här hyperdekadenta och proto-queera romanen från 1884 utmanar dess författarinna Rachilde – ”Mademoiselle Baudelaire” – även en modern läsares föreställningar om kön, klass och konst. Utgåvan innehåller även förord och kommentarer av översättaren Hillevi Hellberg och efterord av fin de siècle-forskaren Cecilia Carlander.